Spotify and TikTok changed the way we listen to music | Iván Fematt "La Mole"

Los Alegres de Terán, Beto Zapata's first musical love | Beto Zapata (Grupo Pesado)

Bad Bunny y el impacto generacional que muchos niegan | Toy Selectah

This is how El Cielo Recording Studio was born out of a real need in the industry | Kiko Lobo

Control Machete represented an entire generation | Iván Fematt "La Mole"

The importance of viewing your music project as a business | Beto Zapata (Grupo Pesado)

This is how my friendship with Cerati began | Toy Selectah

The boutique vision behind Movic Records | Kiko Lobo

My first stand-up routine was in high school | Ivan Fematt "La Mole"

The value of family behind success | Beto Zapata (Grupo Pesado)

Hating reggaeton doesn't make you more cultured | Toy Selectah

The real challenge facing the music industry today | Kiko Lobo

Radio was my real school | Ivan Fematt "La Mole"

The day I had to choose between baseball and the accordion | Beto Zapata (Grupo Pesado)

Technology is going to change music forever | Kiko Lobo

Rafi, the true story behind the character | Iván Fematt “La Mole”

The true purpose of my life… | Beto Zapata (Grupo Pesado)

Financial pressure is changing record labels | Kiko Lobo

Free money disappears quickly | Iván Fematt “La Mole”

The sacrifice behind the music… | Beto Zapata (Grupo Pesado)

The new role of a record label today | Kiko Lobo

Are we experiencing a drought of good songs? | Beto Zapata (Grupo Pesado)

This is how we recorded the first PXNDX demo | Kiko Lobo

In a band, each member lives in a different world | BONNZ! (Hello Seahorse!)

Why is norteño music so deeply ingrained in the hearts of Mexicans? | Beto Zapata (Pesado)

When work makes you believe your own things are more important | Vivir Quintana

The experiment we did to sign more artists | Kiko Lobo

When the record label trusts and doesn't interfere | BONNZ! (Hello Seahorse!)

Patience as the key to Pesado's career | Beto Zapata (Grupo Pesado)

The jobs Vivir Quintana had before dedicating herself to music | Vivir Quintana

PXNDX didn't want to be accepted, they wanted to be different | Kiko Lobo

Saying “no” is part of the artist’s journey | Zepoleth

The democratization of music also brought a crisis | BONNZ! (Hello Seahorse!)

Don Servando Cano, the key figure in the history of Pesado | Beto Zapata (Grupo Pesado)

Singing in bars, the toughest audience there is | Vivir Quintana

The business I started before music | Kiko Lobo

Being an emerging artist today means fighting against an endless supply | Zepoleth

Things Nobody Tells a Young Band | BONNZ! (Hello Seahorse!)

Norteño music will never die… | Beto Zapata (Grupo Pesado)

The first cafes where Vivir Quintana began to sing | Vivir Quintana

When to continue and when to abandon a project | Kiko Lobo

Singing on trucks gave me resilience | Zepoleth

Why do so many bands break up over time? | BONNZ! (Hello Seahorse!)

Beto Zapata's current dreams after so many years in Pesado | Beto Zapata (Grupo Pesado)

The girl who dreamed of music… and the adult who achieved it | Vivir Quintana

How Para ti con desprecio took PXNDX to another level | Kiko Lobo

I learned to invest little by little in my music | Zepoleth

Envy also holds back the music scene | | BONNZ! (Hello Seahorse!)

The story behind “I hope you die” | Beto Zapata (Grupo Pesado)

When Vivir Quintana was a high school Spanish teacher | Vivir Quintana

My family's support was key from the beginning | Kiko Lobo

Singing on buses paid my rent | Zepoleth

Hello Seahorse! decided to go on stage with only three people | BONNZ! (Hello Seahorse!)

Mexico as seen from the tours, according to Beto Zapata | Beto Zapata

The first time I paid rent just for making songs | Vivir Quintana

The real challenge of promoting music today | Kiko Lobo

Nobody teaches you how to charge when you're an artist | Zepoleth

MySpace forever changed the way bands are made | BONNZ! (Hello Seahorse!)

How would I like to be remembered? | Beto Zapata

That's how I lost my fear of the music industry… | Vivir Quintana