Why Eats Everything ditched his hardware synths: "My productivity went through the roof"

"The average is 20 to 30 versions to get it right": Riva Starr on creating that 'final' version

ec2a boss Dr Dubplate explains what makes a demo stand out: "It makes it sound more authentic"

Idania Valencia on mastering 2024's biggest album: "I just had to make it shine"

Lawrence Hart: "Get the track into a form soon as you can; so many people get stuck in a loop"

Djrum: "I'm always starting sessions and not finishing them – I don't see that as unproductive"

Nadia Struiwigh on balancing technique and creativity

Breaka on how he structures tracks around a single rhythm

Eats Everything's essential studio advice: "I started being able to make the music I wanted to make"

Fraser T Smith on why he loves mixing with analogue hardware

Sigala shows how he wrote the hook for Came Here For Love

Sub Focus crafting a DnB bass patch

Legowelt making ambient sounds on the Roland JV-2080

Avicii creating kick drums in the studio (2011)

Imogen Heap shares a studio tip (2010)

Stop thinking your music isn't good enough: Mr. Mitch (aka DJ Cuddles) shares some production advice

Dave Clarke on the state of DJing in 2024

Dubstep pioneer Benga making beats in the studio in 2008

A Guy Called Gerald talks record hunting in the early days of house music

DJ Boring on making Winona and using synths in the studio

How @BostonBun builds tension with #ableton Auto Filter – Watch his Nobody // Me breakdown now

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