Wuthering Heights | Love reveals the worst in people in Emerald Fennell's version | Review

PANIC ROOM | Brazilian version respects the story of David Fincher's suspense (Review)

MARTY SUPREME is a true lesson in filmmaking (Review)

EXTERMINATION: THE TEMPLE OF BONES has an impeccable script and actors, but problematic cinematog...

KISS OF THE SPIDER WOMAN | Musical with Jennifer Lopez shifts the focus from Babenco's drama (Rev...

HAMNET - LIFE BEFORE HAMLET feels like an old-fashioned movie (Review)

THE GREAT FLOOD | The perverse game of perfect motherhood (Review)

Top 20 | The best Brazilian films of 2025

ANACONDA plays with the original film and respects Brazilian culture (Spoiler-free review)

Top 20 | The best international films of 2025

DEAD OR ALIVE: A Knives Out Mystery | Third film takes itself too seriously (Spoiler-free review)

THE MAID | Review of the thriller adapted from Freida McFadden's book (Version WITH and WITHOUT s...

LIVROS RESTANTES | Denise Fraga e Augusto Madeira em drama de Marcia Paraiso (Entrevista)

Sidney Magal e o cinema | "A minha preocupação é ser Magal demais" (Entrevista)

BUGONIA é um filme cínico de Yorgos Lanthimos e Emma Stone (Crítica sem spoilers)

RESSONÂNCIA | Força da mulher de 60 + é tema de filme de Anna Zêpa, com Soia Lira (Entrevista)

CINEMA: Aspirins and Vultures | Marcelo Gomes discusses the twenty years of the classic film.

HOMO ARGENTUM | Are you familiar with the controversial Argentinian comedy championed by Milei an...

APOLLO | Pregnancy of trans men in relationships with trans women is the subject of a film (Inter...

THE SURVIVOR | Comparison of the films 2025 and 1987 (Review of The Running Man)

O Agente Secreto | Kleber Mendonça Filho discute humor, ditadura e herói misterioso (Sem Spoilers)

VIRTUOUS WOMEN | A horror film about ultra-conservative women (Interview)

Peter Debruge (Variety) | Como escrever uma crítica de filme? A boa crítica e a crise do cinema

FRANKENSTEIN | Guillermo Del Toro Discusses the Real Monster in New Version (Review)

O TELEFONE PRETO 2 | Sequência de terror fica mais sentimental e religiosa (Crítica)

SALVE ROSA | A warning about child influencers by Klara Castanho and Karine Teles (Interview)

AFTER THE HUNT | Luca Guadagnino traps Julia Roberts in dark thriller (Review)

O ÚLTIMO EPISÓDIO | Anos Incríveis e Conta Comigo inspiram filme brasileiro (Entrevista)

Sans Soleil, Sunless, by Chris Marker | My favorite movie of all time (Review)

PERRENGUE FASHION | The Amazon deserves a better comedy than this (Review)

ONE BATTLE AFTER ANOTHER | Paul Thomas Anderson's Most Action-Packed Film (Review)

THE SECRET AGENT | Brazil is crime and Carnival in Kleber Mendonça Filho's masterpiece (Review)

SUÇUARANA | Road movie traz retrato melancólico do Brasil profundo (Entrevista)

SONHAR COM LEÕES | Denise Fraga em comédia sobre a morte, de Paolo Marinou-Blanco (Entrevista)

INVOCAÇÃO DO MAL 4: O ÚLTIMO RITUAL | Fim de Ed e Lorraine Warren é mais sentimental que assustador

SALOMÉ | Film brings queer version of biblical princess (by André Antônio and Aura do Nascimento)

GUERREIRAS DO KPOP (Kpop Demon Hunters) | Analisando o fenômeno cultural da Sony e Netflix

C.I.C. CENTRAL INTELLIGENCE OF CEARÁ | The Brazilian James Bond by Edmilson Filho and Halder Gomes

ANÔNIMO 2 (Nobody 2) corrige os problemas do primeiro filme e melhora cenas de ação (Crítica)

FAÇA ELA VOLTAR (Bring Her Back) | Impressionante terror sobre o luto e seus monstros (Crítica)

CARLOTA JOAQUINA, PRINCESS OF BRAZIL | The classic returns to the cinema in a restored version (I...

A HORA DO MAL (Weapons) é melhor em criar tensão do que solucionar o mistério (Crítica)

IN THE HEAVEN OF THE HOMELAND AT THIS INSTANT | Brazilian politics by Sandra Kogut (Interview)

JUNTOS (Together) | Um filme de terror sobre dependência afetiva, com Alison Brie e Dave Franco

PATERNO | Marcelo Lordello's provocative film, starring Marco Ricca, premieres (Interview)

Materialist Loves criticizes our cynical and self-serving relationships

The best and worst of the new HORROR CINEMA, with Carissa Vieira, Igor Pinheiro and Bruno Carmelo

FANTASTIC FOUR: FIRST STEPS and the great wave of films with fragile superheroes (Review)

EU SEI O QUE VOCÊS FIZERAM NO VERÃO PASSADO 2025 vs. 1997 | O que mudou? (Comparação sem spoilers)

A WOLF AMONG THE SWANS | The true story of dancer Thiago Soares hits the big screen (Interviews)

Os filmes se tornaram genéricos? (Sobre Superman, Jurassic World, Lilo e Stitch...)

SUPERMAN gets hit hard in film that discusses heroism today (Review)

MEGAN 2.0 | Sequência troca o terror por ação e ficção científica (Crítica)

3 OBÁS OF XANGO | Jorge Amado, Dorival Caymmi, Carybé and the Bahian identity (Interview with Sér...

Marisa Orth | "Humor has become more intelligent" (Interview)

ELIO | Disney e Pixar fazem ótima animação que fracassa nas bilheterias (Crítica)

EXTERMINATION: EVOLUTION is one of the best films of the year (Review)

STEFANO VOLP | "Seco", primeiro filme do escritor, é baseado em conto de Homens Pretos (Não) Choram

Palestinian resistance is the theme of the Brazilian documentary NOTES ON AN EXILE (Interview)

EROS, a documentary about motels and couples' intimacy, by Rachel Daisy Ellis (Interview)