𝒹𝒾𝒶𝓇𝓎 𝑜𝒻 𝒶 𝑔𝒾𝓇𝓁 𝒾𝓃 𝒻𝒶𝓈𝒽𝒾𝑜𝓃 ּ ˖ ࣪ ᥫ᭡ ｡ bag a junior assistant role to editor-in-chief of vogue (2000 edition): 𝓇𝑒𝓋𝒾𝓈𝒾𝑜𝓃 tailored for a london to new york candidate with my exact profile, looks, and linguistic fluency
♱ identity positioning: i am not a random girl. i'm an olive-toned london girl with (dyed) auburn waves and a french manicure, fluent in german, russian, and arabic. on paper, this reads as global, discreet, and rare — precisely the kind of multilingual presence anna wintour would trust around international guests, europe bound press kits, and quiet errands that require poise without overstepping. my look reads as couture cosmopolitan — no filler or scene chasing. my beauty walks quietly into a room and makes everyone assume i’ve already been hired. ♱ precise entry points to the role: i get in through someone’s assistant going on leave, or a stylist pulling out of a travel shoot. or i answer a last minute call from someone who “needs a girl who looks like she belongs.” or my aunt’s friend knows a press officer at british vogue — i do a two week coffee run favour, and someone notes how neatly i handle the rack returns. ♱ archive liaison route: i'm fluent in multiple languages and understand layout. they have old italian, french, and german volumes to organise. i just so “happen” to help. (junior liaison) renata from elite adds a line in my press bio: “experienced in editorial archiving + multilingual translation assistance.” this floats through to vogue via fax. it sounds real. it is real. ♱ i arrive incredibly early, leave late, and am silent around power. i never gossip. my handwriting is immaculate — i label show invites by hand, write notes on ecru notecards, and i never ask for anything. i wear onyx coloured cashmere turtlenecks, sheer tights, and soft clean perfume (something like bois de violette or guerlain’s après l’ondée). ♱ hourly rate: $17.50/hr — elevated from the standard $12–15 due to: 1. multilingual fluency (german, russian, arabic = invaluable for international communication and archive handling). 2. european runway + editorial familiarity (agency backed trustworthiness) 3. personal presentation + discretion (i am visibly high fashion, not green) 4. ability to travel or accompany on short notice (note: officially it’s listed as “$15/hr” on the books. unofficially bumped up because someone in the office—someone named cecilia or pamela said: “she’s not just an intern.” so my envelope is heavier. and i never mention it.) ♱ working hours: monday to friday. 07:30–18:30 (core hours). arrive before anna. coffee run, meeting prep, moodboards aligned. lingering quietly post 6pm in case there’s an after hours fitting, gallery invite, or show confirmation email. i rarely clock out on time but that’s what makes me seen. weekend + events (as needed) fashion week: full availability, no questions asked. sundays: occasional packet delivery, showroom pull return, or editorial correction run (2–3 hrs max). i'm not an “on call,” girl but i act like i am. ♱ the weekly total: standard: 55 hours/week. pay: approx $960.00/week before tax. if included in international press trips or on set editorial shoots, travel days convert to flat-rate per diem + hotel. i never ask for this — anna’s office covers it. ♱ compensation extras: my metrocard is refilled automatically. i'm never without transport. quiet perks: candle from a set, sample sale invite, leftover per diem from a cancelled trip. fashion week: i'm handed an envelope. no label. just “for meals.” i was told... it’s literally $400 cash.
dreamg♱rl
𝒹𝒾𝒶𝓇𝓎 𝑜𝒻 𝒶 𝑔𝒾𝓇𝓁 𝒾𝓃 𝒻𝒶𝓈𝒽𝒾𝑜𝓃 ּ ˖ ࣪ ᥫ᭡ ｡ bag a junior assistant role to editor-in-chief of vogue (2000 edition): 𝓇𝑒𝓋𝒾𝓈𝒾𝑜𝓃 tailored for a london to new york candidate with my exact profile, looks, and linguistic fluency
♱ identity positioning: i am not a random girl. i'm an olive-toned london girl with (dyed) auburn waves and a french manicure, fluent in german, russian, and arabic. on paper, this reads as global, discreet, and rare — precisely the kind of multilingual presence anna wintour would trust around international guests, europe bound press kits, and quiet errands that require poise without overstepping. my look reads as couture cosmopolitan — no filler or scene chasing. my beauty walks quietly into a room and makes everyone assume i’ve already been hired.
♱ precise entry points to the role: i get in through someone’s assistant going on leave, or a stylist pulling out of a travel shoot. or i answer a last minute call from someone who “needs a girl who looks like she belongs.” or my aunt’s friend knows a press officer at british vogue — i do a two week coffee run favour, and someone notes how neatly i handle the rack returns.
♱ archive liaison route: i'm fluent in multiple languages and understand layout. they have old italian, french, and german volumes to organise. i just so “happen” to help. (junior liaison) renata from elite adds a line in my press bio: “experienced in editorial archiving + multilingual translation assistance.” this floats through to vogue via fax. it sounds real. it is real.
♱ i arrive incredibly early, leave late, and am silent around power. i never gossip. my handwriting is immaculate — i label show invites by hand, write notes on ecru notecards, and i never ask for anything. i wear onyx coloured cashmere turtlenecks, sheer tights, and soft clean perfume (something like bois de violette or guerlain’s après l’ondée).
♱ hourly rate: $17.50/hr — elevated from the standard $12–15 due to: 1. multilingual fluency (german, russian, arabic = invaluable for international communication and archive handling). 2. european runway + editorial familiarity (agency backed trustworthiness) 3. personal presentation + discretion (i am visibly high fashion, not green) 4. ability to travel or accompany on short notice (note: officially it’s listed as “$15/hr” on the books. unofficially bumped up because someone in the office—someone named cecilia or pamela said: “she’s not just an intern.” so my envelope is heavier. and i never mention it.)
♱ working hours: monday to friday. 07:30–18:30 (core hours). arrive before anna. coffee run, meeting prep, moodboards aligned. lingering quietly post 6pm in case there’s an after hours fitting, gallery invite, or show confirmation email. i rarely clock out on time but that’s what makes me seen. weekend + events (as needed) fashion week: full availability, no questions asked. sundays: occasional packet delivery, showroom pull return, or editorial correction run (2–3 hrs max). i'm not an “on call,” girl but i act like i am.
♱ the weekly total: standard: 55 hours/week. pay: approx $960.00/week before tax. if included in international press trips or on set editorial shoots, travel days convert to flat-rate per diem + hotel. i never ask for this — anna’s office covers it.
♱ compensation extras: my metrocard is refilled automatically. i'm never without transport. quiet perks: candle from a set, sample sale invite, leftover per diem from a cancelled trip. fashion week: i'm handed an envelope. no label. just “for meals.” i was told... it’s literally $400 cash.
2 weeks ago (edited) | [YT] | 33