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Musicians vs the Far Right: Artists Fighting Fascism

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Kneecap: The Final Word on the Case & the New Track “No Comment

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How Ghost Town Became Modern Ireland’s Haunting Protest Song | The Specials x Lankum

Rosalía’s “Berghain”: When Pain Becomes Art

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Bad Bunny at the Super Bowl: Why His Art Terrifies the Right

Why the Right and Record Labels Want to Replace Artists with AI

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Kneecap’s Mo Chara Walks Free – What This Trial Means

Fascists Can’t Create: Why They Steal and Silence Music

Kate Bush’s Wuthering Heights: The Best Version Ever?

Kneecap’s Sayōnara and the Future of Irish Culture

CMAT’s Euro-Country: An Album of Our Time

Florence + The Machine: The Witch Returns | Everybody Scream Reaction & Analysis

From Sarajevo to Gaza: U2’s Struggle With Protest and Silence

For Those I Love Back With the Album Ireland Needed

Gemma Dunleavy’s ‘Up De Flats’ Five Years On: Music, Memory & The Fight for Sheriff Street

CMAT Euro-Country Reaction: The Song That Called Out Bertie Ahern and Hit a National Nerve

Oasis, Champagne Supernova, and the Moment Before Everything Changed

Clipse Just Made the Most Ruthless Rap Album of the Year | Let God Sort Em Out Reaction

Bob Vylan, Censorship & the Fight for Protest Music at Glastonbury 2025

Sinéad O’Connor Was Booed for Telling the Truth on SNL & Why It Still Matters Today

Kneecap, Mo Chara & The Irish Voice Britain Still Can’t Silence

Fontaines D.C., Blindboy & Ireland’s Lost Generation | In the Modern World

Why Gilla Band Is the Most Important Guitar Band of the 21st Century

Kanye West, Through the Wire & the Problem of Loving Art by Problematic Artists

The Stage Vs The State: Kneecap, Mo Chara & The Criminalisation of Art

Ghosts in the Reverb: Maria Somerville’s Luster and the Rise of Irish Dream Pop

ANSEO: Music, Protest & a new Ireland Fighting the Far-Right

Kneecap, Glastonbury & the Cost of Dissent: Who Controls Protest in Music?

Kneecap at Coachella: When Protest Breaks the Illusion

Lana Del Rey’s Quiet Escape: Henry, Come On & Bluebird Explained

Bon Iver’s SABLE, fABLE Is the Perfect Musical Epilogue

Drake’s ‘Nokia’ Is a Hit, But Did Kendrick Already Win the War?

I Was WRONG About CMAT – Now I Can’t Stop Listening ( Running / Planning Reaction)

U2’s Lost Classic? The Dark Meaning of Hold Me, Thrill Me, Kiss Me, Kill Me

You Haven’t Found Your Favorite Artist Yet: How Chappell Roan’s Pink Pony Club Found Its Audience

Peter Gabriel & Kate Bush – Don’t Give Up: The Perfect Duet & Its Lasting Impact

Fontaines D.C., It’s Amazing To Be Young, & The Irish Reinvention of Britpop

Kendrick Lamar’s Super Bowl Performance: A Trojan Horse for Revolution?

Kendrick Lamar’s Super Bowl Performance Could Change Everything | The Power of “Not Like Us”

Marianne Faithfull & Metallica: The Haunting Voice Behind The Memory Remains

David Lynch’s Crazy Clown Time: The Soundtrack to His Surreal World

Manic Street Preschers - From Generation Terrorists to Critical Thinkers

David Bowie’s Berlin Era: The Story Behind Heroes and His Reinvention

Is ‘Stay (Faraway, So Close!)’ U2’s Best Song?

Why Fontaines D.C. Starburster is my Song of the Year 2024

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Irish Artists in 2024 - Taking on the Tories, Fighting Fascism & Standing With Palestine

Kendrick Lamar GNX Review - The Imperial Phase & the Zeitgeist

Father John Misty Mahashmashana Review - The ID, the Ego, and the Why

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Bob Dylan, A Complete Unknown & Artistic Identity