Celestion speakers A/B comparison with Musicmaster Bass Amp

Bb Jazz Blues Walking Bassline

Let's learn Jazz together!

Sexy Dance by Takanaka Masayoshi - Guitar Duet with my Berklee student

C Jam Blues (Jazz Blues) - Guitar Duet with my Berklee student

Do you like my vintage 1965 Fender Stratocaster with my new Blues Junior IV 30th Anniversary Amp?

Blue Bossa - Playing a duet with my Berklee private guitar lesson student

Unaccompanied Solo Guitar with P90 TONE! - Isn't she lovely

Is this Illegal Marshall Plexi Tone? - Marshall Plexi JTM45 by StewMac Amp Kit

Tomo & Ohyama KYOTO session in TOKYO JAPAN 2025

Why I love This Fender Musicmaster - A Single Pickup Guitar

What happens in a Berklee Private Guitar Lesson?

Can you play blues? Really good?

Soulful Jam with my Berklee student

Clementine Orangewood - Playing C Major and Beyond!

What if someone says, "Play something. Show me what you can play" - Orangewood Clementine

Open the Door-"Learning how to DEEPLY learn how to play Guitar "

Video 45 - Blues solo approach: visual-based/minor pentatonic (bad example)

Video 41 - “Twinkle Twinkle” — understand the chord progression

Use a metronome like a pro

Work on open chord accented strumming

Tapping accent drill for clear rhythm

Vertical scale exercise that also works right-hand palm muting

Chord melody with big chords

Chord melody with small triad inversions

Soulful BB King soloing approach: 2nd & 3rd strings with bending

Left-hand muting exercise: for funk rhythm guitar

Small triad inversions: A & G form / shape

Pay attention to technique! Break these bad fingering habits

“Twinkle Twinkle” using the one-string approach — understand the melody

Amp setting that will help you improve

“Twinkle Twinkle” — understand the chord progression

Master R 3 7 blues chord progression! (small 3 note-chords)

Simple 1-2-3-4 fingering drill that builds control

Triad inversions on 234 string set with intervals

Connect scales & triads like a pro — understand the relationship in detail

Triads in action — make chords come alive

The #1 mistake guitarists make at the start

Do-Re-Mi singing approach on 3rd & 4th strings

Horizontal triads with intervals (CAGED form)

Simple (not easy) picking with a slow tempo

Groove vs. no groove — spot the difference

Do-Re-Mi singing approach on 2nd & 1st strings

Do-Re-Mi singing approach on 5th & 6th strings

Blues solo approach: visual-based/minor pentatonic (bad example)

Check all intervals hiding inside open chord shapes

Tap your knees: the most effective and easiest rhythm trainer

Soulful BB King soloing approach: 1st & 2nd strings with bending

Triad inversions on 345 string set with intervals

Triad inversions on 456 string set with intervals

Triad inversions on 123 string set with intervals

Let’s play blues, and mix jazz & funk!

Complex finger patterns for next-level skill

“Same interval” trick most players miss = Learn same triad inversion in different string sets

Tapping accent displacement to develop rhythm guitar groove

Proper amp setting for playing clean rhythm guitar

One-string / one-finger approach: use your ears, not your eyes

Combine triads and bending phrases for a soulful blues solo

Turn simple open chord accent into better rhythm guitar

Advanced tapping accent to challenge your time feel