Madness 4 Real’s Nick Coldhands: Da Lench Mob Had A Hard Time Without J-Dee, will.i.am was Creative

DJ Clash: If No Mr. Magic, Then No Marley Marl & Seeing LL Cool J Write “To Da Break Of Dawn”

Culture Freedom: I Was a Combo of ODB & RZA, Rakim & Supreme Team Giving Five-Percent Nation a Voice

Dobbs The Wino: Coolio’s “Fantastic Voyage” was a Dream Of What We Could Have, “N Da Closet” Change

S1W Brother James: Doug E. Fresh Said S1Ws Made Public Enemy Believable

Matthew “M80” Markoff: With Rakim, I Did What Dr. Dre Couldn’t

Professor Griff: Luke Thought his Audience Was Public Enemy’s Audience, Chuck D Got Me My Luke Deal

Culture Freedom on Still Dealing With Reaganomics, Grand Agent on Running Non-Profit, A Calm Killing

Ras Kass on Doing “Soul On Ice” Victory Lap with “Leopard Eats Face," Nino Brown Was A Snitch

Jeff Pearlman: VladTV & Art Of Dialogue are Jealous of My Tupac Book Work on "Only God Can Judge Me"

Mr. Fingaz on Irv Gotti Asking Him to Replay All Samples on Ja Rule’s LP, Blowing Swizz Beatz Away

Buckwild on Why He DIdn’t Produce Full Albums, Producing & Remixing Artifacts’ C’Mon Wit Da Git Down

What are the 3 Best Songs on Eightball & MJG's "On The Outside Looking In?"

Terminator X on Why Public Enemy Dissed Radio Industry

Masta Ace on Basing “Single Mothers” Off of His Idea of Roxanne Shante’s Experiences, DJ Mister Cee

What are the 2 Best Songs on C-Bo's "The Autopsy?"

Roxanne Shanté on Why She Had Big Daddy Kane & Kool G Rap Write For Her, “Runaway” Was A Freestyle

MC Shan: I Didn’t Know I Was On “Bobby Digital Presents: Juice Crew” EP, RZA Took Juice Crew Theory

Mike G on Why Jungle Brothers Weren’t On “Self Destruction,” "I'll House You" Impact

Masta Ace on Why RZA Took Kool G Rap & His Phones While Recording Bobby Digital Presents: Juice Crew

What are the 3 Best Songs on Low Profile's "We're In This Together?"

Roxanne Shante on Big Daddy Kane & Kool G Rap’s Issues Not Affecting Her, Juice Crew RZA Project

Wildchild: Lootpack’s “Soundpieces: Da Antidote!” Was Almost Like A Demo, "Child Of A Kingsman" LP

Posdnuos on How Prince Paul Aided De La Soul, Applying His Parents’ Lessons, "Cabin In The Sky"

Ron “Amen-Ra” Lawrence: Kool Moe Dee Jacked Me For Treacherous Three Beats, Positive K Buying One

Madness 4 Real’s Nick Coldhands: Ice Cube Was Calculated, Eazy-E Was Freak Of Nature, MC Ren

DJ Clash: Marley Marl Was Into Money, Not Rivalries & LL Cool J’s “Jingling Baby” Turnaround

Culture Freedom on Meeting Wise Intelligent, Coming Up With Poor Righteous Teachers Name

Dobbs The Wino on True Blue's LP Arriving Before "Bangin On Wax," NY Rappers Repping Their Hoods

Ras Kass on How DJ Jazzy Jeff Inspired Him, ALaZ on Importance of Supporting Black Women

Best Posthumous Albums from Makaveli, The Notorious B.I.G., Big L, J Dilla, Juice WRLD | 1st & 15th

S1W Brother James: Heavy D Had to Be Convinced to Tour with Public Enemy & Trouble T-Roy's Passing

Matthew “M80” Markoff: RZA Said Not to Talk to Him In My Hustle Voice, Inspectah Deck Apology

Professor Griff: Don’t Become the Demon You’re Trying to Destroy

Mr. Fingaz: DMX Was Supposed to Have Ja Rule’s Holla Holla, Irv Gotti Said My Early Music Was Trash

Kwamé: Atlantic Records Told Me “Ownlee Eue” Wasn't a Hit, “The Different Kids” Objective

Buckwild: Big L Didn't Like My Beats At First

Bootsy Collins on Warning Ice Cube Before N.W.A Show in Cincinnati, Eazy-E Inspired Me

Terminator X: Bad Business is Why I Left Public Enemy, Running Ostrich Farm, Having Social Anxiety

Mike G on Filming Jungle Brothers “Straight Out The Jungle” & “I’ll House You” Videos in England

Wildchild: Since Lootpack, Been Saying Surround Yourself With Positive People, “Child Of A Kingsman"

Ron “Amen-Ra” Lawrence: “House Party” Made Kid ’N Play Global, Giving Hurby Luv Bug Ideas

Madness 4 Real’s Nick Coldhands on Asking Eazy-E if it Was OK to Work with Ice Cube

DJ Clash: Big Daddy Kane’s Best Record Is Word To The Mother, Marley Marl Knew What to Play on WBLS

Dobbs The Wino: Marley Marl Made Me Want to Get Into Music, Tommy Boy Records Gave Me My Moniker

Ras Kass & ALaZ on Need for Intergenerational Unity, Using Hip-Hop as a Vehicle, "The Reckoning" LP

S1W Brother James: Professor Griff Leaving Public Enemy Is Deeper than Public Has Been Privy to

M80 on MC Hammer Effect, His "100 Ways I’ve Almost D*ed While Working In The Rap Industry" Book

Professor Griff on His Post Public Enemy Mission, We Look Through a Distorted Lens at Humanity

Mr. Fingaz: I’m Not A Fan Of Rap Music. I Love Hip-Hop

Buckwild: I Miss the ‘90s, His & Celph Titled’s “Nineteen Ninety Now” Reissue, Getting Treach Verse

Terminator X: Public Enemy Wasn’t Keeping Up Sonically, Wasn't Itself Without Bomb Squad

Mike G on Jungle Brothers Not Wanting To Make Super Serious Record, Wanting To Walk Righteous Path

Wildchild on What He’d Tell Lootpack Version Of Himself, Putting Out “Bat Signal” For Himself

Ron “Amen-Ra” Lawrence: Malcom X Lived 15 Houses From Me, Going to Howard Was Best Thing I Did

Madness 4 Real’s Nick Coldhands: Donovan "Dirtbiker" Smith Didn't Like Being Only White in Studio

DJ Clash on Thinking Marley Marl Was 2 Different People, Led Zeppelin Had Hip-Hop Style

Ras Kass: Abuse, Theft, Lying Are As American as Apple Pie, ALaZ on Macon, GA Is Sacred Musical Soil

S1W Brother James on Chuck D & Hank Shocklee Using Public Enemy to Break into Music Industry

Terminator X on Getting Sued for “Homey Don’t Play Dat” Song From “Valley of The Jeep Beets”