Moonrise by Marybeth Kurnat

Why Music Theory Won't Fix Your Writer's Block

Creating Community through Music Composition: How Evan Mazunik Does It

A Music Career Comeback Story: From Insurance Agent Back to Professional Composer

Setting George Eliot's "The Choir Invisible" for Choir: How Jennifer Rosenfeld Did It

Pre-Law to Film Composer: A Career Change Victory Story

Jazz Saxophonist Turned Choral Composer: How Professional Feedback Saved a "Dead" Piece

How Stephanie Got Her Second Ever Orchestra Piece Performed and Published

Not *Just* a Performer: How a Cellist's Quirky Compositions Found Their Audience

The Choir Invisible by Jennifer Rosenfeld

O Great Spirit by Nehemiah Luckett

Dona Nobis Pacem by Joseph Sowa

It LITERALLY takes 2 seconds to do THIS? (Dotted notes to tuplets in Dorico)

Before You Start Your Next Composition... WATCH THIS

Fountain of Tears by Iain McDonald

From Idea to Arrangement in Dorico — In Under 1 Hour

(REPLAY) Getting Started with Dorico: Transitioning from Finale & Optimizing Your Workflow

The Art and Craft of Choral Writing: An Interview with Dr. Matthew D. Nielsen

The Pillar of a Cloud by Nicholas Lemme

When In Disgrace (Shakespeare Sonnet 29) by Jessica Margolin

Overcoming Creative Blocks & Inspiring the Next Generation with Bassoonist-Composer Brad Balliett

Inside the Creative Process: Domenic Salerni and Olga Kirpicheva on Performing New Music

Reiko's Theme by Matthew Lemmel

Arethusa by Heather Savage

Foresta di Sogni by Marco Elia Righi

The Warmth in Yearning by Stephanie Plautz

How You Can Write for Strings as Well as Mahler: ft. the "Adagietto" from his 5th Symphony

This 3-Sentence Email Gets 90% of Musicians to Request Your Scores

Overcoming Self-Doubt and Scarcity: The Power of Assertive Kindness for Composers

Reframing Money Anchors and Changing Self-Talk: Keys to Success for Composers from Garrett Hope

Enhancing Musical Intuition with Partimenti: Insights from Composer-Pianist Ian Campbell

How Did Composing Feel Before the Wizarding School?

Inside the Oboist's World: Composing, Collaborating, and Beyond

From Choral Singer to Composer: Interview with Dr. Matthew D. Nielsen

Writing for Harp? Danielle Kuntz Explains the 4 Mistakes Every Composer Should Avoid

Don't let this mistake hold you back: Avoiding writer's block for composers

Danny Ziemann on Why Aural Skills Matter

"Decoding Debussy": A Workshop on Better Score Study

The Power of Collaboration in Music: Dr. Benjamin Morris Shares All

How to Share Sound Over Zoom from Finale, Sibelius, Dorico, or MuseScore

Christopher Still on Writing for Orchestra

How Partimenti Revolutionizes Your Ability to Hear Music