Sync or Vinyl? Stop Judging

A bridge between two worlds | Martin Kohlstädt

Claude Code cleans up my Ableton session

Techno comes from technology | Martin Kohlstädt

MIDI at the Push of a Button or Claude Code? The Comparison

Nothing works without friction | Martin Kohlstädt

Claude Code in the studio: Automation instead of AI sounds

Soviet synths need full power | Martin Kohlstädt

Claude Code patches the synth: AI as co-pilot

Rhodes and piano, my perfect instrument | Martin Kohlstädt

Claude Code in Ableton: What the MCP can really do

Kitsch or nerd nonsense? Everything must go! | Martin Kohlstädt

Boards of Canada: Why Broken Tape Sounds More Alive Than Hi-Fi

Angine de Poitrine: The secret system behind their microtonality

Boards of Canada: How Delia Derbyshire Anticipated Their Sound in 1963

Angine de Poitrine: How This Band Makes Microtonality Danceable

Boards of Canada: The Sound of a Future That Never Came

Why electronic music works without nationality

Angine de Poitrine: The band from Quebec with the 54-fret guitar and masks

Boards of Canada: Why this sound is both comforting and uncanny

Roland 909 triggered the same thing in 1980 as AI does today.

50 percent of all new tracks are AI, 97 percent don't notice anything.

Chris Liebing: Why I Don't Call Myself a Musician After 30 Years

Why your mind is keeping you from listening to the album

How fake DJs could end up at Tomorrowland

Delayed Gratification, the antidote for AI producers

Warum du keine Musik fuer Algorithmen machen solltest

Who actually still listens to all this new music?

Why techno producers aren't honest about credits

Robert Babicz: My hardest acid tracks in the children's room

Robert Babicz: why my sound is getting harder

AI as a sample source: how Robert Babicz creates new sounds

Destroying a €5000 needle: what vinyl mastering is really allowed to do

Build your track in mono, the stereo trick for more impact

Rob Acid and Alexander Spree: The Stockhausen Principle in the Recording Studio

Stop using stereo wideners, they're ruining your mix.

Ripped off by the record label – Robert Babicz on fraud in the techno scene

The Foundation of EDM: Why Kick & Bass Are EVERYTHING!

Track demo sent on cassette to a techno label – Robert Babicz & Björn Torwellen #podcast

Fake in the techno scene – bought charts to rank on Beatport

Hidden Empire live at Fabric London: "A DJ set couldn't have achieved that" #musicproducer

Rob Acid and Alexander Kowalski: How I built 90s techno tracks at the mixing console! #musicproducer

Hidden Empire: How our tracks don't fail at the foundation level #musicproducer #electronicmusic

DJ Life: From Hobby to Pressure to Succeed – Artistic Freedom or Commercial Success?

Millions of new tracks every week on Spotify – how do you still stand out? #musicproducer #musicm...

No More Perfection – Why Breaking the Rules Makes You Better | Music Production #podcast

Less is more – How to sound better with fewer plugins #musicproducer #sounddesign

Making Music: Find Your Real Target Audience!