Dennis Busch on Room Acoustics, 8 Studio Myths, Wall-Mounted Monitors, and Room EQ | SINEECast #12

André Kronert on Matter Of Fact and what it takes to run a vinyl pressing plant | SINEECast #11

Alexander Kowalski on his live act since 1997, vinyl, and 25 years of techno | SINEECast #10

Alexander Spree über den Hack seines YouTube-Kanals und 30.000 verlorene Abos | SINEECast #9

Patrick Berg on AI, the End of His DJ Career, and the Album Man and Machine | SINEECast #8

Gregor Tresher on remixes for The Cure, Sven Väth in the studio and Thousand Nights | SINEECast #7

AI in Music Production: Tool or Boss? Between Suno and Ableton | SINEECast #06

Tim Grothe on the decline of clubs, DJ fees, and 17 years of Mauerpfeifer | SINEECast #5

Sample Library with AI: Sorting 7000 samples in 6 minutes instead of 1 day - Claude Code in the m...

Martin Kohlstedt on artist identity, Edition Kohlstedt and his album Kluft | SINECast #04

KI Co-Pilot in Ableton: was mit Claude Code und MCP heute schon geht

Boards of Canada, warum dieser Sound nach Nostalgie klingt, und wie du ihn in Ableton baust

Angine de Poitrine: Why this band works with 24 tones and how you can implement it in Ableton

Hannibal on techno culture, Love Parade and why techno needs support | SINECast #03

Music theory for techno, chords and voicing in Ableton Live in 10 minutes

Chris Liebing über sein Album Evolver, 100% Humanmade und über das Kidnapping von Techno | SINEECast

Robert Babicz über 36 Jahre Techno, Musikproduktion, Underground und Label-Betrug | SINEECast #01

Hidden Empire: Why 80% of your tracks fail at the foundation level

Why producers often don't finish their tracks – what's really behind it

Your mastering is too quiet! Why -14 LUFS is bad (Mastering Tutorial)

Building Modern Groove Techno Basslines (Ableton Live Tutorial)

Rate Your Tools: MIDI Controllers! Our Personal Power Ranking

2026: What you really need as a producer (no gear, just skills)

These 3 breakbeats changed electronic music forever - Producing with drum breaks

Rate Your Tools: All Ableton instruments reviewed! Our personal power ranking

ANNĒ & Sera J on social media in the techno scene and staying true to your craft

Neue Features in Ableton Live 12.3 – Stem Separation, Bounce Groups & Auto Pan

The 6 ultimate bassline styles for modern electronic music productions

Will we soon stop making music because of AI?

Pro-level drum production – 3 tips for better drums with groove & depth

What all successful producers have in common (and you can too)

Gregor Tresher on his new album, studio collaborations with Sven Väth & remix for “The Cure”

Mixing kick and bass: 5 tricks for more low-end pressure

Publish music on Spotify & Beatport – Avoid mistakes & release successfully

The Folder of Horror: How I Finished 10 Tracks in 4 Weeks

Ultimate Spotify Guide – Trailer

Focus on: Techno Kick Drums – Online Masterclass by Lakej (Trailer)

Hardgroove Masterclass by Steve Redhead – Trailer

Why your tracks don't sound good – and you don't even notice!

Ultimate Musiktheorie Guide Teil 2 – Akkorde & Harmonien

Unfassbar gute Chords - der einfachste Weg - Akkorde schreiben für Melodic Techno & House

I turned a beginner techno track into a banger

Viele Tracks trotz wenig Zeit - Fulltime Techno Producer verrät seinen Trick

Trailer - 33 Creative Workflows in Ableton Live by Pierce Treude

Serum 2 is here! Granular & Spectral Oscillator, New Filters, Arp & Effects

Ableton Live 12.2 Upgrade – All new features in detail! Auto Filter, Expressive Chords, and more

5 tips for getting started with Ableton Live – music production for beginners

Techno Bass & Kick in 2025 - The Ultimate Workflow in Ableton Live

The Real Reason for Your Creative Block - Why You’ve Stopped Making Music

Techno Tracks abmischen - Die Tricks verrät dir niemand

Danny Wabbit on finding his minimal, rhythmic and fast-paced Techno Sound

"It was like a movie, just really sick" - The SINEE annual review

Styleguide: Groove Techno – So produzierst Du groovy Techno auf 140 bpm I Ableton Track Walkthrough

Luigi Madonna über die besten & seltsamsten DJ-Gigs & den aktuellen Stand der Techno-Szene

Dub Chords Sound Design – Why LFOs are so important for Dub Chords

Techno Grooves – Percussion & Bassline Grooves mit Synkopen, Ghost Notes & Call and Response

Peak Time & Driving Techno Patterns & Sequences – Producing Peak Time Techno with this Formula

Mixing Techno Kick and Bass – Your Guide to the Perfect Low End

Krista Bourgeois on quitting DJing and starting techno live performances with Eurorack

Techno Patterns and Sequences - Use this formula to produce hypnotic techno tracks