Bhaktisiddhanta Vani Seva.

ลš๐‘ฤช ลš๐‘ฤช๐‹๐€ ๐๐‘๐€๐๐‡๐”๐ฤ€๐ƒ๐€

By ลšrฤซla Bhakti Pramode Purฤซ Gosvฤmฤซ Maharaj

The most worshipable ลšrฤซ ลšrฤซla Prabhupฤda is the dynamic manifest form of the merciful potency of Lord Gaurฤแน…ga Deva. I have heard that in his childhood he used to be referred by his Spiritual Preceptors - who were self-realized souls - by the name ลšrฤซmad Bhaktisiddhฤnta Sarasvatฤซ. Later in the year 1918, when he entered into the renounced order of life, he used to be called Tridandฤซ Svฤmฤซ ลšrฤซmad Bhaktisiddhฤnta Sarasvatฤซ. Hereafter, in different Holy pilgrimage places he used to identify himself as ลšrฤซ-Vแน›แนฃabhฤnavi Dayitฤ Dฤs He is the non-different expansion of ลšrฤซmati Rฤdhฤrani Herself, always joyfully exhibiting the nature pleasing to ลšrฤซmati Rฤdhikฤ which is the mood of service to Lord Krishna. The verses of the devotional song Vilapkusumanjali, expressing lamentation in separation from ลšrฤซmati Rฤdhฤrani, were known to him by rote. In the description of the glories of ลšrฤซmati Rฤdhikฤ, or sometimes at the very mention of Her name, he would be overcome by emotion, and tears would stream profusely from his eyes. He would become transfixed in overwhelming emotion on hearing certain popular verses of the song Vilapkusumanjali, like โ€˜vairagya-yug bhakti-rasam, asa bharair-amrtasindhumayaihโ€™ or the verse โ€˜yasyah kadapi vasunancha lakhelanothaโ€™ from ลšrฤซ Rฤdhฤrasa Suddhaniddhi. He frequently used to sing the lyrics of the song below.

rฤdhฤ-dฤsye rahiโ€™ chฤda bhoga
ahi-pratiแนฃแนญhฤ-sฤ nahe kฤซrtana-gaurava rฤdhฤ-nityajฤna tฤโ€™hฤ chฤแธiโ€™mana kena vฤ nirjana-bhajana-kaitava

โ€œOne should remain the servant of ลšrฤซmati Rฤdhฤrani, giving up all sense of material enjoyment and trying to humbly preach the glories of the Name. The pure devotees do not merely practice solitary bhajan, which is a form of cheating.โ€

๐‡๐ข๐ฌ ๐ฅ๐š๐ฌ๐ญ ๐ฐ๐จ๐ซ๐๐ฌ ๐š๐ญ ๐ญ๐ก๐ž ๐ญ๐ข๐ฆ๐ž ๐จ๐Ÿ ๐ฉ๐š๐ฌ๐ฌ๐ข๐ง๐  ๐š๐ฐ๐š๐ฒ ๐ข๐ง๐ญ๐จ ๐ก๐ข๐ฌ ๐ž๐ญ๐ž๐ซ๐ง๐š๐ฅ ๐ฉ๐š๐ฌ๐ญ๐ข๐ฆ๐ž๐ฌ ๐ฐ๐ž๐ซ๐ž: โ€œ๐€๐ฅ๐ฅ ๐จ๐Ÿ ๐ฒ๐จ๐ฎ, ๐ฐ๐ข๐ญ๐ก ๐ญ๐ก๐ž ๐จ๐›๐ฃ๐ž๐œ๐ญ๐ข๐ฏ๐ž ๐จ๐Ÿ ๐ฌ๐š๐ญ๐ข๐ฌ๐Ÿ๐ฒ๐ข๐ง๐  ๐ญ๐ก๐ž ๐ญ๐ซ๐š๐ง๐ฌ๐œ๐ž๐ง๐๐ž๐ง๐ญ๐š๐ฅ ๐ฌ๐ž๐ง๐ฌ๐ž๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐’๐ฎ๐ฉ๐ซ๐ž๐ฆ๐ž ๐€๐›๐ฌ๐จ๐ฅ๐ฎ๐ญ๐ž ๐“๐ซ๐ฎ๐ญ๐ก, ๐ฌ๐ก๐จ๐ฎ๐ฅ๐ ๐œ๐จ๐จ๐ฉ๐ž๐ซ๐š๐ญ๐ž ๐ฐ๐ข๐ญ๐ก ๐จ๐ง๐ž ๐š๐ง๐จ๐ญ๐ก๐ž๐ซ ๐ข๐ง ๐จ๐›๐ž๐๐ข๐ž๐ง๐œ๐ž ๐ญ๐จ ๐ญ๐ก๐ž ๐ฆ๐จ๐ฌ๐ญ ๐ฌ๐ฎ๐ซ๐ซ๐ž๐ง๐๐ž๐ซ๐ž๐ ๐œ๐จ๐ฎ๐ง๐ญ๐ž๐ซ-๐ฉ๐š๐ซ๐ญ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐’๐ฎ๐ฉ๐ซ๐ž๐ฆ๐ž ๐‹๐จ๐ซ๐. ๐“๐ก๐š๐ญ ๐ฆ๐จ๐ฌ๐ญ ๐ฌ๐ฎ๐ซ๐ซ๐ž๐ง๐๐ž๐ซ๐ž๐ ๐ฌ๐จ๐ฎ๐ฅ ๐ญ๐จ ๐ญ๐ก๐ž ๐’๐ฎ๐ฉ๐ซ๐ž๐ฆ๐ž ๐‹๐จ๐ซ๐ (ฤล›๐ซ๐š๐ฒ๐š ๐ฏ๐ข๐ ๐ซ๐š๐ก๐š) ๐ข๐ฌ ลš๐ซฤซ๐ฆ๐š๐ญ๐ข ๐‘ฤ๐๐กฤ๐ซ๐š๐ง๐ข. ๐˜๐จ๐ฎ ๐š๐ซ๐ž ๐š๐ฅ๐ฅ ๐ฉ๐ซ๐ž๐ฌ๐ž๐ง๐ญ ๐ก๐ž๐ซ๐ž ๐ฐ๐ข๐ญ๐ก ๐จ๐ง๐ž ๐ฉ๐ฎ๐ซ๐ฉ๐จ๐ฌ๐ž: ๐ญ๐ก๐š๐ญ ๐ข๐ฌ ๐ญ๐จ ๐จ๐›๐ญ๐š๐ข๐ง ๐ญ๐ก๐ž ๐ช๐ฎ๐š๐ฅ๐ข๐Ÿ๐ข๐œ๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ฌ๐ž๐ซ๐ฏ๐ข๐œ๐ž ๐ญ๐จ ลš๐ซฤซ๐ฆ๐š๐ญ๐ข ๐‘ฤ๐๐กฤ๐ซ๐š๐ง๐ข ๐š๐ง๐ ๐‡๐ž๐ซ ๐ฆ๐จ๐ฌ๐ญ ๐›๐ž๐ฅ๐จ๐ฏ๐ž๐ ๐š๐ฌ๐ฌ๐จ๐œ๐ข๐š๐ญ๐ž ๐ฐ๐ก๐ข๐œ๐ก ๐ข๐ฌ ๐ญ๐ก๐ž ๐ฌ๐ฉ๐ข๐ซ๐ข๐ญ๐ฎ๐š๐ฅ ๐ฆ๐š๐ฌ๐ญ๐ž๐ซ.โ€

At Purฤซ Dhฤm, a few days before his disappearance into his eternal pastimes, he chanted the verses of two well-known prayers in glorification of ลšrฤซ Govardhana Hill. They were ลšrฤซ Rลซpa Goswฤmฤซโ€™s โ€˜pratyasam me tvam kuru govardhana purnamโ€™ and ลšrฤซla Raghunฤtha Dฤs Goswฤmฤซโ€™s โ€˜nija nikata nivasam dehi govardhana tvamโ€™. By means of these prayers, he showed us by personal example the method of the worship of ลšrฤซ Govardhana Hill. Likewise, ลšrฤซ ลšrฤซla Prabhupฤda used to offer fresh water and Tulasi leaves in worship of ลšrฤซ Govardhana (Stone Deity) before taking his meals in his room at the Chaitanya Maแนญha. I personally had the chance of witnessing this event. The sacred Hill of Govardhana and the holy pond of ลšrฤซ Rฤdhฤ Kunda used to be his highest objects of veneration and worship. The Chattak hill is very near to the temple of Totฤ-Gopinฤtha, where previously ลšrฤซ Gadฤdhara Paแน‡แธita (an expansion of ลšrฤซmati Rฤdhฤrani) used to serve his Deities. This Chattak hill is considered non-different from the Govardhana Hill and it was for that reason ลšrฤซ ลšrฤซla Prabhupฤda built his place of devotions on top of that hill. In Vraja Mandala ลšrฤซ ลšrฤซla Prabhupฤda constructed the flower tomb (Puแนฃpa Samฤdhi) of ลšrฤซla Bhaktivinoda แนฌhฤkura, named โ€œVrajฤsvananda Sukhada Kuรฑjaโ€, by the side of the existing Rฤdhฤ Kunda. There he also exhibited a model example by practice of the remembrance of ลšrฤซ Krishnaโ€™s pastimes during the eight periods of the day (aแนฃแนญa-kฤliya lฤซlฤ).

To be continuedโ€ฆ

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