Flava D breaks down the making of Reesey Thing (Hospital Records) – In the studio

"I like beautiful mistakes": Adrian Sherwood on dub, studio techniques & how AI assisted his new LP

5 ESSENTIAL ways to use distortion in Ableton Live: From tighter drums to dub delays

"DnB is the ultimate learning curve": Flava D on her journey from grime to DnB and new LP Here & Now

Better bass: 7 pro electronic artists share advanced bass sound design techniques and synth tips

Silva Bumpa on his go-to studio techniques and tools: "I spend all my money on instrument VSTs"

"It's outrageous the stuff that we used to do just to get sounds": Disciples interview

Everybody needs a 101... and Donner's L1 is a decent, affordable version

Flava D makes a liquid DnB beat from scratch – In The Studio

Silva Bumpa breaks down Feel Da Same: "I wanted a piano hook with a very euphoric energy"

Sound design in Ableton Live: 6 ways to bring your tracks to life with Auto Filter

Why Audiomodern Filterstep is a fantastic free plugin... and how to use it

Disciples break down the making of Starlight: "The whole point of studio sessions is to experiment"

Pigments 6 vs Serum 2 – software synths head-to-head: What's new? Which is best for your workflow?

"I had my 15 minutes, which I hated": Riva Starr on his career, studio and mixing with analogue gear

Break out of the loop: 8 pro producers explain how to turn basic ideas into finished tracks

"The value of music has dropped considerably": Joe Armon-Jones on All The Quiet's musical apocalypse

Why Odin 2 is a fantastic free synth... and how to use it

Breaka talks production tips and making his album Aeoui: "You can't write dance tracks in C# minor"

“I've many different ways of working; every piece of gear has a character" Nadia Struiwigh interview

It’s great… but is it worth two Bass Stations?: Moog Messenger review

Lawrence Hart studio tour: Go-to synths, modular FX and putting together a live rig

Erica Synths Steampipe review: Is physical modelling sexy now?

Nadia Struiwigh builds a beat on the Korg Electribe EMX-1 – In the studio

Why TDR Nova is a fantastic free plugin... and how to use it

Fraser T Smith studio tour: the gear behind Adele, Kano, Kae Tempest, Dave, Snow Patrol and more

"It doesn't immediately scream party banger": Breaka flipping a choir sample and making Are We There

"We wanted to design an instrument that was approachable for everyone": Moog Messenger synth demo

The 12 best new synths, drum machines, FX and innovations of Superbooth 25: round table + demos

Ever wondered if you need a subwoofer and which one to buy? Kali Audio has the perfect options

"I want modernity and history; to feel timeless but futuristic": Djrum on Under Tangled Silence

“You have to be a Swiss Army Knife": Fraser T Smith on working w/ Kae Tempest, Adele & Future Utopia

PreSonus’s Quantum HD interfaces can be the heart of a powerful, convenient recording setup

10 more things producers can learn from our In The Studio With... series

Why the Full Bucket FB-3300 is a fantastic free synth – and how to use it

Lawrence Hart [Domino Records] builds a track from scratch – In The Studio

"If everything's patched and organised, you end up repeating yourself": Riva Starr studio essentials

"I'm not as brave as Lee 'Scratch' Perry": Joe Armon-Jones on the go-to gear behind All The Quiet

"Gatekeeper mentality made me bitter towards dance music": Dr Dubplate on club culture and ec2a

“I know how to make a banger through trial & error”: Eats Everything on DJing & producing his new LP

It's time to finally ditch those cables, SonicLink from AlphaTheta is here

Ranked: Moog semi-modular showdown – The 'Mother' range from worst-to-best + our favourite pairings

Nitin Sawhney and Polygon Live in the studio: Creating a 360 degree immersive live show

Djrum on creativity “I'm starting sessions and not finishing them, I don't see that as unproductive”

Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio

Elektron Digitone II review: Is it worth the upgrade from version 1?

In the studio w/ Joe Armon-Jones (Ezra Collective): Dub mixing in Aquarii Studios

Djrum in the studio: Making Frekm Pt.2

Why Pendulate is a fantastic free synth – and how to use it

Giles Martin demystifies the 'AI' behind The Beatles' Now and Then: “AI isn't creating John's voice"

Adam F on making Kaos and moving from DnB to hip-hop

Adam F on how he made ‘90s classic Colours… and why he’s re-recording it for 2025 - In the studio

There’s a lot we love about Korg’s DIY synth… but it has one big problem: Nu:Tekt NTS-1 mkII review

Dr Dubplate's top 5 DJing tips and tricks

Making a DnB track from scratch with Wilkinson (2018) – FROM THE ARCHIVE

Is this acoustic-MIDI hybrid the future of classical instruments? Digitaize at NAMM 2025

“I just had to respect the sound”: Idania Valencia on mastering Charli XCX, go-to plugins and AI

The best of NAMM 2025: The biggest music tech stories – New synths, controllers, studio gear & more

Donner's L1 is a budget analogue synth that builds on the legacy of the SH-101

Stylophone’s CPM DF-8 is a ‘beauty and the beast’ filter that can purr or squeal