Daniel Sánchez Arévalo: "'RONDALLAS' touches your heart, caresses your soul"

Tamar Novas and Carlos Blanco: "'RONDALLAS' is intelligent family cinema"

Javier Gutiérrez and María Vázquez: "With 'RONDALLAS' we're going to stir something up inside eac...

Dan Shotz ('PERCY JACKSON' T2): "Tuvimos a los chavales empapados durante 13 días seguidos”

Rick Riordan sobre la licencias en 'Percy Jackson': "Mitología es metamorfosis, literalmente cambio"

El reparto de 'PERCY JACKSON' sobre el éxito de la serie, sus fans españoles y quién es el líder

Oona Chaplin: "If my grandfather could see 'AVATAR: FIRE AND ASHES' he would have a fit."

¿Dios, semidiós o criatura? El reparto de 'PERCY JACKSON' crea su Olimpo español

Asia Ortega ('FRAGMENTS'): "For me, love hurts, it's a marriage of convenience"FR1

Emma Suárez ('FRAGMENTS'): "The fun thing about life is that it confuses you and transforms you"

Joseph Kosinski: "Con 'F1' queríamos hacer la película de carreras más auténtica de la historia"

Judith Colell ('FRONTERA'): "Without memory, propaganda fails"

Miki Esparbé ('FRONTERA'): "We witness what happens, but scrolling dehumanizes us"

Mercedes Ron on the adaptation of 'DÍMELO BAJITO': "There isn't a single scene I miss"

Fernando Lindez ('Tell Me Quietly') and intimacy: "We haven't felt exposed at any time"

Dani Rovira ('WOLF PLAYA'): "The director's job is something so magnanimous"

Javier Veiga ('PLAYA DE LOBOS'): "I prefer to work obsessively, I don't dare to improvise"

Eduardo Casanova ('SILENCE'): "Comedy is the best lubricant for everything"

María León ('SILENCE'): "In 30 years Eduardo Casanova will still be modern"

Martín Cuervo, director of 'ALICES': "It's the film in which I've thought the most about the gag"

Leo Harlem ('ALIBES'): "Our adaptation is better than the French one"

Jaime Lorente: "'COARTADAS' me parecía disparatada y tuve muy claro que tenía que hacerla”

Jared Bush: "'Zootrópolis 2' trata sobre encontrar nuestros puntos fuertes en las diferencias"

Paula Ribó: "'Zootopia 2' helps us understand that everyone deserves to be loved, respected, and ...

Kit Harington: "'PLAN EN FAMILIA 2' a veces es tierna, otras más tonta y con buena acción"

Simon Cellan Jones ('PLAN EN FAMILIA 2'): "A la gente le encanta ver películas sobre familias"

Mark Wahlberg: "'PLAN EN FAMILIA 2' es cercana, muestra los baches de cualquier familia"

Así cambian las dinámicas familiares en 'PLAN EN FAMILIA 2'

Álvaro Morte ('ANATOMY OF A MOMENT'): "Adolfo Suárez had his light and dark sides"

Miki Esparbé ('ANATOMY OF A MOMENT'): "The far right tries to romanticize the dictatorship"

'ANATOMY OF A MOMENT' and the reasons of the three traitors

Jon M. Chu ('WICKED: PARTE II'): "Vemos monstruos nacer cada día"

Fernando Cayo: "'REVERSION' is a film that generates debate"

Isak Ferriz ('LEO & LOU'): "Sign language should be taught in schools"

Carlos Solano ('LEO & LOU'): "I feel strange putting so much pressure on such a small person"

Jaime Lorente ('REVERSION'): "It has been complex, because the essence of the film is fragmentation"

Javier Cámara praises the ‘Jakarta’ team, of which Carla Quílez says: “They are wonderful people”

Dan Trachtenberg ('PREDATOR: BADLANDS'): "Me encanta crear un relato impredecible"

Elle Fanning: "'PREDATOR: BADLANDS' es muy emocionante, va sobre la familia elegida"

San José and Trapé ('JAKARTA'): "Society presents success as the only goal in life"

Najwa Nimri ('BREATHE'): "The ethics and morals of politicians cater to their needs"

Manu Ríos ('BREATHE'): "It's difficult to stay true to yourself when you're being pushed in the o...

Carlos Montero ('RESPIRA'): "Beyond the licenses, we see healthcare workers as heroes"

Pablo Alborán arrives at 'RESPIRA': "I've always wanted to dedicate myself to art, I didn't care ...

Alberto Rodríguez, on the challenge of filming 'LOS TIGRES': "It was worth taking the risk"

Antonio de la Torre ('LOS TIGRES'): "The crew got seasick during filming, except for Bárbara Lenn...

Andy Muschietti: "In 'IT: Welcome to Derry' I felt the need to go further in intensity."

Irene Escolar: "'LA RUTA. VOL. 2: IBIZA' speaks of legacy, of how wounds and lights are passed on."

Marina Salas ('THE ROUTE. VOL. 2: IBIZA'): "Ibiza has been a focal point of capitalism's impact."

Carla Díaz: "In 'LA RUTA. VOL. 2: IBIZA' three types of motherhood are explored."

Àlex Monner ('LA RUTA. VOL. 2: IBIZA'): "The best party is always the one you don't remember."

Rober Bodegas: "With 'ENTREPRENEURS' we sought a space for the characters of Pantomima Full."

Aura Garrido: "'ENTREPRENEURS' is a full-blown pantomime series."

Jeremy Allen White ('Springsteen: Deliver Me from Nowhere'): "La música es mi lenguaje del amor"

Scott Cooper: "Le dije a Bruce [Springsteen] que íbamos a desnudar al icono y olvidar su mitología"

Nicole Wallace ('CULPA NUESTRA') cuenta sus sueños de futuro y con qué directores quiere trabajar

Mercedes Ron sobre el salto temporal de 'CULPA NUESTRA', el fenómeno y el futuro de Nick y Noah

Jodie Tuner-Smith explica si 'TRON: ARES' es una película pro-IA: "Existimos en esa pregunta"

Teyana Taylor: "'UNA BATALLA TRAS OTRA' es una película legendaria"

Brett Goldstein e Imogen Poots presentan 'Contigo, todo': amor, drama y ciencia ficción todo en uno