2be3 - THE French boy band

Les ERREURS à éviter en musique électronique (interview Incidence Studio MASTERING)

Où en est le jazz en 2026 ? (avec Anne Paceo, Adrien Soleiman et Tiss Rodriguez)

Towards the end of perpetual licenses?

CARPENTER BRUT shows us his LIVE SETUP on the Olympia stage

De la Belgique aux plus grandes scènes mondiales: Selah Sue & The Gallands racontent leurs carrières

Boss METALZONE: the worst distortion pedal?

Stop compressing everything? Try this!

Justice, PNL, Soulwax... la technique derrière leurs concerts enfin expliquée

Nepobabies in music: who REALLY deserves their success?

Everything you need to know about guitar effects pedals

Arthur H raconte sa carrière et l'évolution du métier de musicien

From unfashionable to superstar: Zara Larsson's second chance

VegaTrem: sounding like Jeff Beck (or almost...)

MY FAVORITE GAME OF THE YEAR: BITWIG 6 is impressive!

Chilly Gonzales se livre et nous raconte sa carrière dingue

How strip clubs influence the American charts

The "PROBLEM" of modern metal

Erae 2: The machine that brings your synthesizers to life (hardware and plugin)

Home studio et MP3 : comment les "années bloghouse" ont changé la face de la musique

The biggest injustices of the Grammy Awards

LUX: ambitious, rich, and a musical balancing act

I'm judging 40 synths: who will be the ultimate GOATs?

Miel de Montagne, le musicien le plus authentique de France - INTERVIEW

Bad Bunny at Super Bowl 2026: an already historic moment

What Doom (2016) can teach us about synthesizers

GOAT or OVERRATED? I ranked 66 effect plugins!

On analyse l'oeuvre et l'héritage fou de J Dilla, musicien légendaire

What we want to forget about music in 2026

Are all online equipment demonstrators just selling out?

On crée la MEILLEURE PLAYLIST de 2025 - Podcast

Stade de France, the new standard for concerts?

5 Techniques for Playing with Samples

The fascinating history of Christmas songs

The TOP gear of 2025 (My favorites of the year)

Industrie musicale : un système injuste ?

From 113 to Beyoncé: these shows where vehicles steal the show

When you become a fan of Aya Nakamura

Ableton Move: much more powerful than you think!

L'histoire du hip-hop racontée à travers les machines (avec Muzul, Nikkfurie & Faster Jay)

Tiakola, Justin Bieber, Shay: why do they use fake rain on stage?

Boss VG-800: your electric guitar becomes a synthesizer, bass, sitar, Martin D-15,...

La place des femmes dans l'industrie musicale (maternité, VSS, rapport à la technique, etc.)

AKG, Beyer, Hifiman, Audio Technica… which one sounds the most accurate?

The BARITONES: guitars with very low voices

THE ONLY SYNTHESIZER YOU'LL NEED IN 2026: I've tested the 4 biggest plugins on the market

Retour du club, bulles de filtre, pouvoir des fans... Des journalistes analysent la musique de 2025

Discovering the artists of tomorrow (all gems 👌)

Make me love rap!

EASY Mastering: The Basics Every Producer Should Know (100% Free Plugins)

La musique peut-elle changer le monde ? Yann Tiersen nous parle de son engagement.

Meta-music of the Internet: an augmented reality

On fête l'anniversaire du podcast et on vous écoute - Dans le Tempo # 100

The Deftones paradox: an absolutely cult "unpleasant" sound

How BEHRINGER Set the Music Industry on Fire

Le rock est-il de retour ? (feat. Kids Return et Max Baby) - PODCAST

AI takes on the music industry

The Best Delay Effect Ever? | Bleass Tides Review

L'ingé son le plus chaud de France revient sur sa carrière (avec Renaud Letang, alias DRIFT)

Quand les guitares perdent la tête !