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This single pedal can produce a wide range of distortion sounds! Review of the Nishida Seisakusho...
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A review comparing the Lovepedal Champ TWEED pedal with other rare models, including the legendar...
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This article introduces the capabilities of the BOSS TM-7, a 90s amp simulator that could actuall...
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[Investigation Request] Does the feel of Strymon Lex footswitches from different production perio...
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[The Secret Ingredient for Sound Shaping] Introducing the sound of the Rupert Neve Designs RNDI-M...
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We had Takase Tsukamoto play the director's pedalboard, which has a Malin Preamp on it. [Members ...
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[In-depth Review] Can it replace the CE-1? A comparison review of the BEHRINGER CHORUS SYMPHONY w...
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[Actually a classic] Introducing the appeal of the ZOOM G3 multi-effects pedal, which is still in...
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Introducing the hidden mode of the JHS 3 Series Oil Can Delay, which has a pleasant, fluctuating ...
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[Recommended for Beginners] BC183 Silicon Fuzz Face SGFX IF 6 WAS 9 Review: A Single Unit That Ca...
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Petla Ive Modern Overdrive with interesting knobs that let you freely control the compression and...
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Comprehensive Testing of the WARM AUDIO Tube Squealer, a TS-type Overdrive Effector, Compared wit...
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Is this the only TS pedal you need? Comparing the WARM AUDIO Tube Squealer with the Ibanez TS808 ...
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[Honest Review] How good is the RoShi Pedals MELLOW WAH? The true value of the pedal revealed by ...
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How well does the UAFX ASTRA reproduce the Phase 90 sound? Comparison with the vintage script and...
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How to Use a Strymon Fairfax Full Analog Drive Pedal on Your Pedalboard? 3 Recommended Settings [...
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