Ewald Demeyere (PhD) is a harpsichordist, conductor, improviser, music theorist, and professor. As a performing artist, he has taken part in more than 100 CD recordings, many of solo and chamber music repertoire. He wrote the book Johann Sebastian Bach’s Art of Fugue—Performance Practice Based on German Eighteenth-Century Theory as well as the articles “On Fedele Fenaroli’s Pedagogy: An Update” and “Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent”. He is Professor of harpsichord, partimento, and continuo at the Conservatory of Namur (www.imep.be). At the Antwerp Conservatory (www.ap.be) he is Professor of counterpoint and partimento.
He is considered an authority in partimento, a field in which he has produced important publications: the first critical edition of Fenaroli’s partimenti and regole (essaysonmusic.com/resources), and the critical edition of The Parma Manuscript (www.wessmans.com).
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