Architectural Historiography in the British Isles: National and International Perspectives

An introduction to Wayne Thiebaud from Exhibition co-curator Dr Barnaby Wright | Courtauld Gallery

Reimagining the Courtauld for the next century

Courtauld MA Conservation of Wall Paintings Virtual Open Day

Recreating Wayne Thiebaud's Cakes with Lily Vanilli

Digital spaces of repair: Repatriation and decolonising futures in Southeast Asian Art

Counter Print The Alternative Art Press in Britain after 1970

Courtauld MA Conservation of Easel Paintings Virtual Open Day

Cubism and Reality

The Manton Centre for British Art Lecture: Iris Moon

Courtauld Institute: MA Curating Virtual Open Day

Comrades in Art, Artists Against Fascism, 1933-43

The Barber at The Courtauld: New research on the Barber collection

Why study BA History of Art? A panel discussion

On Parasocial Media: The Shoggoth and the Skeuomorph

Episcopal display and the English crozier around the time of the Norman Conquest

Courtauld PhD Virtual Open Day

Ambicoloniality and War: The Ukranian-Russian case

The Griffin Catalyst Exhibition: Wayne Thiebaud. American Still Life | The Courtauld

Reflections on the Statue of Tara from Sri Lanka at The British Museum

Rachel Jones - In the Studio

Announcing The Courtauld's 2026 Exhibitions and Displays

Alice Adams - In The Studio

Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams | The Courtauld

Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams | The Courtauld

Day One: Out of Scale: From “Miniature” Material Cultures to the Anthropic Principle

Day Two: Out of Scale: From “Miniature” Material Cultures to the Anthropic Principle

Explore The Barber in London: Highlights from a Remarkable Collection | The Courtauld Gallery

Conserving Longthorpe Tower’s Wall Paintings | The Courtauld

Textiles from the Ladakh Himalayas

Rachel Jones in conversation with Elena Crippa, for Jones's 2025 Commission at the Courtauld Gallery

Kienholz: Un/American Violence

The Barber in London: Highlights from a Remarkable Collection | The Courtauld

Introducing The Barber Institute of Fine Arts | The Courtauld Gallery, London

Tracing Jewish Histories Day Two

Tracing Jewish Histories - Day One

The Strand: A Biography of London’s Greatest Thoroughfare

Samye and a Transregional History of Buddhist Architecture in the Late 8th Century

Family Romance: John Singer Sargent and the Wertheimers

Representations of the tree in visual culture.

Collecting Impressionism in Winterthur & Wales

Courtauld Study Day: Henri Michaux

Art, Feminism, and Community: Feminist art histories from Turkey

ICMA Annual Lecture: Word/Play: Interiority, Performance, and Reading in Late Medieval Flanders

Fontainebleau – the New Rome of Francis I: dream of a king / reality of a curator

Collecting Impressionism

The Asymmetry International Symposium 2025: Subsea Signals: Maritime histories, digital currents

The Impact of Motherhood within Art Schools and Institutions in the UK

With Graphic Intent: German and Austrian modernist works on paper

Sustainability in Conservation: Lorraine Finch and Jaap van der Berg

Goya's Three Salmon Steaks | Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection

Van Gogh's Hospital Paintings | Goya to Impressionism: Masterpieces from Oskar Reinhart Collection

Graduate Diploma in the History of Art webinar, April 2025

Toulouse-Lautrec's The Clown | Goya to Impressionism Masterpieces from the Oskar Reinhart Collection

Uncovering a Hidden Picasso | Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection

Records of Care: informing approaches to the conservation of Britain’s wall paintings

Art and its Market

Bringing the Ends of the World Together: Art, History, and the Memory of Slavery

“It is noteworthy that in this church there should be such an ancient tusk”

Carceral Conceptualism? An Imperfect Guide