Recently watched the movie called *Dark Shadows* (2012), directed by Tim Burton. With Johnny Depp in the lead role as Barnabas Collins, a 200-year-old vampire awakened in 1972, the film blends supernatural horror with offbeat humor and Burton’s signature dark, stylized visuals.
The story begins in the 18th century when Barnabas, a wealthy playboy, spurns the love of a witch named Angelique (Eva Green). In revenge, she curses him into vampirism and buries him alive. He is accidentally freed in the 1970s and returns to his ancestral home, only to find the once-grand Collins family estate in decline. Barnabas attempts to restore the family’s fortune while dealing with modern culture, family dysfunction, and Angelique, who is still alive — and still vengeful.
Johnny Depp delivers a quirky, deadpan performance that captures the absurdity of a centuries-old vampire navigating the 70s. Eva Green is magnetic as the seductive, power-hungry witch. The supporting cast — including Michelle Pfeiffer, Helena Bonham Carter, and Chloë Grace Moretz — add personality, though their roles often feel underdeveloped.
Visually, the film is richly atmospheric, with lavish sets and gothic flourishes. Danny Elfman’s score complements the tone well. However, the narrative struggles to balance campy humor with emotional depth. The plot meanders, and tonal inconsistencies undermine its more serious moments. Some jokes land, especially Barnabas’ reactions to the modern world, but others fall flat or feel forced.
I personally enjoyed the movie, but it doesn’t fully capitalize on its promising premise. It’s more style than substance, with glimpses of brilliance overshadowed by tonal confusion and a scattered plot.
Dark Kryptonite
Movie Name: Dark Shadows.
Recently watched the movie called *Dark Shadows* (2012), directed by Tim Burton. With Johnny Depp in the lead role as Barnabas Collins, a 200-year-old vampire awakened in 1972, the film blends supernatural horror with offbeat humor and Burton’s signature dark, stylized visuals.
The story begins in the 18th century when Barnabas, a wealthy playboy, spurns the love of a witch named Angelique (Eva Green). In revenge, she curses him into vampirism and buries him alive. He is accidentally freed in the 1970s and returns to his ancestral home, only to find the once-grand Collins family estate in decline. Barnabas attempts to restore the family’s fortune while dealing with modern culture, family dysfunction, and Angelique, who is still alive — and still vengeful.
Johnny Depp delivers a quirky, deadpan performance that captures the absurdity of a centuries-old vampire navigating the 70s. Eva Green is magnetic as the seductive, power-hungry witch. The supporting cast — including Michelle Pfeiffer, Helena Bonham Carter, and Chloë Grace Moretz — add personality, though their roles often feel underdeveloped.
Visually, the film is richly atmospheric, with lavish sets and gothic flourishes. Danny Elfman’s score complements the tone well. However, the narrative struggles to balance campy humor with emotional depth. The plot meanders, and tonal inconsistencies undermine its more serious moments. Some jokes land, especially Barnabas’ reactions to the modern world, but others fall flat or feel forced.
I personally enjoyed the movie, but it doesn’t fully capitalize on its promising premise. It’s more style than substance, with glimpses of brilliance overshadowed by tonal confusion and a scattered plot.
3 months ago | [YT] | 8