Why the Full Bucket FB-3300 is a fantastic free synth – and how to use it

Lawrence Hart [Domino Records] builds a track from scratch – In The Studio

"If everything's patched and organised, you end up repeating yourself": Riva Starr studio essentials

"I'm not as brave as Lee 'Scratch' Perry": Joe Armon-Jones on the go-to gear behind All The Quiet

"Gatekeeper mentality made me bitter towards dance music": Dr Dubplate on club culture and ec2a

“I know how to make a banger through trial & error”: Eats Everything on DJing & producing his new LP

It's time to finally ditch those cables, SonicLink from AlphaTheta is here

Ranked: Moog semi-modular showdown – The 'Mother' range from worst-to-best + our favourite pairings

Nitin Sawhney and Polygon Live in the studio: Creating a 360 degree immersive live show

Djrum on creativity “I'm starting sessions and not finishing them, I don't see that as unproductive”

Eats Everything in the studio: We Lost Ourselves and Found a Family (ft Goldie)

Elektron Digitone II review: Is it worth the upgrade from version 1?

In the studio w/ Joe Armon-Jones (Ezra Collective): Dub mixing in Aquarii Studios

Djrum in the studio: Making Frekm Pt.2

Chaotic pendulums and West Coast waves: Why Pendulate is a fantastic free synth... and how to use it

Giles Martin demystifies the 'AI' behind The Beatles' Now and Then: “AI isn't creating John's voice"

Adam F on making Kaos and moving from DnB to hip-hop

Adam F on how he made ‘90s classic Colours… and why he’s re-recording it for 2025 - In the studio

There’s a lot we love about Korg’s DIY synth… but it has one big problem: Nu:Tekt NTS-1 mkII review

Dr Dubplate's top 5 DJing tips and tricks

Making a DnB track from scratch with Wilkinson (2018) – FROM THE ARCHIVE

Is this acoustic-MIDI hybrid the future of classical instruments? Digitaize at NAMM 2025

“I just had to respect the sound”: Idania Valencia on mastering Charli XCX, go-to plugins and AI

The best of NAMM 2025: The biggest music tech stories – New synths, controllers, studio gear & more

Donner's L1 is a budget analogue synth that builds on the legacy of the SH-101

Stylophone’s CPM DF-8 is a ‘beauty and the beast’ filter that can purr or squeal

Behringer's Wave is a PPG Wave clone that's been four years in the making

Could Melbourne Instruments' ROTO Control revolutionise software and hardware control?

Korg reaches back to 1973 with its reissued MiniKorg 700Sm at NAMM 2025

"An all-in-one gig rig": Roland introduces the V-Stage at NAMM 2025

"More than just an audio interface": Bitwig launches its first hardware product at NAMM 2025

Polyend Step first look: A drum machine you can stomp on

Teenage Engineering OP-XY review: What we love about it... and what we don't

Pig&Dan (Drumcode/Soma) studio masterclass (2016) – FROM THE ARCHIVE

Why Valhalla Supermassive is a fantastic free effect plugin... and how to use it

Icicle makes a DnB beat from scratch (2016) – FROM THE ARCHIVE

Gear of the year 2024: The 10 best synths, samplers and drum machines

Daniel Miller gives us a tour of Studio Mute (2014) – FROM THE ARCHIVE

Sub Focus breaks down his track Solar System (2019) – FROM THE ARCHIVE

Create a full techno track from scratch with Tom Hades – FROM THE ARCHIVE

"Clubs are dying, but I don't think music scenes will die": Mr. Mitch (aka DJ Cuddles) interview

Korg's strangest synths: “We think there were probably less than 50 of these ever produced”

The Last DJ's techno tips: "I'm not afraid to break the rules. The main thing is to enjoy yourself"

Why Vital is a fantastic free synth plugin... and how to use it properly

Mr. Mitch (aka DJ Cuddles) turns old ideas into finished tracks – In the studio

Roland VQD106 review: Are they really “the lowest playing-noise in the history of electronic drums?”

3 ways to use Oeksound Bloom in a mix: Why this adaptive tone shaper could become a new go-to effect

Beginner's guide to modular synthesis: Oscillators and how to patch them – Easy guide to Eurorack

Motor Synth MkII review: Beautifully odd and maddening – The things we love and some things we don't

Max Cooper explains his stunning live 3D/AV show: "I want freedom to just have fun with it"

The history of Korg in 21 synths: Inside the new Korg Gallery

Polyend Synth review and developer interview: A late contender for 2024’s best new instrument

Musicians that have invested in the platform deserve more: Maschine 3.0 software demo & review

"With the SH-101 the first thing you do is try to rip off the bassline to I Feel Love": Utah Saints

"Michael Stipe said it was his favourite dance album" Rave icons Utah Saints on their '92 debut

Boston Bun talks us through the stems of Nobody // Me

Korg Multi/Poly review: "It's not a Mono/Poly... but it's an interesting take on some of its ideas"

“I like sampling from vinyl; I like the limitation, and the randomness.”: Hardt Antoine interview

Adrian Sherwood 2015 On-U Sound studio tour & making Late Night Endless w/ Pinch – FROM THE ARCHIVE

Breakout UK artist Yunè Pinku flips a piano sample and builds a beat from scratch