Writing for Animated TV with Derek Dressler

Best Director/Showrunner/Cinematographer Practices

Shooting a Cinematic Show on a TV Budget #showrunner #tvproduction

PITCH SERIES: 5 Pitch Potholes to Avoid

PITCH SERIES: 5 Ways to Make Your Pitch More Sellable

PITCH SERIES: 7 Questions to Answer in Your Pitch

PITCH SERIES: What to expect from your first pitch #tvproduction #showrunner

The Pilot Director/Showrunner Relationship with Phillip Noyce

The Role of the Pilot Director with Phillip Noyce

What Makes a Great Showrunning Partner with Ken Segna

The Ins and Outs of the Studio Relationship with Ken Segna

The Benefits of a Career in Television Writing

The Cost of a Career in Television Writing

Best Practices: Managing Notes

5 Tips for Managing Overwhelm When Showrunning Your TV Show

5 Tips to Fix a Broken Episode

Best Practices: Working with an Editor

The Directing Producer/Director Showrunner Relationship

Receiving the best/worst audience feedback on your movie

The Role of the Directing Producer (with Craig Brewer)

The On Set Supervising Writer

Being a Writer's Assistant and Being Heard in the Room

"The Power of Enthusiasm" with Writer Sarah Marie Masson

Casting Roles for TV/Movie Roles & All Things Table Reads

Let's Talk About Casting your TV Show (with Rachel Tenner)

Overcoming Creative Resistance as a Television Writer

Working with Actors as a Showrunner

Your Television Pilot's 5 Functions | Part 2

Your Television Pilot's 5 Functions | Part 1

10 Hour Shooting Days | Best Practices

The No Sides On Set 'Rule'

The Two Types of TV Budgets (with Linda Rogers-Ambury)

Money Puzzles (with Linda Rogers-Ambury)

The Agony and Ecstasy of the Rewrite (with Nelson Greaves)

Tips for the Writers’ Room Newbie (with Nelson Greaves)

"To Duo or Not to Duo" with (Duo Andrew Gettens and Lauren Mackenzie)

How to Get Yourself Into a Writers' Room (with Lauren MacKenzie and Andrew Gettens)

From Movies to Television - Our Case Study

What is a showrunner, anyway?