Hello Seahorse! was born thanks to MySpace | Fernando Burgos (Hello Seahorse!)

Reversal: I am born from tiredness | Rubén Albarrán

Joaquín Sabina antes de convertirse en leyenda | Fernando Díaz

Crecer en los 80 una vida más real | Luis Mario Garza (Pesado)

The real challenge of making a living from music | Fernando Burgos (Hello Seahorse!)

The Importance of Re in Retrospect | Rubén Albarrán

What's it like to work for Julio Iglesias? | Fernando Díaz

He was 19 years old and already experiencing success with Grupo Límite | Luis Mario Garza (Pesado)

¿La tecnología está bajando la calidad musical? | Fernando Burgos (Hello Seahorse!)

Chile believed in us when no one else did | Rubén Albarrán

Alejandro Sanz and the success behind his career | Fernando Díaz

¿Cómo se mantiene la energía después de 30 años de gira? | Luis Mario Garza (Pesado)

The realities of life within Café Tacvba | Rubén Albarrán

Not consuming is also a political stance | Rubén Albarrán

I was never a Soda Stereo fan | Rubén Albarrán

Corridos as a mirror of reality | Rubén Albarrán

We saw Caifanes as unattainable | Rubén Albarrán

Confronting the fact that I didn't sing "Eres" | Rubén Albarrán

The origin of “Childhood's End” | Rubén Albarrán

Playing in the Zócalo and the next day for 40 people | Rubén Albarrán

Maná and Café Tacuba were not competing | Rubén Albarrán

The golden cage of many bands | Toy Selectah

Death as an act of acceptance | Rubén Albarrán

The producer's real job is to conceptualize | Toy Selectah

Recording the object formerly known as a record in front of an audience | Rubén Albarrán

Success also has an expiration date | Toy Selectah

The Story of Rafi | Iván Fematt "La Mole"

Chilanga banda opened many doors for us | Rubén Albarrán

The origin of independent studios in Monterrey | Toy Selectah

Thanks to music I experienced things I never imagined | Iván Fematt "La Mole"

Gustavo Cerati, from a very human perspective | Rubén Albarrán

Cerati and the technology that defined his solo sound | Toy Selectah

Growing up also means becoming less dependent on your parents | Iván Fematt "La Mole"

The true story of “María Julia, help me”… | Iván Fematt “La Mole”

The origin of my alter egos in Café Tacvba | Rubén Albarrán

A good DJ understands the venue before playing | Toy Selectah

Money comes in the back, family comes in the front | Iván Fematt "La Mole"

The saddest day of my life | Rubén Albarrán

Puerto Rico was always more than urban music | Toy Selectah

Interviewing Cerati was on another level | Iván Fematt "La Mole"

Cerati's album that was finished with little money and a lot of vision | Toy Selectah

Brothers in Milk works because there are no egos | Iván Fematt "The Mole"

The ego is the true enemy of the spiritual path | Toy Selectah

Watching Pa’l Norte grow has been a privilege | Iván Fematt "La Mole"

When Pesado's music gave a grandmother months of life | Beto Zapata (Grupo Pesado)

Producing music is culture, not just technique | Toy Selectah

When PXNDX knocked on doors and nobody answered | Kiko Lobo

I no longer chase goals, I chase tranquility | Iván Fematt "La Mole"

This is how Pesado has grown stronger over the years | Beto Zapata (Grupo Pesado)

My friendship with Calle 13 | Toy Selectah

Before, the artist had time; today, he has tasks | Kiko Lobo

Monterrey is a constant breeding ground for music | Iván Fematt "La Mole"

The most common mistake beginner musicians make | Beto Zapata (Grupo Pesado)

Control Machete wasn't luck, it was context | Toy Selectah

The beginning of Movic Records | Kiko Lobo

Spotify and TikTok changed the way we listen to music | Iván Fematt "La Mole"

Los Alegres de Terán, Beto Zapata's first musical love | Beto Zapata (Grupo Pesado)

Bad Bunny and the generational impact that many deny | Toy Selectah

This is how El Cielo Recording Studio was born out of a real need in the industry | Kiko Lobo

Control Machete represented an entire generation | Iván Fematt "La Mole"