Posture? Posture.. Posture!

2nd Position: La Folia by Corelli

Half Shift Technique: Tchaikovsky Concerto

Bow Stokes as Dynamics: Wieniawski Caprice no.4

Fast Arpeggios on G String: Wieniawski Caprice no.4

Chords with Fast Down Bows: Bruch Concerto

Left Hand Frame in 4th Position: Schradieck no.12

5 Tips to Control Shaky Bow at Shifting : Handel Sonata no. 4, 3rd mov Larghetto

3 Tips for Relaxed Double Stops: Mazas Book 3. no.63

Am I Too Old to Learn?

Improve Your Counting: Dance of the Sugar Plum Fairy by Tchaikovsky

5 Tips for Arpeggio Practice : Bb minor and Bb Major 3 Octave Arpeggios

Ideal Bow Grip near Frog? : Vocalise by Rachmaninoff

3 Tips for Fingered Octaves: Wieniawski Concerto no.2

Why We Need 2 Music to Practice? : Chopin Nocturne no.20

Making Double Stop Shifting Easier: Spanish Dances by Sarasate

Legato, Ricochet, Flying Staccato and Spiccato: Introduction et Tarantelle by Sarasate

How to Ricochet: The Round of the Goblins by Bazzini

3 Tips in High Positions on G String: The Old Refrain by Kreisler

Mozart Spiccatos: Rondo by Mozart, arr. by Kreisler

3 Tips in Fast Passages with Double Stops : Prelude and Allegro by Kreisler

Musical Fingering vs Technical Fingering : Paganini Sonata op.3, no.6

3 Important Bow Techniques in Fugue : Bach Solo Sonata no.1, 2nd mov Fugue

Having a Slipping Finger When Vibrating?

5 Things to Avoid in Sight Reading: Mozart Divertimento K.136

Technique of Descending Scales: Paganini Caprice no.24 , var. 4

5 Checklist for Expressive Tone: Largo (Ombra mai fu) by Handel

2 Easily Missed Points for Strong Resonant Tone in High Positions: Thais Meditation

Forgotten Treasure of French Method: Beriot op.102

Keeping Fingers Close to Strings with Dounis? : Mazas no.16 (no.19 in different version)

Flying Staccato from Upbow Staccato: Kayser no.33

If you Can Play it Slow, You Can Play it Fast??: Bach Solo Partita no.3, Prelude

5 Checklist to Control Unintentional Skittering Bow

When to Use Long Bows and Short Bows?: Vivaldi Concerto no.3, RV310

How to Vibrate Harmonics (natural and artificial): Czardas by Monti

Controlling Overly Bouncy Bow: Introduction et Rondo Capriccioso by Saint-Saens

3 Steps to Big, Resonant Tone: Brahms Hungarian Dance no.1

Low 2nd and High 2nd finger: Silver Bells

Understandable Chords: Praeludium und Allegro by Pugnani-Kreisler

On the String and Off the String: Mozart Concerto no.3

"Gruppetto" in Mozart: Eine Kleine Nachtmusik, 4th mov

Strong and Fast Chords: Brahms Concerto

F Major 3 Octave Scale by Flesch

4 Octave G Melodic Minor Scale by Galamian

Proper Violin Holding? No Shoulder Rest??

Low 2nd finger with 4th finger??: Wohlfahrt no.18

Figure 8 Bowing for All Fast Notes?? : Wohlfahrt no.15

Right Thumb Pushing Through the Bow?

3 Ways of Holding the Violin and the Bow in One Hand

Arpeggios: Major, Minor, Dominant 7th, Diminished 7th and more

Unlocking Stiff Right Thumb

Ricochet, Spiccato to/from Legato: La Campanella by Paganini

Beautiful 5th Playing: Bach Minuet in G

Having a Slipping Shoulder Rest Issue?

Proper Body Alignment with the Violin

3 Tips for Two Upbow Staccatos: Saint Saens, Long Long Ago

Playing 5th, Barred Finger or Not??: Bach Solo Sonata no.3 Allegro Assai

3 Tips for Good 3rd, 4th Finger Intonation: Sevcik op.6, no.56

Reliable 1st Finger: Melodie by Tchaikovsky, The Two Grenadiers by Schumann

3 Steps to Control Bow Weight