Modern Feedback Delay Networks for Realistic and Creative Reverberation - Gloria Dal Santo - ADC 25

Optimizing UI Rendering Performance in Cubase and Nuendo - Erich Krey - ADC 2025

Incline - Topographic Microsound Explorer - Cristián Vogel - ADCx Copenhagen 2026

How To Distribute Your Plugins Using MuseHub as the Engine - Khaled Said - ADC 2025

Building an Optimized DSP Framework in Modern C++ - Scott Carver - ADC 2025

Real-Time Raytraced Acoustics for Games - Anton Lundberg - ADCx Copenhagen 2026

Measuring and Improving UI Performance with the JUCE C++ Framework - Anthony Nicholls - ADC 2025

Commercialising Audio Plugins - Going From Development to Sales and Beyond - Tobias Lønnerød Madsen

Capturing and Transferring Expressive Microtiming in Drumming - Eemi Fagerlund - ADCx Copenhagen

How I Learned to Love the Docs: Documentation As Design Process for Music Tech Products - Astrid Bin

How to Write Scalable, Deterministic Audio Engines - Janus Lynggaard Thorborg - ADCx Copenhagen 2026

Modernizing Legacy Audio Plugin Codebases - Lessons from FL Studio’s Plugin Suite - Tomas Medek

PolyBLEP & PolyBLAMP Demystified - Nis Wegmann - ADCx Copenhagen 2026

Workshop: Programming Music and Synthesizers on-the-fly with Pharo - Domenico Cipriani - ADC 2025

Mind the Spike - Benchmarking for Worst-Case Execution Time in Realtime Code - Christian Luther

When Code Writes Back: Making AI Coding Agents Actually Work - Tobias Baumbach - ADC 2025

A Sine By Any Other Language - David Su - ADC 2025

Enumerate and Extract Audio Buffers When Debugging C++ Applications - Henning Meyer - ADC 2025

A History of FLAC - The Free Lossless Audio Codec - Josh Coalson - ADC 2025

Analog Filters for Realtime Audio - George Gkountouras - ADC 2025

Cross-Platform Framework for Textural Granular Processing - Aman Jagwani & Victor Lazzarini

Reshaping the Voice - Real-Time Neural Audio Effect - Anders Bargum - ADCx Copenhagen 2026

PSD to DAW - Building a Pixel-Perfect UI Pipeline - Bence Kovács - ADC 2025

Building Inclusive Audio Tools - Accessibility with ARIA, WCAG, and Real-World Projects - ADC 2025

Real-Time Audio in Python: Introducing the asmu Package - Felix Huber - ADC 2025

Bugs I’ve Seen in the Wild - From Confusion to Amazement - Olivier Petit - ADC 2025

An Open Toolkit for Real-Time Audio Descriptors - Valerio Orlandini - ADC 2025

Workshop: Audio Plugin DSP in Practice - Jan Wilczek & Linus Corneliusson - ADC 2025

Driving Chaos - Virtual Analog Modelling of a Chaotic Circuit with Wave Digital Filters - ADC 2025

Perfect Oscillators in Less Than One Clock Cycle - Angus Hewlett - ADC 2025

Database Synchronisation for Audio Plugins, Part Two - Here's One I Made Earlier - Adam Wilson - ADC

Beyond iLok: Advanced Code Protection and Cryptography for the Next Generation - ADC 2025

Contrapunk - From Palestrina's Rules to Real-Time MIDI Harmony - Vibhav Bobade - ADCx India 2026

Why Do People Actually Buy Music Software, Anyway? - James Russell - ADC 2025

Building Smartphone Instruments from Commodity Hardware - Calvin McCormack - ADCx India 2026

Demystifying std::memory_order - Timur Doumler - ADC 2025

From DAW to Game Engine - Unfiltered Creativity - Nikhil Dahake - ADCx India 2026

ADC 2015 to 2035 - 10 Years of Audio Dev, and Peering Forward at the Next 10 - Julian Storer

Patterns of Practice: Live Coding and the Logic of South Asian Traditional Music - Abhinay Khoparzi

How we Implemented Lua and JavaScript Scripting for Synthesizer V Studio - Kanru Hua - ADC 2025

The Agentic Symphony - Multi-Agent Collaboration for Emergent Musical Composition - Meera Sundar

Overview of Granular Synthesis - Avrosh Kumar - ADC 2025

Linux as the Conductor - Driving Pre-Compiled Audio DSP Kernels on C7x for Real-Time Processing

Low Latency Android Audio with improved CPU Performance - Phil Burk - ADC 2025

Developing for Avid’s Audio Ecosystem - Rob Majors - ADCx India 2026

Music Design and Systems - Achieving Inaudibly Complex Systems in Video Games - Liam Peacock - ADC

From DAW Users to Audio Developers - Teaching JUCE to Creative Minds - Milap Rane - ADCx India 2026

Designing a Procedural Sequencer Powered by Music-Theory - Romy Dugue & Cecill Etheredge - ADC 2025

Human-Computer Interaction Practices in Musical Interface Design - ADCx India 2026

Integrate Your Plugin with New AI & Automation Features in Pro Tools using SoundFlow’s SFX Framework

Workshop: Accessibility in Audio Tech - Hosted By Jay Pocknell - ADC 2025

Exploring Modularity, Reusability, and Instrument Identity in Audio Software - Gonçalo Bernardo

Embedded Musical Signal Processing with Csound 7 - From Microcontrollers to FPGAs - Aman Jagwani

It’s Just a Phase - Exploring Synthesis With the Phase Vocoder - Cameron Thomas - ADC 2025

Real-Time EEG for Adaptive Music in Games and VR - Marta Rossi - ADC 2025

Cross-Platform Music Software with Rust - Ian Hobson - ADC 2025

Raga as Data: Symbolic Music Representations for Analysis, Visualization & Audio Tools - ADCx India

Sneak Peek at ARA Audio Random Access 3.0 - Embracing Audio Synthesis - Stefan Gretscher - ADC 2025

Converting Source Separation Models to ONNX for Real Time Usage in DJ Software - Anmol Mishra - ADC

Testing Testing 1, 2, 3 - Cesare Ferrari - ADC 2025