Old way vs new way to find sync licensing companies for TV placements

How this producer finally got the Yes ✅ (Sync Producer Hub win!)

How to Build Momentum with Sync Licensing

He got six new TV placements with these 2 key takeaways (Sync Producer Hub Win!)

How to Handle Sync Wins That Aren’t “Yes” Yet

Why You Should Always Submit Your Music

Stay Low-Key & Still Get Paid: The Sync Producer Life

The Secret Behind Music On TV | How To Structure Music For TV Placements

2 Sync Deals in 5 Days? Here’s What He Did Differently

How to Make Music for TV Without Losing Your Creative Edge

This is Why Producers Struggle to Land TV Placements

Why Most Producers Stay Broke (And How to Build a Music Business Instead)

Are You Making This Sync Licensing Mistake? ⚠️

How One Sync Deal Got My Music on Netflix 🔑

How I Got In With a Major Sync Publisher (Without a Big Name or Label)

Turn One Beat Into a Long Term Income Stream 🔄

The Missing Piece That Finally Made My Music Profitable 💰

From Rejection to Hundreds of TV Placements with Billy “Big Shot” Beats

The Truth About Why Most Producers Aren’t Getting Paid

Should You Stick to One Genre for Sync?

3 Pitching Mistakes That Are Costing You TV Placements

The Missing Link Between My Music and Making Money

Do Major Artists Use Music Libraries for Songs?

Should You Avoid BeatStars Publishing for Sync?

5 Producer Truths I Wish I Knew Sooner

Are You Making This Sync Licensing Error? It’s Costing You 💰

Producers 35+ — It’s Not Too Late to Make Money with Your Music

The Formula for Making the Most of Your Time as a Music Producer ⏳🎶

How to Produce Music That Makes Money While You Sleep 💤

The One Hour Producer | How to Make Consistent Progress with a Busy Schedule