Get Advice from Mega-Producer Tor Hermansen (Stargate) at LAAMP

In Session with Beyonce producers NOVA WAV

NEW! Output Creator Beta | Quick Walkthrough

NEW in Output Arcade: Introducing Stacked

Re-imagine: Get Infinite Variations of Any Sample in Co-Producer

RE-IMAGINE Demo: Create infinite variations of ANY SAMPLE in Output Co-Producer

Output One | Track Build

Introducing Output One | Music's Most Creative Tools—All in One

Output Co-Producer | Quick Walkthrough

Output Co-Producer | The FASTEST way to find samples that FIT

Open Sessions | EMÆL | Inspiration & Techniques behind "P A I N"

Gender Amplified | Ctrl Room Series ft. Ebonie Smith & Madame Gandhi

EMÆL | P A I N | Live Performance ft. Arcade

Introducing Grind City | Blown-Out Phonk | Output Arcade

NEW in Output Arcade: Introducing Tasty Jams

Output CEO Makes Live Trap Beat

OUTPUT: There is music within you. Let it out.

NEW in Output Arcade: Introducing Dark Pop

The Sound Design of Arcade's Transcend | Behind the Line

THERMAL by Output | IGNITION Expansion Pack

Arcade by Output: Introducing Transcend

The Futuristics Studio Tour: Trees, Sunlight & Space to Collaborate

In the Studio with The Futuristics

The Futuristics break down G-EAZY & HALSEY'S “Him & I” | Open Sessions

Jauz breaks down his deadmau5 “Ghost ''n' Stuff” Remix | Open Sessions

JESSY LANZA breaks down “Don’t Leave Me Now” from Love Hallucination | Open Sessions

Arcade by Output: Introducing Hard Mode

Behind the Line: Arcade’s Studio Keys Line with Lee Pardini (Dawes, Chris Stapleton)

Arcade by Output: Introducing Studio Keys

Behind the Line | Arcade's Field of Sounds Stinson Beach Kit w/ Producer Wes Jones

Field Recording: Turn ANY Sound Into Music (3 of 3)

Field Recording: How to Denoise and Edit Audio for Creative Use in Your Productions (2 of 3)

Field Recording: Capturing Musical Sounds (Tips, Gear & Techniques) 1 of 3

Mashup Genres for Fresh Ideas | Music Production Tips with OSCILLATR

Arcade by Output: Introducing Vibrations

Pop Vocal Processing (Vocal Chain, Doubles, Effects) | 4/4 Pop Vocal Production

How to Record Crowd Vocals (with just TWO people) | 3/4 Pop Vocal Production

Tape Loops & Reverse | Arcade In Action

5 Background Vocal Recording Techniques to Elevate Your Lead | 2/4 Pop Vocal Production

Producer's Orchestra OVERVIEW | Arcade's New Orchestral Library

Producer's Orchestra In Action | Modern Orchestral Sounds

Arcade by Output: Introducing Producer's Orchestra

Write a Catchy Pop Song With ONE Sample | 1/4 Pop Vocal Production

3 Ways to FINISH Your Tracks | Music Production Tips with OSCILLATR

FL Studio + Arcade Beatmaking Tips with Dillon XO

Mixing for Producers | Series Overview

How to MIX POP VOCALS like a PRO | Mixing for Producers

MULTIBAND COMPRESSION will SMOOTH out your mix | Mixing for Producers

IMPROVE your MIX with LOW FREQUENCY cleanup | Mixing for Producers

How the DRUM BUS can add GLUE to your kit | Mixing for Producers

How the MIX BUS delivers PRO RESULTS | Mixing for Producers

Make a Modulating Reverb, Pan and Formant Macro | Advanced Arcade 4/4

Create Moving FX with Macros + Modulation | Advanced Arcade 3/4

4 Ways to Start a Song | Music Production Tips with OSCILLATR

Arcade by Output: Introducing Shadows

Build Your Own Effects With Assignable Macros | Advanced Arcade 2/4

Modulation: The Secret Behind Moving Sounds | Advanced Arcade 1/4

How to Flip a Sample | Beatmaking Tips with OSCILLATR

Beatmaking with Arcade | Music Production Tips with Lisa Vazquez

How Changing Your Workflow Can Boost Creativity | Music Production Tips with Lisa Vazquez