Art: Is Jackson Pollock really art?

Digital Music Production: Truth or Perception Problem?

NPD politician interested in the building next door: Our reaction!

AI: Fun and Creativity with Artificial Intelligence

Cultural Venues: Politics Understands Club Work. What Changes Now

Learning Music: Why Drums & Guitar Still Matter

Longest DJ set in the smallest club: Incredible night!

AI Art: Illustrators fighting against AI-generated children's books

DJ Anecdotes: Lost Gear & Bizarre Hotel Stories

AI for Musicians: Curator Instead of Creator?

My First Gig: Basement, Intro & Primetime DJing

AI in Music Production: My Workflow & New Inspiration!

Techno Parties: From €10 to €35? Price Hikes Explained!

AI: Perfect Samples for Your Music Production

Club Nights: Social Function & New Crowd

AI: More than Just a Tool, a New Entity

Sync or Vinyl? Stop Judging

A bridge between two worlds | Martin Kohlstädt

Claude Code cleans up my Ableton session

Techno comes from technology | Martin Kohlstädt

MIDI at the Push of a Button or Claude Code? The Comparison

Nothing works without friction | Martin Kohlstädt

Claude Code in the studio: Automation instead of AI sounds

Soviet synths need full power | Martin Kohlstädt

Claude Code patches the synth: AI as co-pilot

Rhodes and piano, my perfect instrument | Martin Kohlstädt

Claude Code in Ableton: What the MCP can really do

Kitsch or nerd nonsense? Everything must go! | Martin Kohlstädt

Boards of Canada: Why Broken Tape Sounds More Alive Than Hi-Fi

Angine de Poitrine: The secret system behind their microtonality

Boards of Canada: How Delia Derbyshire Anticipated Their Sound in 1963

Angine de Poitrine: How This Band Makes Microtonality Danceable

Boards of Canada: The Sound of a Future That Never Came

Why electronic music works without nationality

Angine de Poitrine: The Quebec band with masks and a 54-fret guitar

Boards of Canada: Why this sound is both comforting and uncanny

Roland 909 triggered the same thing in 1980 as AI does today.

50 percent of all new tracks are AI, 97 percent don't notice anything.

Chris Liebing: Why I Don't Call Myself a Musician After 30 Years

Why your mind is keeping you from listening to the album

How fake DJs could end up at Tomorrowland

Delayed Gratification, the antidote for AI producers

Warum du keine Musik fuer Algorithmen machen solltest

Who actually still listens to all this new music?

Why techno producers aren't honest about credits

Robert Babicz: My hardest acid tracks in the children's room

Robert Babicz: why my sound keeps getting harder

AI as a sample source: how Robert Babicz creates new sounds