MAMBEMBE | Fábio Meira's film pays homage to the art of the circus (Interviews)

THE GENIUS OF CRIME | Film makes a great adaptation of João Carlos Marinho's book (Review)

APEX THE PREDATOR GAME | Whose fault is it when a woman is stalked? (Review)

Domestic workers represent Brazil in the film NO LIGHT ENTERS HERE | Interview with Karol Maia

THE DEVIL WEARS PRADA 2 features a less wicked Miranda and a savior Andy (Review)

ZICO, THE SAMURAI OF QUINTINO brings the career of the Flamengo idol to the cinema (Interview)

A FATHER IN TROUBLE | Is Brazilian popular comedy just about brawls and shouting? (Review)

MICHAEL | Biopic celebrates Michael Jackson's music but avoids controversy (Review)

THE PITT | Season 2 raises awareness about mental health (Review)

THE CURSE OF THE MUMMY (Lee Cronin's The Mummy) | Now the monster lives inside your house (Review)

THE STRANGERS | New horror saga ruins the great original films (Review)

RIO DE SANGUE brings action to the Amazon with Giovanna Antonelli (Interview with the director)

FIVE TYPES OF FEAR | Non-stop action in the Brazilian film starring Bella Campos, Xamã, and Bárba...

SUPER MARIO GALAXY THE MOVIE has big commercial ambitions and small artistic ambitions (Review)

BEARD SOAKED IN BLOOD | Interview with Gabriel Leone, Thainá Duarte and director Aly Muritiba

THE DRAMA | Disturbing comedy starring Zendaya and Robert Pattinson (Spoiler-free review)

WAR MACHINE | Netflix action film looks like a survival game (Review)

READY OR NOT 2: HERE I COME | Review of the horror comedy

DEVORADORES DE ESTRELAS (Project Hail Mary) é ótima comédia de ficção científica com Ryan Gosling

THE WILL OF ANN LEE | Why is this beautiful film also so cold? (Review)

THE BRIDE! is a celebration of women's struggle against sexism (Review)

PÂNICO 7 mistura ideias boas com clichês antigos e direção protocolar (Crítica sem spoiler)

ROSEBUSH PRUNING | "I'm surprised that people are shocked," explains Karim Aïnouz (Interview)

OUR SECRET | "The surreal is what best represents the history of Brazil," says Grace Passô.

IVÁN & HADOUM, a film that doesn't associate transgender people with suffering, says Ian de la Ro...

O MORRO DOS VENTOS UIVANTES | O amor revela o pior das pessoas na versão de Emerald Fennell |Crítica

PANIC ROOM | Brazilian version respects the story of David Fincher's suspense (Review)

MARTY SUPREME is a true lesson in filmmaking (Review)

EXTERMINATION: THE TEMPLE OF BONES has an impeccable script and actors, but problematic cinematog...

O BEIJO DA MULHER ARANHA | Musical com Jennifer Lopez muda o foco do drama de Babenco (Crítica)

HAMNET - LIFE BEFORE HAMLET feels like an old-fashioned movie (Review)

THE GREAT FLOOD | The perverse game of perfect motherhood (Review)

Top 20 | The best Brazilian films of 2025

ANACONDA plays with the original film and respects Brazilian culture (Spoiler-free review)

Top 20 | The best international films of 2025

DEAD OR ALIVE: A Knives Out Mystery | Third film takes itself too seriously (Spoiler-free review)

THE MAID | Review of the thriller adapted from Freida McFadden's book (Version WITH and WITHOUT s...

REMAINING BOOKS | Denise Fraga and Augusto Madeira in a drama by Marcia Paraiso (Interview)

Sidney Magal and cinema | "My concern is being too much like Magal" (Interview)

BUGONIA é um filme cínico de Yorgos Lanthimos e Emma Stone (Crítica sem spoilers)

RESONANCE | The strength of women over 60 is the subject of a film by Anna Zêpa, starring Soia Li...

CINEMA ASPIRINAS E URUBUS | Marcelo Gomes discute os vinte anos do filme clássico

HOMO ARGENTUM | Are you familiar with the controversial Argentinian comedy championed by Milei an...

APOLLO | Pregnancy of trans men in relationships with trans women is the subject of a film (Inter...

THE SURVIVOR | Comparison of the films 2025 and 1987 (Review of The Running Man)

The Secret Agent | Kleber Mendonça Filho discusses humor, dictatorship, and a mysterious hero (No...

VIRTUOUS WOMEN | A horror film about ultra-conservative women (Interview)

Peter Debruge (Variety) | How to write a film review? Good criticism and the crisis of cinema.

FRANKENSTEIN | Guillermo Del Toro discute o verdadeiro monstro em nova versão (Crítica)

O TELEFONE PRETO 2 | Sequência de terror fica mais sentimental e religiosa (Crítica)

SALVE ROSA | A warning about child influencers by Klara Castanho and Karine Teles (Interview)

AFTER THE HUNT | Luca Guadagnino traps Julia Roberts in dark thriller (Review)

O ÚLTIMO EPISÓDIO | Anos Incríveis e Conta Comigo inspiram filme brasileiro (Entrevista)

Sans Soleil, Sunless, by Chris Marker | My favorite movie of all time (Review)

PERRENGUE FASHION | The Amazon deserves a better comedy than this (Review)

ONE BATTLE AFTER ANOTHER | Paul Thomas Anderson's Most Action-Packed Film (Review)

THE SECRET AGENT | Brazil is crime and Carnival in Kleber Mendonça Filho's masterpiece (Review)

SUÇUARANA | Road movie traz retrato melancólico do Brasil profundo (Entrevista)

DREAMING WITH LIONS | Denise Fraga in a comedy about death, by Paolo Marinou-Blanco (Interview)

INVOCAÇÃO DO MAL 4: O ÚLTIMO RITUAL | Fim de Ed e Lorraine Warren é mais sentimental que assustador