Japan-UK: AI applications in health for ageing populations

Welcome to Japan House London | An introduction from CEO & Director General Sam Thorne

Pottery demonstration with Yamada Yoji and Lisa Hammond

The contest for influence in the Global South: how can Japan make a difference?

Aizome: Indigo Dyeing Traditions in Ōme

Exhibition trailer — Hyakkō: 100+ Makers from Japan | Japan House London

Shaping materials by hand: In conversation with curator Nagata Takahiro and maker Ichikawa Takashi

Nadagogō: sake tradition and innovation in Hyōgo

Exhibition | The Makers behind 'Hyakkō: 100+ Makers from Japan'

Talk and Demonstration: Tokoyama Sumo Hairdressers

Exhibition Trailer - Pictograms: Iconic Japanese Designs | Japan House London

Designing a pictogram: capturing the movement of the human body

ONLINE | Sou Fujimoto: The Grand Ring for EXPO 2025 Osaka, Kansai, Japan

HYBRID | Decoding Japanese design through pictograms - Curator talk by Daikoku Daigo

HYBRID | Kagoshima’s Satsuma Students: 160 years since their pioneering journey to the UK

HYBRID | The story of Sendai tansu: samurai chests from Miyagi

The Craft of Carpentry | A Preview of Heritage of 'Kumiko' Crafts

Exhibition Trailer - The Craft of Carpentry: Drawing Life from Japan’s Forests | Japan House London

The Craft of Carpentry | A Preview of Kigumi House. Carpenter Abo Akinori Building Houses

The Craft of Carpentry | Building a Japanese Sa-an teahouse model

HYBRID | Curator Talk by Nishiyama Marcelo - Carpenters’ Spirit and Japan’s Nature

HYBRID | Giselle: a ballet journey from Tokyo to London

HYBRID | How can Japan navigate turbulent times in the Indo-Pacific?

HYBRID | Japan and the UK: Governing in the Age of AI

Looks Delicious! exhibition curator introduction

Looks Delicious! | A glimpse into the world of hyper-realistic food replicas in Japan

Looks Delicious! | PART 3: Colouring and final touches of making food replicas in Japan

Looks Delicious! | PART 2: How Japan makes realistic food replicas with synthetic resin

Looks Delicious! | PART 1: How Japan makes realistic food replicas with wax

Looks Delicious! | Making of Lettuce Replica

Looks Delicious! | Making of Prawn Tempura Replica

How did food replicas become a nationwide phenomenon in Japan? The story of Iwasaki Takizō

Exhibition — Looks Delicious! Exploring Japan’s food replica culture | Japan House London

Making Design Discoveries: An Interview with Exhibition Producer Kuramori Kyōko

Kabuki Performance and Interview with Tanaka Denzaemon XIII and Tanaka Denjirō VII

Design Discoveries: Towards a DESIGN MUSEUM JAPAN Trailer

Ainu Oral Literature: Voices, Songs, Stories

ジャパン・ハウス ロンドン『The Carpenters’ Line 飛騨の匠・伝統は未来を拓く』展

Making an Ainu 'ita' with Ainu woodcarver Hiramura Daiki

HYBRID | TALK: Preserving and Promoting the Ainu Cultural Landscape in Biratori

Ainu singer Harada Rino on singing as a part of her everyday life

Kaizawa Yukiko on 50 years of weaving Ainu 'attus' fabric

Professional Hunter Mobetsu Atsushi on Ainu Spirtuality

Ainu Stories: Ainu Singing and Dancing in Biratori, Hokkaido

Ainu Stories: Ainu Food Preparation

Ainu Stories: Attus Weaving in Nibutani, Hokkaido

Ainu Stories: Embroidery of Ainu Robes

Ainu Stories: Sekine Kenji leading a children's Ainu language class in Nibutani, Hokkaido

Ainu woodcarving master Kaizawa Tōru on his family history and creative journey

Ozaki Tsuyoshi on the practice of Ainu 'cise' construction in Biratori, Hokkaido

Exhibition curator Simon Wright introduces Ainu Stories: Contemporary Lives by the Saru River

Ainu Stories: Ainu Wood Carving in Biratori, Hokkaido

Ainu Stories: Contemporary Lives by the Saru River Trailer

How to Make 'Momiji' (Maple Leaf) Origami

Celebrating 5 Years of Japan House London

Japanese calligrapher Kanazawa Shoko and her mother, Kanazawa Yasuko on their inspirational journey

WAVE co-curator Takahashi Kintarō on mixing genres

WAVE co-curator Hiro Sugiyama on blurring boundaries in art

WAVE: Currents in Japanese Graphic Arts Exhibition Trailer - Japan House London

Artist Tomozawa Kotao on what drives her to paint