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Un MAX de conseils de production de musique électronique avec Incidence Studio MASTERING

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Towards the end of perpetual licenses?

CARPENTER BRUT shows us his LIVE SETUP on the Olympia stage

De la Belgique aux plus grandes scènes mondiales: Selah Sue & The Gallands racontent leurs carrières

Boss METALZONE: the worst distortion pedal?

Stop compressing everything? Try this!

Justice, PNL, Soulwax... la technique derrière leurs concerts enfin expliquée

Nepobabies in music: who REALLY deserves their success?

Everything you need to know about guitar effects pedals

Arthur H raconte sa carrière et l'évolution du métier de musicien

From unfashionable to superstar: Zara Larsson's second chance

VegaTrem: sounding like Jeff Beck (or almost...)

MY FAVORITE GAME OF THE YEAR: BITWIG 6 is impressive!

Chilly Gonzales se livre et nous raconte sa carrière dingue

How strip clubs influence the American charts

The "PROBLEM" of modern metal

Erae 2: The machine that brings your synthesizers to life (hardware and plugin)

Home studio et MP3 : comment les "années bloghouse" ont changé la face de la musique

The biggest injustices of the Grammy Awards

LUX: ambitious, rich, and a musical balancing act

I'm judging 40 synths: who will be the ultimate GOATs?

Miel de Montagne, le musicien le plus authentique de France - INTERVIEW

Bad Bunny at Super Bowl 2026: an already historic moment

What Doom (2016) can teach us about synthesizers

GOAT or OVERRATED? I ranked 66 effect plugins!

On analyse l'oeuvre et l'héritage fou de J Dilla, musicien légendaire

What we want to forget about music in 2026

Are all online equipment demonstrators just selling out?

On crée la MEILLEURE PLAYLIST de 2025 - Podcast

Stade de France, the new standard for concerts?

5 Techniques for Playing with Samples

The fascinating history of Christmas songs

The TOP gear of 2025 (My favorites of the year)

Industrie musicale : un système injuste ?

From 113 to Beyoncé: these shows where vehicles steal the show

When you become a fan of Aya Nakamura

Ableton Move: much more powerful than you think!

L'histoire du hip-hop racontée à travers les machines (avec Muzul, Nikkfurie & Faster Jay)

Tiakola, Justin Bieber, Shay: why do they use fake rain on stage?

Boss VG-800: your electric guitar becomes a synthesizer, bass, sitar, Martin D-15,...

La place des femmes dans l'industrie musicale (maternité, VSS, rapport à la technique, etc.)

AKG, Beyer, Hifiman, Audio Technica… which one sounds the most accurate?

The BARITONES: guitars with very low voices

THE ONLY SYNTHESIZER YOU'LL NEED IN 2026: I've tested the 4 biggest plugins on the market

Retour du club, bulles de filtre, pouvoir des fans... Des journalistes analysent la musique de 2025

Discovering the artists of tomorrow (all gems 👌)

Make me love rap!

EASY Mastering: The Basics Every Producer Should Know (100% Free Plugins)

La musique peut-elle changer le monde ? Yann Tiersen nous parle de son engagement.

Meta-music of the Internet: an augmented reality

On fête l'anniversaire du podcast et on vous écoute - Dans le Tempo # 100

The Deftones paradox: an absolutely cult "unpleasant" sound

How BEHRINGER Set the Music Industry on Fire

Le rock est-il de retour ? (feat. Kids Return et Max Baby) - PODCAST

AI takes on the music industry

The Best Delay Effect Ever? | Bleass Tides Review

L'ingé son le plus chaud de France revient sur sa carrière (avec Renaud Letang, alias DRIFT)

Quand les guitares perdent la tête !