Hello Seahorse! nació gracias a MySpace | Fernando Burgos (Hello Seahorse!)

Reversal: I am born from tiredness | Rubén Albarrán

Joaquín Sabina antes de convertirse en leyenda | Fernando Díaz

Crecer en los 80 una vida más real | Luis Mario Garza (Pesado)

The real challenge of making a living from music | Fernando Burgos (Hello Seahorse!)

The Importance of Re in Retrospect | Rubén Albarrán

What's it like to work for Julio Iglesias? | Fernando Díaz

He was 19 years old and already experiencing success with Grupo Límite | Luis Mario Garza (Pesado)

¿La tecnología está bajando la calidad musical? | Fernando Burgos (Hello Seahorse!)

Chile believed in us when no one else did | Rubén Albarrán

Alejandro Sanz and the success behind his career | Fernando Díaz

¿Cómo se mantiene la energía después de 30 años de gira? | Luis Mario Garza (Pesado)

The realities of life within Café Tacvba | Rubén Albarrán

Not consuming is also a political stance | Rubén Albarrán

I was never a Soda Stereo fan | Rubén Albarrán

Corridos as a mirror of reality | Rubén Albarrán

We saw Caifanes as unattainable | Rubén Albarrán

Confronting the fact that I didn't sing "Eres" | Rubén Albarrán

The origin of “Childhood's End” | Rubén Albarrán

Playing in the Zócalo and the next day for 40 people | Rubén Albarrán

Maná and Café Tacuba were not competing | Rubén Albarrán

The golden cage of many bands | Toy Selectah

Death as an act of acceptance | Rubén Albarrán

The producer's real job is to conceptualize | Toy Selectah

Grabar El objeto antes llamado disco frente al público | Rubén Albarrán

Success also has an expiration date | Toy Selectah

The Story of Rafi | Iván Fematt "La Mole"

Chilanga banda opened many doors for us | Rubén Albarrán

The origin of independent studios in Monterrey | Toy Selectah

Thanks to music I experienced things I never imagined | Iván Fematt "La Mole"

Gustavo Cerati, from a very human perspective | Rubén Albarrán

Cerati and the technology that defined his solo sound | Toy Selectah

Crecer también es dejar de depender de tus papás | Iván Fematt "La Mole"

La verdadera historia de “María Julia, ayúdame”… | Iván Fematt "La Mole"

The origin of my alter egos in Café Tacvba | Rubén Albarrán

A good DJ understands the venue before playing | Toy Selectah

El dinero va atrás, la familia va adelante | Iván Fematt "La Mole"

The saddest day of my life | Rubén Albarrán

Puerto Rico was always more than urban music | Toy Selectah

Interviewing Cerati was on another level | Iván Fematt "La Mole"

Cerati's album that was finished with little money and a lot of vision | Toy Selectah

Hermanos de leche funciona porque no hay egos | Iván Fematt "La Mole"

The ego is the true enemy of the spiritual path | Toy Selectah

Watching Pa’l Norte grow has been a privilege | Iván Fematt "La Mole"

Cuando la música de Pesado le dio meses de vida a una abuelita | Beto Zapata (Grupo Pesado)

Producir música es cultura, no solo técnica | Toy Selectah

When PXNDX knocked on doors and nobody answered | Kiko Lobo

Ya no persigo metas, persigo tranquilidad | Iván Fematt "La Mole"

Así se ha fortalecido Pesado con los años | Beto Zapata (Grupo Pesado)

My friendship with Calle 13 | Toy Selectah

Antes el artista tenía tiempo, hoy tiene tareas | Kiko Lobo

Monterrey is a constant breeding ground for music | Iván Fematt "La Mole"

El error más común de los músicos que empiezan | Beto Zapata (Grupo Pesado)

Control Machete wasn't luck, it was context | Toy Selectah

The beginning of Movic Records | Kiko Lobo

Spotify and TikTok changed the way we listen to music | Iván Fematt "La Mole"

Los Alegres de Terán el primer amor musical de Beto Zapata | Beto Zapata (Grupo Pesado)

Bad Bunny y el impacto generacional que muchos niegan | Toy Selectah

Así nació El Cielo Recording Studio de una necesidad real en la industria | Kiko Lobo

Control Machete represented an entire generation | Iván Fematt "La Mole"