Batman v Superman: Dawn of Justice - Review: The Director's Cut and the Weight of Frustration

The Old Guard 2 - Review: A Prologue to the Next Film (Netflix)

Jurassic World Rebirth - Review: a return without direction

F1 has Apple's best debut yet and M3gan 2.0 fails to replicate the original's box office success

Oscar 2026 - international film: start of the selections, Brazil's chances and NEON campaigns

Megan 2.0 - Review: is this an upgrade?

007: Denis Villeneuve to direct next James Bond film

Six books that will be adapted for the cinema in 2025

The Life of Chuck - Review: Mike Flanagan and sentimentality in Stephen King

Elio has the worst debut in Pixar history. Superman's varied projections and the market

F1 – The Movie - Review: Kosinski and the total immersion in the Formula 1 cockpit

28 Years Later (Extermination: Evolution) - Review: Danny Boyle and the attempt to revive the fra...

Elio - Review: In Search of Extraterrestrial Life (Pixar)

Echo Valley - Review: A Huge Waste (Apple TV+)

The good debut of How to Train Your Dragon, the fall of Ballerina, MI 8 and the release circuit

Jason X (2001) - Review: parody and Jason in space

Man of Steel (2013) - Review: Zack Snyder Changes Everything

Dangerous Animals - Review: A different way to use sharks in horror?

Documentary - theoretical and practical disputes, types and concepts

How to Train Your Dragon (2025) - Review: Affection for animation becomes an asset in live action

Ballerina's weak debut, the future of the John Wick franchise and Lionsgate's use of AI

Predator: Killer of Assassins Review: A Great Addition to the Franchise

The Ritual - Review: Al Pacino plays an exorcist in one of the worst films of 2025

Ballerina - Review: John Wick's quest to validate the franchise's expansion

The era of re-releases? Classics are driving the Brazilian market with growing interest

Superman Returns (2006) - Review: Total reverence to the past

Mountainhead - Review: Succession creator directs satire on power, global chaos and AI (HBO Max)

Lilo & Stitch dominates theaters, the return of Karate Kid and the success of Final Destination 6

Bring Her Back - Review: Mourning Turns Into Obsession (A24)

It Was Just an Accident - Review: The winner of the Palme d'Or at Cannes 2025

Fear Street: Prom Queen - Review: A Netflix Lesson in How to Ruin a Franchise

Jaws (1975) - Review: Spielberg's classic turns 50 / special 300 thousand subscribers

The resounding success of Lilo & Stitch and the case of the high cost of Mission Impossible 8

Cannes 2025: Jafar Panahi wins Palme d'Or! Best actor and best director for The Secret Agent

Sentimental Value - Crítica: o meu filme favorito do Festival de Cannes 2025

Cannes, dia 10 - o impacto de Sentimental Value e a distribuição de O Agente Secreto

Lilo & Stitch (2025) - Crítica: carisma simplificado

Cannes, dia 9 - Panahi com destaque e a reta final do festival

O Agente Secreto terá distribuição da NEON nos EUA: um anúncio de grande impacto em Cannes

The Phoenician Scheme (O Esquema Fenício) - Crítica: Wes Anderson e uma fórmula desgastada

Exit 8 - Crítica: o problemão de transformar jogabilidade em narrativa no cinema

Cannes, dia 8 - o festival na chuva e a assessoria de imprensa “perdida”

O Agente Secreto - Crítica: História, identidade e memória no novo filme de Kleber Mendonca Filho

Cannes, dia 6: O Agente Secreto toma conta do festival

Exclusivo para membros: Sirat - Crítica: rave e desaparecimento no deserto

Nouvelle Vague (Nova Onda) - Crítica: Linklater presta homenagem a Godard e ao cinema francês

Cannes, dia 5 - visitando a Marché du Film

Exclusivo para membros: Amrum - Crítica: um final de guerra diferente na Alemanha

Cannes, dia 4 - Filmes da competição e estande do Brasil

Eddington - Crítica: o faroeste paranóico de Ari Aster

Cannes, dia 3 - Três sessões e loja do festival

Exclusivo para membros - Two Prosecutors - Crítica: a justiça e o terror na era Stalin (Cannes 2025)

Missão Impossível - O Acerto Final - Crítica: o risco máximo da franquia

Cannes - dia 2: Tom Cruise, McQuarrie, Missão Impossível e o fiasco do evento de Robert De Niro

Partir un Jour - Crítica: uma fraca abertura para Cannes 2025

Cannes, dia 1: restauração de Chaplin, De Niro e um fraco filme de abertura

Final Destination Bloodlines (Premonição 6: Laços de Sangue) - Crítica: oscilações mortais

Cannes 2025 - Dia 0: credenciamento e chegada

Superman IV - Em Busca da Paz (1987) - Crítica: constrangimento do começo ao fim

Gran Torino (2008) - Crítica: um dos melhores filmes de Clint Eastwood