RSR514 - David Bottrill - Grammy Winning Atmos Mixing with Tool, Daniel Lanois, and World Music

RSR513 - Bobby Owsinski - AI, Mastering, Songwriting and the Future of Music Production

AI Generates Better Demos

RSR512 - Dr Ford - Efficiency vs. Flexibility in the Studio and Jiu-Jitsu

Weezer's Blue Album Drum Sound: Simple Setup

RSR511 - Chris Shaw - From Analog to Pro Tools: Public Enemy, Weezer, and Dylan!

Golden age of music - 70s & 80s

RSR510 - Bob Bullock - Collaboration: The Key to Successful Music Projects

Musicians React Instantly

RSR509 - Justin Gray - Composing and Mixing for Immersive Atmos, and Sony 360

Half Normal Explained

Pacing in Music Production

RSR508 - Ben Sabin - Rick Rubin's Shangri-La Studio & Trace Audio

RSR507 - Adam Krinsky - Balancing Studio and FOH at Bellows Studio in St Paul MN

Navigating Creative Collaboration

RSR506 - Tim Lauer - Synth Pop, Rock Strings, and AI (Cheap Trick, Smashing Pumpkins, Nashville)

Music Before Lyrics

RSR505 - Chuck Zwicky - AI and Philosophy of Recording Music

VELVET - The New Smart De-Esser from iZotope Catalyst Series Plugins [Audio Demo]

Mastering Conflicting Tones with Ozone

RSR504 - Bill Podolak - Q&A with iZotope

Mastering Immersive Audio - A New Challenge #shorts #podcast

RSR503 - Alan Douches - Mastering Atmos and Blockchain for Indie Artists

Muscle Shoals Remote Town: No Freeway, One Flight

Magic in the Mid-Range

RSR502 - Craig Alvin - Recording in Muscle Shoals

RSR501 - Colt Capperrune - Redesigning a Studio: The Atmos Experience

Grateful Dead: Remastering Uncle John's Band with David Glasser #shorts #podcast

RSR500 - David Glasser - Mastering Grateful Dead at Airshow Mastering in Boulder CO

Google Chrome Shortcuts: Fitting More on the Bookmarks Bar

RSR499 - Shawn Lemon - Organize Your Digital Life and Studio

RSR499 - Shawn Lemon - Organize Your Digital Life and Studio

The Changing Landscape of Recording: A Fading Knowledge

RSR498 - Jamie Tate - Leaving Corporate Country for Cool Music

RSR498 - Jamie Tate - Leaving Corporate Country for Cool Music

Game Engine vs Game: A Comparison

RSR497 - Steve Pardo - Jazz, Music for Games and Atmos Mixing

RSR497 - Steve Pardo - Jazz, Music for Games and Atmos Mixing

Creating a DIY Mini Gobo with a Mic Clip

SAE Institute Nashville Studio Tour: Inside the Recording & Audio Production Program

Inside the Studio: Grammy-Winner Matt Leigh on Recording, Mixing & Teaching at SAE Nashville

RSR496 - Charlie Waymire - Getting the Ultimate Drum Sound at Ultimate Studios Inc

RSR496 - Charlie Waymire - Getting the Ultimate Drum Sound at Ultimate Studios Inc

Band's Drummer Crowd Surfing and Setting Their Van on Fire

Can Headphones Replace Studio Monitors? Rok Gulic on Immersive Audio & Calibration at OLLO Audio

RSR495 - Brian Murphree - Soundporter Mastering Studio

Creating Moments of Permanence: Ideal Meals and Perfect Mixes

RSR495 - Brian Murphree - Soundporter Mastering Studio

RSR494 - Alex Oana - Risk and Reinvention Essential for Growth in Audio

RSR494 - Alex Oana - Risk and Reinvention Essential for Growth in Audio

Learning from Industry Experts: Jason Livermore's Recording Tips

RSR493 - Jason Livermore - Grammy Winning Punk at The Blasting Room in Ft Collins CO

RSR493 - Jason Livermore - Grammy Winning Punk at The Blasting Room in Ft Collins CO

RSR492 - Ryan Ordway - Producing Americana at The Studio Portland in Maine

RSR492 - Ryan Ordway - Producing Americana at The Studio Portland in Maine

Who Gets The Low End Kick or Bass?

RSR491 - Will Kennedy - Mixing Atmos with Matt Wallace at Studio Delux Immersive

RSR491 - Will Kennedy - Mixing Atmos with Matt Wallace at Studio Delux Immersive

Lij Shaw Unveils the MBSI Plugin at NAMM 2025: The Sound of Hotel California, Bee Gees, and Grease!

The Distressor Alternative for Your Home Studio?