The study of language Unit-2||Wright:Language Policy & Planning|Philipson:English in New World Order

The study of language Unit 2||MA||Language, Ideology, and Power||Milroy, Eckert, and McConnell Ginet

Block-2 Meg 05 Unit 1 full covered||Classical Criticism||Notes in Hindi||IGNOU, SOL, DU||

Unit-1 Meg 05 Literature, Criticism and Theory||Part -2||IGNOU|DU|SOL|| Module 2

Block-1 MEG 5 Literature, Criticism and Theory||Full unit cover||Writings from India||Notes in video

VENN DIAGRAMS BASICS FOR GOVERNMENT EXAMS||SSC CGL||UPSC||RRB||SUBSCRIBE FOR MORE

The culture Industry||Theodor Adorno & Max Horkheimer||Explanation in Points||Easiest way

BUDDHISM AND JAINISM||KNOW THE SIMILARITIES AND DIFFERENCES||GENERAL AWARENESS SSC CGL/UPSC/RRB

Counting figures Solved MCQs for practice||Subscribe for more

Encoding and Decoding by Stuart Hall||Explanation in Points

SSC CGL GENERAL AWARENESS||CITIZENSHIP||RIGHTS AND RESPONSIBILITIES||UPSC||SSC||BANK EXAMS||IMP💯

Myth Today(from Mythologies)||Roland Barthes||Hindi Explanation in points

Arithmetic Progression basics||SSC CGL||RRB||COMPETITIVE EXAMS||Subscribe for more

Georg Lukács Socialist Realism and Critical Realism||Easy Explanation in points

SSC CGL GENERAL INTELLIGENCE AND REASONING||SOLVED QUESTIONS

Top 30 General Knowledge Questions||UPSC, Bank Exam, SSC Exam, Insurance Exam, RRB Exam, PSC Exam

SSC CGL 15 QUESTIONS SOLVED FOR GENERAL INTELLIGENCE AND REASONING||SUBSCRIBE FOR MORE

SSC CGL PREPARATION VIDEO||QUANTITATIVE APTITUDE||6. DISCOUNT

SSC CGL PREPARATION VIDEO||GENERAL INTELLIGENCE AND REASONING||1. ANALOGIES

SSC CGL PREPARATION VIDEO 4||QUANTITATIVE APTITUDE||4. Profit and loss

SSC CGL PREPARATION VIDEO 3||QUANTITATIVE APTITUDE||3. Fractions

SSC CGL PREPARATION VIDEO 2||QUANTITATIVE APTITUDE||2. DECIMALS

SSC CGL PREPARATION VIDEO 1||QUANTITATIVE APTITUDE||1. COMPUTATION OF WHOLE NUMBERS

RITU MENON AND KAMLA BHASIN||INTRODUCTION||BORDERS AND BOUNDARIES||PARTITION LITERATURE

THE OTHER SIDE OF SILENCES: VOICES FROM THE PARTITION OF INDIA||CHAPTER 4||PARTITION LITERATURE

THE BOUND MAN||ILSE AICHINGER||HINDI SUMMARY||20TH CENTURY EUROPEAN FICTION

KALOIBIBI: A LEADER OF THE NANKARS||HENA DAS||PARTITION LITERATURE||143-56

The Order of Discourse||Michel Foucault||Hindi Summary in points||Literary theory and Criticism

THE STORY OF MY DOVECOT||20th Century European Fiction||Hindi summary||Symbols

COMRADE LUXEMBURG AND COMRADE GRAMSCI PASS EACH OTHER.... BY ANNE FINGER||HINDI SUMMARY WITH CONTEXT

WOH||RASHID JAHAN||LITERATURE AND DISABILITY||HINDI SUMMARY

DANCING AFTER HOURS||ANDRE DUBUS||HINDI SUMMARY AND ANALYSIS||LITERATURE AND DISABILITY

THE FORMATION OF THE INTELLECTUALS & HEGEMONY AND SEPARATION OF POWERS||HINDI SUMMARY||SEM 6

BONES NEVER LIE||Kathy Reichs||Full Summary||Character&Themes||Speculative Fiction and Detective Lit

THE STREET OF CROCODILES||BRUNO SCHULZ||HINDI SUMMARY AND ANALYSIS OF THE SHORT STORY

HOUSE OF FEAR||IBN-E-SAFI||SPECULATIVE FICTION AND DETECTIVE LITERATURE||FULL SUMMARY IN HINDI

NEVER LET ME GO||KAZUO ISHIGIRO||INTRODUCTION||HISTORICAL CONTEXT||HINDI SUMMARY||THEMES

GOATS AND MONKEYS||DEREK WALCOT||LINE-BY-LINE ANALYSIS

THINGS FALL APART||CHINUA ACHEBE||HINDI SUMMARY AND ANALYSIS||CHARACTERS||HISTORICAL BACKGROUND

SMALL TOWNS AND THE RIVERS||MAMANG DAI||LINE-BY-LINE ANALYSIS||LITERARY DEVICES

CHRONICLE OF A DEATH FORETOLD||GABRIEL GARCIA MARQUEZ||INTRODUCTION, CONTEXT, CHARACTERS, SUMMARY

THE MOTHER||NATALIA GINZBURG||20th CENTURY EUROPEAN REALISM||EASY HINDI SUMMARY

Tonight I Can Write the Saddest Lines||Pablo Neruda||Intro, line-by-line analysis, literary devices

Colonialism and the Politics of Postcolonial Critique||Robert Young||BACKGROUND READING||PAGE 1-11

‘The Language of African Literature’, Ngugi waThiongo|Chapter 1, Sections 4-6||Decolonising the Mind

FAITH AND THE SENSE OF TRUTH||Konstantin Stanislavski||Background readings||Modern European Drama

THE STREET SCENE||BERTOLT BRECHT||MODERN EUROPEAN DRAMA||BACKGROUND READINGS

PREFACE TO MISS JULIE||AUGUST STRINDBERG||BACKGROUND READING||MODERN EUROPEAN DRAMA

THEATRE FOR PLEASURE OR THEATRE FOR INSTRUCTION||BERTOLT BRECHT||MODERN EUROPEAN DRAMA||EASY SUMMARY

STILL ABOUT AVANT-GARDE||ALL PARTS OF THE READING||MODERN EUROPEAN DRAMA||EUGENE IONESCO

Edward Said, ‘Introduction’, in Orientalism||Postcolonial Literature||Background readings

TO A NIGHTINGALE||CHARLOTTE SMITH||LINE-BY-LINE ANALYSIS||THEMES AND TONE

TO MELANCHOLY||CHARLOTTE SMITH||LINE-BY-LINE ANALYSIS IN HINDI||LITERARY DEVICES||ROMANTIC LIT.

BASTI||INTIZAAR HUSSAIN||PARTITION LIT.||CHAPTER WISE SUMMARY||THEMES||ALL CHAPTERS IN ONE VIDEO

Arjun||Sunil Gangopadhyay||Partition Literature||Introduction, Background, Summary, and Themes

THE GIRL WHO CAN||AMA ATA AIDOO||INTRODUCTION, BACKGROUND, CHARACTERS, DETAILED SUMMARY, & THEMES

SEE||JYOTSNA PHANIJA||INTRODUCTION||LINE BY LINE EXPLANATION||LITERATURE AND DISABILITY

THE STEPCHILD[ANGALIYAT]||JOSPEH MACWAN||PART 2||FULL HINDI SUMMARY

STORYTELLERS, SAINTS, AND SCOUNDRELS||CHAPTER 2, 5, Conclusion||Religion & Literature||Hindi summary

PURITY AND DANGER||MARY DOUGLAS||Religion and Literature||Chapter 2 and 4 in easy points