Filmmaker54

Scott Brady : Biography
He had the manly good looks and rugged appeal to make it to top stardom in Hollywood and succeeded quite well as a sturdy leading man of standard action on film and TV. Born in Brooklyn on September 13, 1924, Irish-American Scott Brady was christened Gerard Kenneth Tierney (called Jerry) by parents Lawrence and Maria Tierney. His father, chief of New York's aqueduct police force, had always had show business intentions and later did print work after retiring from the force. Both Scott's older and younger brothers, Lawrence Tierney and Edward Tierney went on to become actors as well. Lawrence's promising film noir "bad guy" career was sabotaged by a severe drinking disorder that led to numerous skirmishes with the law. Scott himself faced a narcotics charge in 1957 (charges were dropped, Scott maintained that he was framed) and later (1963) was involved in illegal bookmaking activities. Fortunately, Scott was more cool-headed and wound up avoiding the pitfalls that befell his older brother, making a very lucrative living for himself in Hollywood throughout the 1950s and early 1960s.

Scott grew up in Westchester County and attended Roosevelt and St. Michael's High Schools. Like his older brother Lawrence, Scott he was an all-round athlete in school and earned letters for basketball, football and track and expressed early designs on becoming a football coach or radio announcer. Instead he enlisted before graduating from high school and served as a naval aviation mechanic overseas. During his term of duty he earned a light heavyweight boxing medal. He was discharged in 1946 and decided to head for Los Angeles where his older brother Lawrence was making encouraging strides as an actor. Toiling in menial jobs as a cabbie and day-time laborer, the handsome, blue-eyed looker was noticed having lunch in a café by producer Hal B. Wallis and offered a screen test. The test did not fare well but, not giving up, he enrolled in the Bliss-Hayden drama school under his G.I. Bill, studied acting, and managed to rid himself of his thick Brooklyn accent.

He signed with a minor league studio, Eagle-Lion, and made his debut of sorts in the poverty-row programmer In This Corner (1948) utilizing his boxing skills from his early days in the service. He showed more promise with his second and third films Canon City (1948) and He Walked by Night (1948), the latter as a detective who aids in nabbing psychotic killer Richard Basehart. Scott switched over to higher-grade action stories for Fox and Universal over time. Westerns and crime stories would be his bread-winning genres with The Gal Who Took the West (1949) opposite Yvonne De Carlo and John Russell and Undertow (1949), with Russell again, being prime examples. He frequently switched from hero to heavy during his peak years. In one film he would romance a Jeanne Crain in The Model and the Marriage Broker (1951) or a Mitzi Gaynor in Bloodhounds of Broadway (1952), while in the next beat Shelley Winters to a pulp in Untamed Frontier (1952). A favorite pin-up hunk in his early years, he hit minor cult status as a bad hombre, The Dancin' Kid, in the offbeat western Johnny Guitar (1954). He and the other manly men, however, were somewhat overshadowed in the movie by the Freudian-tinged gunplay between Joan Crawford and Mercedes McCambridge. Other roles had him sturdily handling the action scenes while giving the glance over to such diverting female costars as Barbara Stanwyck, Mala Powers and Anne Bancroft.

Scott would mark the same territory in TV -- westerns and crimers -- finding steadier work on the smaller screen into the 1960s. He starred as the title hero in the western series Shotgun Slade (1959). Stage too was a sporadic source of income with such productions as "The Moon Is Blue", "Detective Story" and "Picnic" under his belt before making his Broadway bow as a slick card sharp opposite Andy Griffith in the short-lived musical "Destry Rides Again" in 1959. He later did the national company of the heavyweight political drama "The Best Man" with his portrayal of a senator.

The seemingly one-time confirmed bachelor decided to settle down after meeting and marrying Mary Tirony in 1967 at age 43. Prior to this he had been linked with such luminous beauties as Gwen Verdon and Dorothy Malone. The couple had two sons. Parts dwindled down in size in later years and he gained considerable weight as he grew older and balder, but he still appeared here-and-there as an occasional character heavy or hard-ass cop in less-important movies such as Doctors' Wives (1971), $ (1971), The Loners (1972) and Wicked, Wicked (1973). Minor TV roles in mini-movies also came his way at a fair pace. Towards the end he was seen in such high-profile big-screen movies as The China Syndrome (1979) and Gremlins (1984). Scott had a collapse in 1981 and was diagnosed with pulmonary fibrosis, a progressive respiratory disease. He later relied on an oxygen tank. He died of the disease four years later and was interred at the Holy Cross Cemetery in Culver City, California.

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Filmmaker54

John Russell : Biography
Handsome, rugged American leading man John Russell (whose credits are often confused with those of child actor Johnny Russell) attended the University of California, where he was a student athlete. Serving in the US Marine Corps in WW II, he earned a battlefield commission and decorations for valor at Guadalcanal. His dark good looks brought him to the attention of a talent scout after the war and he began playing second leads and occasional heavies in major productions. In the 1950s, he branched into television and starred in several popular series, most notably Lawman (1958). His appearances were sporadic after the 1960s, though he was a memorable villain in Clint Eastwood's Pale Rider (1985).

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Filmmaker54

Dorothy Hart : Biography
A former model, the luminously beautiful Dorothy Hart was signed to a contract by Universal Pictures after having made only one film, Columbia's Gunfighters (1947). After that she did westerns, costume dramas, prison sagas, Tarzan movies, and the cult classic I Was a Communist for the F.B.I. (1951). However, she soon left the film business in 1952, moved to New York and did occasional guest spots on TV dramas and game shows. She was very active in working through the United Nations for the world's children.

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Filmmaker54

Biography : RITA HAYWORTH
Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.

Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.

Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).

After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.

Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.

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