Mr. Fingaz: JAY-Z, LL Cool J, DMX Wanted Ja Rule’s “Holla Holla” Beat, Two Paths of Music Making

Kwamé: Atlantic Records Told Me “Ownlee Eue” Wasn't a Hit, “The Different Kids” Objective

Buckwild: Big L Didn't Like My Beats At First

Bootsy Collins on Warning Ice Cube Before N.W.A Show in Cincinnati, Eazy-E Inspired Me

Terminator X: Bad Business is Why I Left Public Enemy, Running Ostrich Farm, Having Social Anxiety

Mike G on Filming Jungle Brothers “Straight Out The Jungle” & “I’ll House You” Videos in England

Wildchild: Since Lootpack, Been Saying Surround Yourself With Positive People, “Child Of A Kingsman"

Ron “Amen-Ra” Lawrence: “House Party” Made Kid ’N Play Global, Giving Hurby Luv Bug Ideas

Madness 4 Real’s Nick Coldhands on Asking Eazy-E if it Was OK to Work with Ice Cube

DJ Clash: Big Daddy Kane’s Best Record Is Word To The Mother, Marley Marl Knew What to Play on WBLS

Dobbs The Wino: Marley Marl Made Me Want to Get Into Music, Tommy Boy Records Gave Me My Moniker

Ras Kass & ALaZ on Need for Intergenerational Unity, Using Hip-Hop as a Vehicle, "The Reckoning" LP

S1W Brother James: Professor Griff Leaving Public Enemy Is Deeper than Public Has Been Privy to

M80 on MC Hammer Effect, His "100 Ways I’ve Almost D*ed While Working In The Rap Industry" Book

Professor Griff on His Post Public Enemy Mission, We Look Through a Distorted Lens at Humanity

Mr. Fingaz: I’m Not A Fan Of Rap Music. I Love Hip-Hop

Buckwild: I Miss the ‘90s, His & Celph Titled’s “Nineteen Ninety Now” Reissue, Getting Treach Verse

Terminator X: Public Enemy Wasn’t Keeping Up Sonically, Wasn't Itself Without Bomb Squad

Mike G on Jungle Brothers Not Wanting To Make Super Serious Record, Wanting To Walk Righteous Path

Wildchild on What He’d Tell Lootpack Version Of Himself, Putting Out “Bat Signal” For Himself

Ron “Amen-Ra” Lawrence: Malcom X Lived 15 Houses From Me, Going to Howard Was Best Thing I Did

Madness 4 Real’s Nick Coldhands: Donovan "Dirtbiker" Smith Didn't Like Being Only White in Studio

DJ Clash on Thinking Marley Marl Was 2 Different People, Led Zeppelin Had Hip-Hop Style

Ras Kass: Abuse, Theft, Lying Are As American as Apple Pie, ALaZ on Macon, GA Is Sacred Musical Soil

S1W Brother James on Chuck D & Hank Shocklee Using Public Enemy to Break into Music Industry

Terminator X on Getting Sued for “Homey Don’t Play Dat” Song From “Valley of The Jeep Beets”

Too $hort, Big Daddy Kane, Marley Marl, EPMD, Public Enemy & Jungle Bros' Surprise Collaborations

Mike G on Not Rocking Gold Circa Jungle Brothers’ “Straight Out The Jungle,” Picking JBs Name

Soul Brothers’ Legendary on Big Daddy Kane, Ice-T, Tupac, Def Jef, Young MC, Defari, Scoob Lover

Wildchild on Enjoying “Change For My 2 Cents” Criticism, Atypical “Child Of A Kingsman" Production

B.G. Knocc Out on Getting off Hood Hamster Wheel, Being A New Person Upon Prison Release

Ron “Amen-Ra” Lawrence on Fallout of Hurby Luv Bug not Letting Russell Simmons Manage Salt-N-Pepa

Nick Coldhands on Eazy-E Directing Madness 4 Real on “Merry Mutha****** Xmas,” DJ Aladdin's Potency

Ras Kass: BDP & N.W.A Made Me Question the World We’re Living in & ALaZ: KRS-One is Reason I Rap

S1W Brother James on Chuck D Forgetting Lyrics on Stage, Pointing Plastic Uzis At Public Enemy Fans

Mathematics: Labels Tried to Dictate What Hip-Hop Is & Tried to Usher Out Older Artists

Terminator X: Professor Griff & I Have A Complicated Relationship & Seeing Public Enemy's Impact

Mike G on Jungle Brothers’ “Jimbrowski” Origins, Boogie Down Productions' “Jimmy” Was a Shout-Out

Daru Jones on Making Black Milk’s “Album Of The Year,” Coining Soul Hop, Meeting Jack White

Wildchild on Drawing from Guru’s “Jazzmatazz” for His “Child Of A Kingsman” Album

When Rappers Sing w Kurtis Blow, Nas, Dana Dana, Jungle Brothers, Lauryn Hill, Snoop Dogg, Lil Wayne

Hurby Luv Bug Azor: Record Labels Are Not Your Friend, Steevee-O on NY Not Playing Their Happy Music

B.G. Knocc Out on Being On Lockdown For A Year, People Dissing & Following His Turn To Islam

Ron Lawrence on Why Singing Had a Stigma in Hip-Hop, Why Grandmaster Flash Inspired Him

Play of Kid ’N Play on How a White Cop Changed His Life, Kid Making Fun Of How He Said “Breakfast”

DJ Mad Linx: JAY-Z & Nas are Shakespeares of Our Era, Secret Society of Tennis Fans

Jungle Brothers’ Afrika Baby Bam Tears Up While Discussing Mike G Bond, Why Mike G Stopped Tagging

Linda Wills on Working For Al Green, Donnie Simpson & Roy Ayers, Her The Great Record Promoter Book

Kool DJ Red Alert on Pirate Radio Spreading his Show, Being on WBLS After Rival KISS

Dana Dane on How Slick Rick & Doug E. Fresh Got Him To Rap, "Nightmares" Producer Sam Jacobs, Jr.

Hurby “Luv Bug” Azor: Marley Marl Introduced me to Samplers, 2 Live Crew & MC Shy D Inspired Push It

Dana Dane on Cussing Don Cornelius & His Son Out, Rejecting DJ Clark Kent's Production Overtures

Madness 4 Real’s Nick Coldhands on Meeting Low Profile, Danes Preferring East Coast Rap

Hitman Howie Tee on Chubb Rock, Special Ed, The Real Roxanne, Color Me Badd, Patra | FULL INTERVIEW

Stan Culture with Nas, Tupac, JAY-Z, Eminem

Richie Rich on Learning From Irv Gotti, People Say My Verse on Tupac's Heavy In The Game is My Best

S1W Brother James on Security of the First World Meaning, FOI Influence on Public Enemy

Mathematics on True Master’s Filtering vs. His Filtering, “Black Samson” Is His Most Hands-On LP

Terminator X: DJ Bobcat Gave Me “Terminator X To The Edge Of Panic” Idea, Public Enemy’s White Fans

Dazzie Dee on Low Profile's "We're In This Together" | BEST ALBUMS