Top 20 | Os melhores filmes brasileiros de 2025

ANACONDA plays with the original film and respects Brazilian culture (Spoiler-free review)

Top 20 | The best international films of 2025

VIVO OU MORTO: Um Mistério Knives Out | Terceiro filme se leva a sério demais (Crítica sem spoilers)

THE MAID | Review of the thriller adapted from Freida McFadden's book (Version WITH and WITHOUT s...

REMAINING BOOKS | Denise Fraga and Augusto Madeira in a drama by Marcia Paraiso (Interview)

Sidney Magal and cinema | "My concern is being too much like Magal" (Interview)

BUGONIA is a cynical film by Yorgos Lanthimos and Emma Stone (Spoiler-free review)

RESONANCE | The strength of women over 60 is the subject of a film by Anna Zêpa, starring Soia Li...

CINEMA: Aspirins and Vultures | Marcelo Gomes discusses the twenty years of the classic film.

HOMO ARGENTUM | Are you familiar with the controversial Argentinian comedy championed by Milei an...

APOLLO | Pregnancy of trans men in relationships with trans women is the subject of a film (Inter...

THE SURVIVOR | Comparison of the films 2025 and 1987 (Review of The Running Man)

The Secret Agent | Kleber Mendonça Filho discusses humor, dictatorship, and a mysterious hero (No...

VIRTUOUS WOMEN | A horror film about ultra-conservative women (Interview)

Peter Debruge (Variety) | How to write a film review? Good criticism and the crisis of cinema.

FRANKENSTEIN | Guillermo Del Toro Discusses the Real Monster in New Version (Review)

THE BLACK TELEPHONE 2 | Horror sequel gets more sentimental and religious (Review)

SALVE ROSA | A warning about child influencers by Klara Castanho and Karine Teles (Interview)

AFTER THE HUNT | Luca Guadagnino traps Julia Roberts in dark thriller (Review)

THE FINAL EPISODE | The Wonder Years and Stand By Me inspire Brazilian film (Interview)

Sans Soleil, Sunless, by Chris Marker | My favorite movie of all time (Review)

PERRENGUE FASHION | The Amazon deserves a better comedy than this (Review)

ONE BATTLE AFTER ANOTHER | Paul Thomas Anderson's Most Action-Packed Film (Review)

THE SECRET AGENT | Brazil is crime and Carnival in Kleber Mendonça Filho's masterpiece (Review)

SUÇUARANA | Road movie brings a melancholic portrait of the deep Brazil (Interview)

DREAMING WITH LIONS | Denise Fraga in a comedy about death, by Paolo Marinou-Blanco (Interview)

THE CONJURING 4: THE LAST RITUAL | Ed and Lorraine Warren's ending is more sentimental than scary

SALOMÉ | Film brings queer version of biblical princess (by André Antônio and Aura do Nascimento)

KPOP WARRIORS (Kpop Demon Hunters) | Analyzing the cultural phenomenon of Sony and Netflix

C.I.C. CENTRAL INTELLIGENCE OF CEARÁ | The Brazilian James Bond by Edmilson Filho and Halder Gomes

NOBODY 2 fixes the problems of the first film and improves action scenes (Review)

BRING HER BACK | Impressive horror about grief and its monsters (Review)

CARLOTA JOAQUINA, PRINCESS OF BRAZIL | The classic returns to the cinema in a restored version (I...

Weapons is better at building tension than solving the mystery (Review)

IN THE HEAVEN OF THE HOMELAND AT THIS INSTANT | Brazilian politics by Sandra Kogut (Interview)

TOGETHER | A horror film about emotional addiction, starring Alison Brie and Dave Franco

PATERNO | Marcelo Lordello's provocative film, starring Marco Ricca, premieres (Interview)

Materialist Loves criticizes our cynical and self-serving relationships

The best and worst of the new HORROR CINEMA, with Carissa Vieira, Igor Pinheiro and Bruno Carmelo

FANTASTIC FOUR: FIRST STEPS and the great wave of films with fragile superheroes (Review)

I KNOW WHAT YOU DID LAST SUMMER 2025 vs. 1997 | What's Changed? (Spoiler-Free Comparison)

A WOLF AMONG THE SWANS | The true story of dancer Thiago Soares hits the big screen (Interviews)

Have movies become generic? (About Superman, Jurassic World, Lilo & Stitch...)

SUPERMAN gets hit hard in film that discusses heroism today (Review)

MEGAN 2.0 | Sequel swaps horror for action and sci-fi (Review)

3 OBÁS OF XANGO | Jorge Amado, Dorival Caymmi, Carybé and the Bahian identity (Interview with Sér...

Marisa Orth | "Humor has become more intelligent" (Interview)

ELIO | Disney and Pixar make great animation that fails at the box office (Review)

EXTERMINATION: EVOLUTION is one of the best films of the year (Review)

STEFANO VOLP | "Dry", the writer's first film, is based on the short story Black Men (Don't) Cry

Palestinian resistance is the theme of the Brazilian documentary NOTES ON AN EXILE (Interview)

EROS, a documentary about motels and couples' intimacy, by Rachel Daisy Ellis (Interview)

HOW TO TRAIN YOUR DRAGON | Finally, a great live-action animated spin-off (Review)

BAILARINA is no John Wick, but it has good action scenes (Review)

SEARCHING FOR MARTINA | A film about memory and resistance, between Brazil and Argentina (Interview)

MEMORIES OF A SNAIL | Tragedy becomes fun in this beautiful stop motion animation (Review)

BASIC SANITATION + FLORES ISLAND | Camila Pitanga and Jorge Furtado discuss cinema classics

LOCKED | Thriller with Bill Skarsgard and Anthony Hopkins makes political caricature (Review)

LILO AND STITCH | New version is more childish and gives up the melancholy (Review)