On Polyrhythms and Poymeters – live patching of Studio No.3 with Francesco Gennari

Frap Tools Magnolia, 8-voice analog thru-zero FM polyphonic synthesizer | Project update

Compressing Room Mics // In the Studio with the Frap Audio Dynamics 2806

Studio no. 2 on Stereo Dyads | Performance breakdown with Francesco Gennari

A use for aliasing that you may never have seen before!

Compressing a mix bus // In the studio with the Frap Audio Dynamics 2806

Trying to recreate Keith Emerson's sequencer trick of Karn Evil 9

Compressing and Expanding a Snare // In the studio with the Frap Audio Dynamics 2806

Some uses for triggers and bursts you probably did not know

10. Ben Carey: Feedback patching, instrument design, and resonances

On cross-FM and fake polyphony | Performance breakdown with Francesco Gennari

Dynamic stereo spread with Cunsa and Fumana!

9. Mat Watson: EMS Synthi, Perception of Time, and Challenging the Defaults

9. Mat Watson: EMS Synthi, Perception of Time, and Challenging the Defaults

Frap Tools BAGÀI in-depth tutorial: analog sample and hold, downsampler, bitcrusher, clock burst

PATCH A FILTER INTO AN OSCILLATOR FOR SOME CURSED SOUNDS!

Compressing Folk Vocals // In the studio with the Frap Audio Dynamics 2806

8. Sam Sakr: Textures, Music Production, and Sold Motorcycles

8. Sam Sakr: Textures, Music Production, and Sold Motorcycles

Super expo shapes and double quadrature with FALISTRI!

Distorting and sidechaining a 808 bass line // In the studio with the Frap Audio Dynamics 2806

Trevor Tunnacliffe: Early Music, Oceanography, and Modal Counterpoint

7. Trevor Tunnacliffe: Early Music, Oceanography, and Modal Counterpoint

Filters and beyond: a few less-conventional uses for the CUNSA modular filter

Let's record and compress a bass line with the Frap Audio Dynamics 2806

How to get a "liquid filter" sound on the Frap Tools Cunsa

The power of stepped random voltages: create infinite textures with just thee modules

Compressing Acoustic Guitars // In the studio with the Frap Audio Dynamics 2806

Tim Davies – Jazz, House, and Arpeggios

6. Tim Davies – Jazz, House, and Arpeggios

Compressing Rock Vocals // In the studio with the Frap Audio Dynamics 2806

The many faces of a quadruple VCA: some daily patch examples with the Frap Tools 411

Compressing a Kick Drum // In the studio with the Frap Audio Dynamics 2806

From Plato to Eurodance – The Western idea of rhythm and its impact on the Usta sequencer

Bagài and 411: Two new Frap Tools modules!

Isabella Forciniti – Interaction, Free Will, and Awareness

5. Isabella Forciniti – Interaction, Free Will, and Awareness

New Frap Tools CGM Insert – Stereo insert for the CGM Eurorack mixer series | Overview and tutorial

Frap Audio Dynamics 2806 / 500-series VCA Mono Expander and Compressor

Frap Tools CUNSA in-depth tutorial | Eurorack quadruple multimode analog filter module

Lukas Hermann – Community Building, Literature, and Glitch Sounds

4. Lukas Hermann – Community Building, Literature, and Glitch Sounds

CUNSA v/s FUMANA: The same patch on two different filters!

Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!

Memes aside, let’s make Sandstorm by Darude on our Frap Tools system

Baséput – Sequencers, Kalimantan Death Rituals, and The Beatles

3. Baséput – Sequencers, Kalimantan Death Rituals, and The Beatles

Four tips to use CUNSA as a sound source (including ringing and additive synthesis)

‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!

Let's recreate the drums of Oxygene pt. 4 by Jean Michel Jarre on a Frap Tools modular synth!

Trevor Treglia – Drones, Poetry, and Just Intonation

2. Trevor Treglia – Drones, Poetry, and Just Intonation

Cutoff FM for talking filters (a cool technique for modular synthesizers)

A random day at Frap Tools (with a censored prototype and a heavy lunch)

Let's make a modular synth patch in the style of Ryoji Ikeda

Antonio's hidden random clock trick for SAPÈL!

Six interesting timbres with one FALISTRI (a patch-saving hack)

At last: the Krell Patch on a Frap Tools modular system!

How to make vowel-like formant filtering with the CUNSA

Audio, modulation, or both? Let's make a sample-and-hold feedback patch à la Rob Hordijk.