Hands-on: Teenage Engineering EP-40 Riddim & EP-2350 Ting – What we love & what we don't...

In the studio w/ Halina Rice: Hypnosis track breakdown & immersive live rig walkthrough

Beyond the specs: How to choose the perfect audio interface – sound, inputs and latency explained

Beardyman in the studio: beatboxing, live looping and making 6am (Ready to Write) – FROM THE ARCHIVE

Semtek on the origins of Don't Be Afraid, how to get tracks signed & what makes a great club track

Eventide Temperance Lite is an innovative new plugin that lets you tune your reverb – and it's free!

3 tips for better basslines, riffs and sequences in Ableton Live

Plaid: In the studio with the Warp Records mainstays – FROM THE ARCHIVE (2019)

Hands-on with Roland's TR-1000: How to use sequencing, sampling, Morph and more

Don't Be Afraid boss Semtek (aka DJ Persuasion) shares 15 years' worth of house and techno knowledge

Capture ideas anywhere with Hisong's AirStudio S1 pocket-sized mobile recording capsule

MJ Cole: In the studio with a UK garage legend – FROM THE ARCHIVE (2017)

3 ways to spice up your chord progressions in Ableton Live 12

Akai MPC Live III: 5 things we love... but is it better than Push 3?

Eluize makes a house track from scratch with Ableton Push and Live – In The Studio

"A few little annoyances... but we do really love this thing": Sequential Fourm first look review

Ranked: Teenage Engineering Pocket Operators - worst to best

Flava D breaks down the making of Reesey Thing (Hospital Records) – In the studio

"I like beautiful mistakes": Adrian Sherwood on dub, studio techniques & how AI assisted his new LP

5 ESSENTIAL ways to use distortion in Ableton Live: From tighter drums to dub delays

"DnB is the ultimate learning curve": Flava D on her journey from grime to DnB and new LP Here & Now

Better bass: 7 pro electronic artists share advanced bass sound design techniques and synth tips

Silva Bumpa on his go-to studio techniques and tools: "I spend all my money on instrument VSTs"

"It's outrageous the stuff that we used to do just to get sounds": Disciples interview

Everybody needs a 101... and Donner's L1 is a decent, affordable version

Flava D makes a liquid DnB beat from scratch – In The Studio

Silva Bumpa breaks down Feel Da Same: "I wanted a piano hook with a very euphoric energy"

Sound design in Ableton Live: 6 ways to bring your tracks to life with Auto Filter

Why Audiomodern Filterstep is a fantastic free plugin... and how to use it

Disciples break down the making of Starlight: "The whole point of studio sessions is to experiment"

Pigments 6 vs Serum 2 – software synths head-to-head: What's new? Which is best for your workflow?

"I had my 15 minutes, which I hated": Riva Starr on his career, studio and mixing with analogue gear

Break out of the loop: 8 pro producers explain how to turn basic ideas into finished tracks

"The value of music has dropped considerably": Joe Armon-Jones on All The Quiet's musical apocalypse

Why Odin 2 is a fantastic free synth... and how to use it

Breaka talks production tips and making his album Aeoui: "You can't write dance tracks in C# minor"

“I've many different ways of working; every piece of gear has a character" Nadia Struiwigh interview

It’s great… but is it worth two Bass Stations?: Moog Messenger review

Lawrence Hart studio tour: Go-to synths, modular FX and putting together a live rig

Erica Synths Steampipe review: Is physical modelling sexy now?

Nadia Struiwigh builds a beat on the Korg Electribe EMX-1 – In the studio

Why TDR Nova is a fantastic free plugin... and how to use it

Fraser T Smith studio tour: the gear behind Adele, Kano, Kae Tempest, Dave, Snow Patrol and more

"It doesn't immediately scream party banger": Breaka flipping a choir sample and making Are We There

"We wanted to design an instrument that was approachable for everyone": Moog Messenger synth demo

The 12 best new synths, drum machines, FX and innovations of Superbooth 25: round table + demos

Ever wondered if you need a subwoofer and which one to buy? Kali Audio has the perfect options

"I want modernity and history; to feel timeless but futuristic": Djrum on Under Tangled Silence

“You have to be a Swiss Army Knife": Fraser T Smith on working w/ Kae Tempest, Adele & Future Utopia

PreSonus’s Quantum HD interfaces can be the heart of a powerful, convenient recording setup

10 more things producers can learn from our In The Studio With... series

Why the Full Bucket FB-3300 is a fantastic free synth – and how to use it

Lawrence Hart [Domino Records] builds a track from scratch – In The Studio

"If everything's patched and organised, you end up repeating yourself": Riva Starr studio essentials

"I'm not as brave as Lee 'Scratch' Perry": Joe Armon-Jones on the go-to gear behind All The Quiet

"Gatekeeper mentality made me bitter towards dance music": Dr Dubplate on club culture and ec2a

“I know how to make a banger through trial & error”: Eats Everything on DJing & producing his new LP

It's time to finally ditch those cables, SonicLink from AlphaTheta is here

Ranked: Moog semi-modular showdown – The 'Mother' range from worst-to-best + our favourite pairings

Nitin Sawhney and Polygon Live in the studio: Creating a 360 degree immersive live show