“Telling a character’s story in very short sketches”: that’s what ‘VIDA PERRA’ has been like for ...

Jordi Sánchez: "We had a lot of laughs making 'VIDA PERRA'"

El consejo de Billy Magnussen ('THE AUDACITY') a los fans: "¡No aceptéis las cookies!"

Milena Smit ('BITTER CHRISTMAS'): "Ego is a good thing if you know how to manage it"

Barbara Lennie ('BITTER CHRISTMAS'): "I'm not sure where the limit of creative freedom lies"

Leonardo Sbaraglia ('BITTER CHRISTMAS'): "Almodóvar has made 24 films of absolute coherence"

Santiago Segura reveals which 'TORRENTE' movie he likes the least

Paula Usero ('That Night'): "Rage is also a very powerful tool"

Dani Tatay ('DREAMS OF FREEDOM'): "Not everyone is qualified to do a daily series"

Daniel Chong, director de 'HOPPERS' de Pixar: "El negocio necesita secuelas para sostenerse"

Mari Yamamoto ('MONARCH' T2): "Cuando lo pierdes todo y buscas esperanza, te apoyas en lo místico"

Joe Tippett: "En 'MONARCH' no te va a aplastar un monstruo y te pones a hablar de emociones"

Manu Vega ('ISLAS'): "There are people who are ugly in their soul, and I think that is true death."

Marina Seresesky: "In 'Islands' I wanted to talk about that way of life of tourists watching life...

Tory Tunnell ('MONARCH T2'): "Hablamos del arrepentimiento y del monstruo interior"

Kurt Russell ('MONARCH' T2): "¿Y si esto realmente pasara? ¿Cómo lo manejaríamos?"

'PARADISE' (T2): "Los personajes que toman decisiones cuestionables tienen humanidad"

Hannah Dodd ('LOS BRIDGERTON' T4): " Con John y Francesca la gente se va a sentir muy identificada"

Zahn McClarnon ('DARK WINDS'): "El entorno, el desierto y la tierra son parte de nuestra identidad"

Alison Oliver("Cumbres borrascosas'): "Emerald Fennell es muy buena encontrando luz en la oscuridad"

Emerald Fennell: "Cuando el deseo te tiene agarrado, todo cobra un sentido erótico"

Belén Rueda: "Those who enjoyed 'THE ORPHANAGE' will enjoy 'THE DRESS'"

Jacob Elordi ('"Cumbres borrascosas'"): "Los artistas necesitan tener libertad absoluta"

Luis Tosar and Claudia Salas: "'SALVADOR' faces what's happening head-on, measures must be taken"

'FATHER THERE IS ONLY ONE, THE SERIES': "Each child has their own vision of the world and their o...

Carmen Machi ('AIDA Y VUELTA'): "Humor can save your life, or at least ease it."

Enrique Arce ('ÍDOLOS'): "It's been great working with a legend like Jorge Martínez 'Aspar'"

Mat Whitecross, director of 'ÍDOLOS': "Ana Mena and Óscar Casas have incredible chemistry"

Ana Mena and Óscar Casas get their act together and tell us the best and worst of working togethe...

¿Quién es más aprehensiva con la sangre, Fiona Dourif o Shabana Azeez (‘The Pitt T2’)?

Daniel Sánchez Arévalo: "'RONDALLAS' touches your heart, caresses your soul"

Tamar Novas and Carlos Blanco: "'RONDALLAS' is intelligent family cinema"

Javier Gutiérrez and María Vázquez: "With 'RONDALLAS' we're going to stir something up inside eac...

Dan Shotz ('PERCY JACKSON' T2): "Tuvimos a los chavales empapados durante 13 días seguidos”

Rick Riordan sobre la licencias en 'Percy Jackson': "Mitología es metamorfosis, literalmente cambio"

El reparto de 'PERCY JACKSON' sobre el éxito de la serie, sus fans españoles y quién es el líder

Oona Chaplin: "If my grandfather could see 'AVATAR: FIRE AND ASHES' he would have a fit."

¿Dios, semidiós o criatura? El reparto de 'PERCY JACKSON' crea su Olimpo español

Asia Ortega ('FRAGMENTS'): "For me, love hurts, it's a marriage of convenience"FR1

Emma Suárez ('FRAGMENTS'): "The fun thing about life is that it confuses you and transforms you"

Joseph Kosinski: "Con 'F1' queríamos hacer la película de carreras más auténtica de la historia"

Judith Colell ('FRONTERA'): "Without memory, propaganda fails"

Miki Esparbé ('FRONTERA'): "We witness what happens, but scrolling dehumanizes us"

Mercedes Ron on the adaptation of 'DÍMELO BAJITO': "There isn't a single scene I miss"

Fernando Lindez ('Tell Me Quietly') and intimacy: "We haven't felt exposed at any time"

Dani Rovira ('WOLF PLAYA'): "The director's job is something so magnanimous"

Javier Veiga ('PLAYA DE LOBOS'): "I prefer to work obsessively, I don't dare to improvise"

Eduardo Casanova ('SILENCE'): "Comedy is the best lubricant for everything"

María León ('SILENCE'): "In 30 years Eduardo Casanova will still be modern"

Martín Cuervo, director of 'ALICES': "It's the film in which I've thought the most about the gag"

Leo Harlem ('ALIBES'): "Our adaptation is better than the French one"

Jaime Lorente: "'COARTADAS' me parecía disparatada y tuve muy claro que tenía que hacerla”

Jared Bush: "'Zootrópolis 2' trata sobre encontrar nuestros puntos fuertes en las diferencias"

Paula Ribó: "'Zootopia 2' helps us understand that everyone deserves to be loved, respected, and ...

Kit Harington: "'PLAN EN FAMILIA 2' a veces es tierna, otras más tonta y con buena acción"

Simon Cellan Jones ('PLAN EN FAMILIA 2'): "A la gente le encanta ver películas sobre familias"

Mark Wahlberg: "'PLAN EN FAMILIA 2' es cercana, muestra los baches de cualquier familia"

Así cambian las dinámicas familiares en 'PLAN EN FAMILIA 2'

Álvaro Morte ('ANATOMY OF A MOMENT'): "Adolfo Suárez had his light and dark sides"

Miki Esparbé ('ANATOMY OF A MOMENT'): "The far right tries to romanticize the dictatorship"