Live Orchestration Session: from piano sketch to FULL orchestral score in one hour!

Ep4: Tom Harrold - Composer: What's on my desk

Ep3: Tom Harrold - Composer: What's on my desk

Ep2: Tom Harrold - Composer: What's on my desk

Ep1: Tom Harrold - Composer: What's on my desk

I'm back...

Comparing an AI Violin to a real one...

First look at Heritage Cello from Sonixinema - this is a BEAUTY!

String, harp and piano mixing exercise

First look at Westwood's Alt Grand - an amazingly creative piano!

First look at Sonixinema's Delicate Strings - a beautiful (FREE!) string library

Watch how I scored a 40-minute brand new work!

First look at Noon's Vessels, Toska & Cinematic Studio Strings

First look at Artillery Shell by Soundiron - the most unique cello ever?!

VESPER Rescore | The Cue Tube

First look at Novella Blackwater from Westwood Instruments: TLDR; this is EXCEPTIONAL!

A Sleighful of Stars - Christmas Orchestral Score - Score video

DAWcast: Christmas Orchestral Score - A Sleighful of Stars

Everything I bought in 2024 (Virtual Instruments Edition)

First look at Impressionism from Spitfire Audio!

First Look at Hyperion Strings Ensemble from Soundiron - will this make it to my template?

My home studio!

Let's talk reverbs! Cinematic Rooms, Altiverb, FabFilter Pro-R2 - how I use my reverbs in my music

My best string sound of 2024? Follow-up video!

My best string sound of 2024? Cinematic Studio Strings/Performance Samples/Crow Hill Glass Strings!

Scoring a Halloween sketch with Cinematic Studio Strings, Crow Hill, Spitfire & East West

Scoring a THRILLER with Omnisphere, Soundtoys, Concussion Drums, Trillian & Spitfire!

The Ultimate Legato Comparison? Spitfire Abbey Road Orchestra Strings vs Cinematic Studio Strings!

First orchestral work with Spitfire's Abbey Road Orchestra Symphonic Strings - new No1 string lib?

Score Video: My first orchestral piece with Spitfire Audio's Abbey Road Orchestra Symphonic Strings

Blending Cinematic Studio Strings & Spitfire BBC SO Pro together - is this string orchestra heaven?!

Orchestrating a Melody in 3 Unique Ways with Cinematic Studio Strings & Solo Strings!

Writing with new Performance Samples: Pacific Solo Strings, Vista II Solo Cello & Fluid Shorts III

East West Hollywood Strings 2: review of their chamber orchestra-sized string ensemble!

First look at Ghost Note Audio's Conductor MIDI controller. TLDR: it's absolutely tremendous.

Vivid Strings by Pulse Audio: first reaction. Logic Pro review

Fight or Flight - orchestral score: Cinematic Studio Strings, Infinite Brass, Spitfire & Eastwest

First day with Cinematic Studio Strings (and CSSS!) - goodbye BBC SO Pro?!

Short string writing & programming exercise with Spitfire BBC SO Pro in Logic

Writing with LIVE Cello: Scoring Ballet Music with Alice Allen - in-depth look at the whole process

Mix this minimalist track with me in Logic Pro with FabFilter, Altiverb, Sonnox et al!

Writing with Freebies: with all 4 Crow Hill Company Vaults & only stock plugins on Logic Pro

My music comes to life; scoring for dance; collaboration is the best thing EVER.

First look at Spitfire's Abbey Road One Soaring Strings - Day 1 Review! Will it make my template?

Three Tracks, One Day! Using Logic Pro, Spitfire, Trilian, Infinite Brass, Hans Zimmer Percussion

My most in-depth video EVER: Sketching, orchestrating & creating a mock-up in Logic Pro X.

First for 2024: writing music for ballet using Logic Pro Spitfire BBCSO Solar Shaperbox FabFilter

Happy new year!

First look at The Crow Hill Company's Vaults Beta R+D STRINGS

Hybrid orchestra score walkthrough Call of Duty-style using Logic Pro X & (mostly) Spitfire Audio

Horror Orchestral Score Breakdown

Halloween/Horror Track - Score video

How to write better string ostinatos

First look at The Crow Hill Company's Vaults Beta ATTIC GRAND

Very deep dive - writing a minimalist piece

Orchestrating a sketch in 10 minutes

A new video format...My first weekly update!

Composer Vlog: Orchestral Piece deep dive

Tom Harrold: Goodbye Brother | #cuetubebrother

Composer Vlog ep.8: Mixing an Orchestral Piece in Logic part II