Short, quirky tales from comedy writer/actor Walt Jaschek intended to bring chuckles. Or at least chortles.
Walt is a retired copywriter of comedy-bent, award-winning ad campaigns for national brands (with many wacky examples on this channel.) For that body of funny work, Walt was a 2018 inductee into the St. Louis Media History Hall of Fame. Declaring, "I'm not history yet," Walt is now writing and starring in quirky, short comedy videos designed to entertain the world. And himself.
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WALT TALES
If you enjoyed our Recycled Man™ animated short here: www.youtube.com/shorts/vHTB-X...
You might enjoy the comic book story it teases! You can read the entire first issue on GlobalComics: globalcomix.com/c/recycled-man/chapters/en/1/ On Crypto Comics: cryptocomics.com/series/298-recycled_man_1_what_go… And you can read the secret backstory on my Substack: substack.com/home/post/p-69567092
Recycled Man! What goes around... comes around!
2 weeks ago (edited) | [YT] | 2
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WALT TALES
If. you enjoyed our first EARTH DUDE animated short... www.youtube.com/shorts/pW4jol...
...you might enjoy our new Earth Dude comic book, available directly from me! Details: www.ebay.com/itm/236443515234
Earth Dude! He's the planet's best pal!
3 weeks ago (edited) | [YT] | 2
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WALT TALES
A bodacious BlackFriday deal from Writer Walt (me!) Today, in my digital download shop, I am making PDFs of some of my books and comics absolutely freakin’ FREE. Go to: ko-fi.com/writerwalt/shop Download EARTH DUDE, HEROBOTS, etc., and read ‘em on screen at your ever-lovin’ leisure. All I ask in return is a comment, share or social media mention!
4 months ago (edited) | [YT] | 1
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WALT TALES
Happy Thanksgiving, all! We have much to be thankful for. ((And so we toast you with our coffee cups.)) - Walt and Randy
4 months ago | [YT] | 1
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WALT TALES
Whoever is writing signs for this grocery baking department is having waaaaay too much fun!
5 months ago (edited) | [YT] | 1
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WALT TALES
DANG GNATS!™ is the long-running webcomic by @WaltTales starring "two outspoken insects with too much time on their wings." They've been all over the web since 2001, but alas, not yet on YouTube. Until now! Here are 10 sample strips in the "gnat-imated" style. What's your fave?
6 months ago (edited) | [YT] | 1
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WALT TALES
Here are a few panels from our KNOW PATROL™ poster #1, highlighting differences between sound-alike words. Starring KNOW BOY™ AND KNOW GIRL™. These super heroes for classrooms were created by Walt Jaschek aka @WaltTales (script and layout), Lorenzo Lizana (art), and Don Secrease (colors.) Get your KNOW PATROL™ poster here: waltnow.substack.com/p/the-know-patrol-poster-1-it…
10 months ago (edited) | [YT] | 1
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WALT TALES
Here is the introduction to my book THE DENNY O'NEIL TAPES: A CONVERSATION ABOUT COMICS, CULTURE AND AMERICA. It's on Amazon here: www.amazon.com/DENNY-ONEIL-TAPES-Conversation-Cult…
The year was 1970. A young comics writer was on the rise.
St. Louis native Denny O’Neil was a 31-year-old comic book writer in New York, experiencing burgeoning pop culture fame for his ground-breaking work on GREEN LANTERN, JUSTICE LEAGUE, BATMAN, WONDER WOMAN and other DC Comics titles.
That summer, he returned to his home town on a media tour that included an extended, round-robin conversation with a small group of St. Lous comic book superfans – including me.
I was 15 years old.
And I recorded the whole thing.
THE DENNY O’NEIL TAPES is the first wide, mainstream publication of that interview, which was originally transcribed and published in 3 issues of GRAFAN, the mimeograph fanzine of our comic club, in 1970. It was seen by fewer than 100 people and never reprinted until now.
It's now on Amazon: www.amazon.com/DENNY-ONEIL-TAPES-Conversation-Cult…
The conversation focused on Denny’s process in creating his ground-breaking hits of the time; how they fit into the evolving pop culture zeitgeist; his views on artist, commitment and collaborations; the nature of what it means to “heroic;” and musings on the fate of the comic book industry itself.
As bonus, the book includes scans of the Denny’s original, typewritten script for GREEN LANTERN #63 (“This is the Way the World Ends,” 1968,) *gifted* to me by the writer after the interview. I also included select pages from the published issue, for comparison to the script (and edited-in-pencil by DC Comics’ Julius Schwartz!), and a glimpse at the workman processes of these brilliant creators.
With additional comic pages of Denny’s work from that era sprinkled through the interview to give to context, and a postscript inclusion of his complete Wikipedia bio, the book is, I hope, a small but worthy salute to the late, Missouri-born comics storytelling master whose whose career I followed for decades. (We met again at Webster University in the 2000s, when I was teaching, and he guest-speaking, but that’s another story.)
Here are some of Denny’s words from the tapes.
ON REVAMPING BATMAN AND SUPERMAN
“I think both Batman and Superman have accumulated a lot of unnecessary trimming over the years. They were characters who were equivalent to those automobiles Chrysler used to put out, with tail fins that shoot out as high as the Tower of Pisa, and 15 tons of chrome – unfunctional, too much there to work with. We looked at Superman and Batman from way back, the first issues, and we’ve tried to decide what made these characters popular in the first place. What is central to both of them? The process is getting to the stuff that I think, that Julie [Schwartz[ thinks, that Carmine [Infantino] thinks, is getting in the way of telling good, strong stories, and getting back to what the characters are essentially.”
ON ARTIST NEAL ADAMS
“The reason my stuff looks better when Neal is doing it is because Neal is a heck of a good artist and involves himself totally. It’s a matter of pride with him. He tells at least as strong a story in the pictures as you’ve told in the words. It’s more visual because Neal is more visual, and he cares more. I wish that I could distill Neal Adams and put him in a hypo and stick him in every artist in the business. It’s unreasonable to expect that all of them would have his technical skill, his talent, but I’d be satisfied if all of them cared as much as he does.”
ON ADDRESSING SOCIAL ISSUES IN COMICS
“I’m reacting. We’re all reacting. I’m desperately worried about pollution, for example. I’ve got a four-year-old son who might not live to be my age, unless we do something about this. If I were working in movies or some other medium, I would be reacting similarly. I don’t know that it’s we want to “preach.” There has been, of course, a qualified change. There used to be a time when comic never got into anything at all. The difference now is that if you have a story you want to tell about some social problem, and you can still make it an entertaining comic book, you can do it.”
ON WRITING “BAT LASH”
“It was a chance to do something that only comics can do and the medium has never done. Wil Eisner came close with The Spirit to the sort of thing we were trying to do, but we were trying to go one step past The Spirit. The book was written basically humorously, but we all had very serious ideas about who Bat Lash was. We all thought of him as more of a tragic figure than slapstick comedy. He was a poor bastard who was tied, chained and tethered by his own weaknesses, and he couldn’t do anything about them because he was too weak to overcome them. He had the makings of a very noble man, but because he was basically greedy and banal, he never exceeded the level of a very pleasant bastard.”
ON THE FATE OF THE COMICS INDUSTRY
“We may be on a real Ragnarök trip. The end may be very soon. But I think there are a lot of things that can be done. A lot of business things – things that should have been done ten years ago. But 10 years ago [in 1960,] Superman was good for 750,000 copies, and the money was just rolling in. I guess at that time they didn’t see any need to engage in what I feel are very simple, basic business practices that would tend to build an audience and get the magazine displayed. Practices that would broaden the base of the operation, so that if you had a bad year with the comics, you don’t stop altogether.”
Don’t worry: there were also a lot of laughs in the interview, too, with the affable master.
Denny died in 2022 after a long, award-winning career as comics writer and editor, but his work, characters and influence live on in both the DC and Marvel universes. This book is a snapshot of his early ascendency.
www.amazon.com/DENNY-ONEIL-TAPES-Conversation-Cult…
2 years ago (edited) | [YT] | 3
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WALT TALES
Breaking Bad. Better Call Saul. The Mandalorian. More. Actor Giancarlo Esposito @thegiancarloesposito elevates them all, with an unassuming yet mesmerising, “still-waters-run-deep” style of villainy we’ll be enjoying and studying for ages. He’s super-nice in real life, of course, and it was great to get pics with him. “What would you like to do?,” he asked of our photo shoot. “Let’s do a smiling shot and a serious shot,” I suggested. Voila!
He also was gracious to Randy, who told him she remembers him from “Trading Places.” And to me he said, “You look dapper.” I’ll take it!
#breakingbad #bettercallsaul #mandalorian #comiccon #photoshoot #gusfring #moffgideon #moffgideoncosplay #hankpym #hankpymcosplay #marvelcosplay #dapper #dappermen #eyewear #glasses #vests #funmoments
3 years ago | [YT] | 5
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WALT TALES
Poster post! I just scored this "Ant Man and the Wasp: Quantumania" poster. I love it! (More than the movie.) See how much it is on Amazon today via my affiliate link: amzn.to/4jzDWYY
3 years ago (edited) | [YT] | 4
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