Invincible - a short musical tribute to Jim Henson

Jim Jarmusch on Stranger than Paradise

Gene Wilder: Be In The Moment, Today (2009)

Gene Wilder - Why I thought I could make people laugh (01/26)

Gene Wilder - Why I wanted to become an actor (02/26)

Gene Wilder - Being bullied at the military academy (03/26)

Gene Wilder - The impact of my mother’s illness (04/26)

Gene Wilder - My parents reaction to becoming an actor (05/26)

Gene Wilder - Lee J. Cobb in ‘Death of a Salesman’ (06/26)

Gene Wilder - Acting studies and going to England (07/26)

Gene Wilder - The Actors Studio and Lee Strasberg (08/26)

Gene Wilder - Realizing my strength was comedy (09/26)

Gene Wilder - Getting into movies: ‘Bonnie and Clyde’ and ‘The Producers’ (10/26)

Gene Wilder - Meeting Zero Mostel (11/26)

Gene Wilder - Mel Brooks as a director (12/26)

Gene Wilder - Why 'Springtime for Hitler' became 'The Producers' (13/26)

Gene Wilder - The Academy Award nomination (14/26)

Gene Wilder - ‘Willy Wonka & the Chocolate Factory’ (15/26)

Gene Wilder - 'Young Frankenstein' (16/26)

Gene Wilder - Casting Peter Boyle and Gene Hackman (17/26)

Gene Wilder - Arguing for 'Putting on the Ritz' (18/26)

Gene Wilder - Knowing when something is funny (19/26)

Gene Wilder - Becoming a director (20/26)

Gene Wilder - 'Silver Streak' and meeting Richard Pryor (21/26)

Gene Wilder - 'Silver Streak' - the shoe-polish scene (22/26)

Gene Wilder - The Black and White ‘double-act’ of Pryor and Wilder (23/26)

Gene Wilder - Gilda Radner (24/26)

Gene Wilder - Loss and Love (25/26)

Gene Wilder - Ironies and Life (26/26)

Terry Gilliam on Robert De Niro

Terry Gilliam on the transition from animation to direction

Terry Gilliam on The Brothers Grimm and CGI

Terry Gilliam on Brazil

Terry Gilliam on getting Sean Connery for Time Bandits

Terry Gilliam on gauging a performance

Terry Gilliam on Baron Munchausen and the benefit of limitations

Terry Gilliam on Hunter S. Thompson and Fear and Loathing in Las Vegas

Terry Gilliam on wizards, hobbits, gladiators and pirates

Terry Gilliam on Lost in La Mancha

Terry Gilliam on short films and establishing a style

Terry Gilliam on how he started his career

Terry Gilliam on the pros and cons of interviews

Terry Gilliam on comedy and danger

Jim Jarmusch on starting out in 1970's New York

Jim Jarmusch on Dead Man

Jim Jarmusch on Mystery Train

Jim Jarmusch on traveling

Jim Jarmusch on becoming a director

Jim Jarmusch on the determination needed to make a film

Jim Jarmusch on why mistakes can be a gift

Jim Jarmusch on Ghost Dog: The Way of the Samurai

David Lynch on scripts, logic and intutition

David Lynch on discovering the internet

David Lynch on casting and actors

David Lynch on 'not' launching a career

David Lynch on Blue Velvet after Dune

David Lynch on Alan Splet, sound and music

David Lynch on black & white photography

Miloš Forman on Goya's Ghosts with Javier Bardem and Stellan Skarsgård

Miloš Forman on making Ragtime with James Cagney