I imagine, being one of Youtube’s “Nickelodeon Content Creators”, you want to know what I thought.
QUIET ON SET, the new four-part documentary detailing inappropriate behavior and abuse on the set of Dan Schneider’s various Nickelodeon shows, starts off on its worst foot, with all the earmarks of trashy tabloid journalism. A couple of gossip journalists walk us through events and interject how you’re supposed to feel about them. There’s one moment where Leon Frierson, former ALL THAT cast member, talks about how uncomfortable some of the costuming made him, about how the noses on a nose-themed superhero costume has some unfortunate phallic resemblances, and then we cut to a writer from Buzzfeed going “and then the sneeze gag is basically a cum shot joke!”
Frierson never says that. In a later episode, a similar comparison is made to a gag on ZOEY 101, but there it’s actress Alexa Nikolas making that connection from the workplace environment she had found herself in. It’s an authentic observation, where in the earlier example it was outsider sensationalization, playing to the “crusaders” on Twitter and Tiktok where the public side of Schneider drama has mostly lived over the past decade. They bring on Marc Summers, Nickelodeon elder statesman who had virtually no presence in this era of the channel, for all of twelve seconds so that he can watch a clip of a Schneider show and go “oh, wow, they aired that?”
You can imagine how the producers' eyes must have lit up when they learned that Brian Peck, former Nick dialogue coach and convicted sex offender, owned a John Wayne Gacy painting. I mean, yeah, that’s fucked up, but it has virtually nothing to do with anything. It is, however, a perfect “can you believe this” moment that can be clipped and shared on social media for shock value. It’s something that the documentary can ride as a viral moment.
QUIET ON SET was produced for Investigation Discovery, whose bread and butter is schlocky true crime documentaries. Shows like EVIL LIVES HERE and WHO THE (BLEEP) DID I MARRY. Not exactly tasteful television. The channel is owned by Warner Bros Discovery, and was simultaneously released on Max. Warner Bros Discovery owns Cartoon Network. The documentary puts emphasis on Nickelodeon being on the top of the children’s cable game, and often brings up the Disney Channel as Nick’s main competitor. At no point is Cartoon Network mentioned, because, well, nobody wants to say their competitor is doing better than them, and saying you’re doing better than Nickelodeon would defeat the documentary’s narrative.
My point is that I do not believe QUIET ON SET comes from a genuine place. It’s cheap schlock shock documentary filmmaking that wants to attract the same crowd who watch serial killer shows for fun.
However.
It’s also a space where a lot of people who were hurt during this time at Nickelodeon have come forward to tell their stories, and that pretty much nullifies all the gross exploitation elements present in the early parts. When these people start speaking for themselves, the documentary has no choice but to let them speak, and its more garbage instincts fade away. By the time Drake Bell starts telling his story, the gossip journalists all but vanish until the end, and there’s a stronger sensitivity to everything.
The topics raised are harrowing. Workplace discrimination, sexual harassment, child abuse, sexism on set, racism on set, and general mispractice paint a meaningful picture of the toxic environment Nickelodeon was allowing at this time. The stories told by AMANDA SHOW writers Christy Stratton and Jenny Kilgen are infuriating. And then the sexual assault of Drake Bell by Brian Peck. Not an easy watch. It shouldn’t be an easy watch. What a fucking awful thing. It’s heartbreaking to watch.
The documentary handles it with an unexpected tact and evenhandedness. It doesn’t excuse Bell’s later behaviors, and it allows Schneider to come off as one of the few adults who handled the situation correctly, even if the rest of the documentary is largely against him. I wish this had been the tone of the entire piece.
QUIET ON SET is an important document of a terrible entertainment workplace. It’s a shame they dumped a bunch of trash on top of it. It’s not an easy watch, but it’s one of those things that’s going to be referenced to a lot over the years, and I hope that the people who make children’s television were learn the right lessons from it.
Pop Arena
I imagine, being one of Youtube’s “Nickelodeon Content Creators”, you want to know what I thought.
QUIET ON SET, the new four-part documentary detailing inappropriate behavior and abuse on the set of Dan Schneider’s various Nickelodeon shows, starts off on its worst foot, with all the earmarks of trashy tabloid journalism. A couple of gossip journalists walk us through events and interject how you’re supposed to feel about them. There’s one moment where Leon Frierson, former ALL THAT cast member, talks about how uncomfortable some of the costuming made him, about how the noses on a nose-themed superhero costume has some unfortunate phallic resemblances, and then we cut to a writer from Buzzfeed going “and then the sneeze gag is basically a cum shot joke!”
Frierson never says that. In a later episode, a similar comparison is made to a gag on ZOEY 101, but there it’s actress Alexa Nikolas making that connection from the workplace environment she had found herself in. It’s an authentic observation, where in the earlier example it was outsider sensationalization, playing to the “crusaders” on Twitter and Tiktok where the public side of Schneider drama has mostly lived over the past decade. They bring on Marc Summers, Nickelodeon elder statesman who had virtually no presence in this era of the channel, for all of twelve seconds so that he can watch a clip of a Schneider show and go “oh, wow, they aired that?”
You can imagine how the producers' eyes must have lit up when they learned that Brian Peck, former Nick dialogue coach and convicted sex offender, owned a John Wayne Gacy painting. I mean, yeah, that’s fucked up, but it has virtually nothing to do with anything. It is, however, a perfect “can you believe this” moment that can be clipped and shared on social media for shock value. It’s something that the documentary can ride as a viral moment.
QUIET ON SET was produced for Investigation Discovery, whose bread and butter is schlocky true crime documentaries. Shows like EVIL LIVES HERE and WHO THE (BLEEP) DID I MARRY. Not exactly tasteful television. The channel is owned by Warner Bros Discovery, and was simultaneously released on Max. Warner Bros Discovery owns Cartoon Network. The documentary puts emphasis on Nickelodeon being on the top of the children’s cable game, and often brings up the Disney Channel as Nick’s main competitor. At no point is Cartoon Network mentioned, because, well, nobody wants to say their competitor is doing better than them, and saying you’re doing better than Nickelodeon would defeat the documentary’s narrative.
My point is that I do not believe QUIET ON SET comes from a genuine place. It’s cheap schlock shock documentary filmmaking that wants to attract the same crowd who watch serial killer shows for fun.
However.
It’s also a space where a lot of people who were hurt during this time at Nickelodeon have come forward to tell their stories, and that pretty much nullifies all the gross exploitation elements present in the early parts. When these people start speaking for themselves, the documentary has no choice but to let them speak, and its more garbage instincts fade away. By the time Drake Bell starts telling his story, the gossip journalists all but vanish until the end, and there’s a stronger sensitivity to everything.
The topics raised are harrowing. Workplace discrimination, sexual harassment, child abuse, sexism on set, racism on set, and general mispractice paint a meaningful picture of the toxic environment Nickelodeon was allowing at this time. The stories told by AMANDA SHOW writers Christy Stratton and Jenny Kilgen are infuriating. And then the sexual assault of Drake Bell by Brian Peck. Not an easy watch. It shouldn’t be an easy watch. What a fucking awful thing. It’s heartbreaking to watch.
The documentary handles it with an unexpected tact and evenhandedness. It doesn’t excuse Bell’s later behaviors, and it allows Schneider to come off as one of the few adults who handled the situation correctly, even if the rest of the documentary is largely against him. I wish this had been the tone of the entire piece.
QUIET ON SET is an important document of a terrible entertainment workplace. It’s a shame they dumped a bunch of trash on top of it. It’s not an easy watch, but it’s one of those things that’s going to be referenced to a lot over the years, and I hope that the people who make children’s television were learn the right lessons from it.
1 year ago | [YT] | 361