Early Reception of Impressionism in Britain, 1870-1917

Picturing Digital Infrastructures

Frank O'Hara and MoMA, New York Poet, Global Curator

The Medieval Instrumentality of AI

Courtauld Institute MA History of Art Virtual Open Day

The power, the joy and the destruction: Journeys through Modernity

MA Contemporary Art and the Moving Image Virtual Open Day

English Sacred Land and How to Travel by its Image and its Architecture

Surrealism and the Tarot

Courtauld Institute Graduate Diploma in the History of Art Virtual Open Day

‘What has Riegl to do with the Perceptron?’

Courtauld Institute MA Art and Business Virtual Open Day 2025

Studying at the Courtauld Institute: an overview

HERIe: Digital platform for decision support in preventive conservation

Courtauld Institute MA Preventive Conservation Virtual Open Day

MA Art History and Conservation of Buddhist Heritage Virtual Open Day

Architectural Historiography in the British Isles: National and International Perspectives

Explore Wayne Thiebaud's still life paintings with co-curator Dr Karen Serres | Courtauld Gallery

An introduction to Wayne Thiebaud from Exhibition co-curator Dr Barnaby Wright | Courtauld Gallery

Reimagining the Courtauld for the next century

Courtauld MA Conservation of Wall Paintings Virtual Open Day

Recreating Wayne Thiebaud's Cakes with Lily Vanilli

Digital spaces of repair: Repatriation and decolonising futures in Southeast Asian Art

Counter Print The Alternative Art Press in Britain after 1970

Courtauld MA Conservation of Easel Paintings Virtual Open Day

Cubism and Reality

The Manton Centre for British Art Lecture: Iris Moon

Courtauld Institute: MA Curating Virtual Open Day

Comrades in Art, Artists Against Fascism, 1933-43

The Barber at The Courtauld: New research on the Barber collection

Why study BA History of Art? A panel discussion

On Parasocial Media: The Shoggoth and the Skeuomorph

Episcopal display and the English crozier around the time of the Norman Conquest

Courtauld PhD Virtual Open Day

Ambicoloniality and War: The Ukranian-Russian case

The Griffin Catalyst Exhibition: Wayne Thiebaud. American Still Life | The Courtauld

Reflections on the Statue of Tara from Sri Lanka at The British Museum

Rachel Jones - In the Studio

Announcing The Courtauld's 2026 Exhibitions and Displays

Alice Adams - In The Studio

Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams | The Courtauld

Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams | The Courtauld

Day One: Out of Scale: From “Miniature” Material Cultures to the Anthropic Principle

Day Two: Out of Scale: From “Miniature” Material Cultures to the Anthropic Principle

Explore The Barber in London: Highlights from a Remarkable Collection | The Courtauld Gallery

Conserving Longthorpe Tower’s Wall Paintings | The Courtauld

Textiles from the Ladakh Himalayas

Rachel Jones in conversation with Elena Crippa, for Jones's 2025 Commission at the Courtauld Gallery

Kienholz: Un/American Violence

The Barber in London: Highlights from a Remarkable Collection | The Courtauld

Introducing The Barber Institute of Fine Arts | The Courtauld Gallery, London

Tracing Jewish Histories Day Two

Tracing Jewish Histories - Day One

The Strand: A Biography of London’s Greatest Thoroughfare

Samye and a Transregional History of Buddhist Architecture in the Late 8th Century

Family Romance: John Singer Sargent and the Wertheimers

Representations of the tree in visual culture.

Collecting Impressionism in Winterthur & Wales

Courtauld Study Day: Henri Michaux

Art, Feminism, and Community: Feminist art histories from Turkey