Editor Simon Smith, ACE on The Evolution of Film Editing

Enhancing Creativity in Stress Management and a Career in Editing with Debby Germino

Evolution of Visual Effects on TV: From "Smallville" to Today

Exploring Creative Collaboration in Filmmaking

Exploring Design Aesthetics in Color Grading

Exploring Artistic Visions in Trippy Visuals Through Color

An Introduction to Avid Media Composer Online Self-Paced Workshop

Coordinating a Complicated Lighting Setup in "Foundation"

Navigating Film Production and Marketing Challenges in the Horror Movie "Smile"

Cutting Horror and Dark Comedy

Exploring the Desaturated World of Pennywise in "It Chapter Two"

Using Natural Light in Shooting a Dessert Scene in "Foundation"

Editor Mark Hartzell, ACE, Navigating a Career in Editing: Insights and Experiences

Mastering Set Design and Lighting in the Production of "Foundation"

Collaborative Storytelling in "Dune: Prophecy"

Checco Varese, ASC, on the Cinematography of “It Chapter Two”

Cinematographer James Kniest on Filming “Annabelle” and Creating Horror Through Lighting and Lens

Creating Drama between Foes in the Cinematography of "Foundation"

Creating a Futuristic Battlefield Scene for "Foundation" with Cinematographer Owen McPolin, ISC

Restoring Faith in Storytelling: A Journey Through Career Choices

Editor Christopher Frith on The Power of Personal Connections in the Editing Industry

Being an Assistant Editor on "Mission: Impossible - The Final Reckoning"

Navigating the Film Editing Landscape: Insights and Opportunities with Editor Christopher Firth

Behind the Scenes of Emmy-winning Visual Effects in "The Penguin"

Emmy-Winning DP Jessica Lee Gagné on Creating the Dystopian World of "Severance"

Behind the Lens of "The Studio": Emmy-Winning DP Adam Newport-Berra Reveals His Process

Designing Emmy Gold: Claire Kaufman on Building the World of "The Studio"

How Editor Eric Kissack, ACE, Helped Craft an Emmy-Winning Masterpiece

Johanna Coelho on Crafting the Cinematic Look of the Emmy-Winning Series "The Pitt"

How Emmy Winner Marguerite Derricks Brought Ballet to Life in "Étoile"

Being an Editor Trainee on "Mission Impossible: Rogue Nation"

Recreating a Roman Centurion Look in a Scene from "Foundation"

What is the Best Codec in Avid Media Composer

Celebrating Felicia Rashad's Golden Nature and Collaborative Spirit

The Journey of Directing: From an Online Competition to "The Chi"

Remapping with Avid Media Composer

A Step-by-Step Guide to Exporting A Sequence in Avid Media Composer

Understanding the Editing Process in Film Production

Navigating Career Transitions in the Entertainment Industry

Navigating the Filmmaking Journey: Insights from the Directors of "The Chi"

Creating an Immersive Experience Through Sound of Early SNL

Editor Matthew Barbato on Navigating Editing Challenges in a Changing Industry

Media Relinking in Avid Media Composer

Audio Mixer Tool in Avid Media Composer

Transcoding Media in Avid Media Composer

How to Customize the Avid Media Composer Interface

How To Use Match Frame in Avid Media Composer

Innovative Sound Design Techniques for Engaging Storytelling

Editing Mikhail Baryshnikov's Music into a Scene for "Sex and the City"

Editor Carol Littleton, ACE, Explores Humor and Storytelling in "Body Heat"

Making the Grade: Painting with Light, Color, and Emotion

Editor Katie Turinski on Editing a Super Bowl Commercial

Balancing Comedy and Drama in "Only Murders in the Building"

Character Dynamics in "Saturday Night"

Asst Editor Sophia Grimbaum Flores on Navigating an Editing Career in NYC: Networking & Education

Assistant Editor Sophia Grimbaum Flores on Finding Success at Manhattan Edit Workshop

How To Import Media Into Bins in Avid Media Composer

Should You Import or Link Your Files in Avid?

How To Trim Clips in the Timeline in Avid Media Composer

Assistant Editor Deborah Emilio on Finding Success at Manhattan Edit Workshop