today I want to share a little window into how I’m practicing Barry Harris’ concepts in my comping. Sometimes this stuff feels overwhelming, but I found a way to break it down into small steps: starting with simple Cmaj7 voicings, then moving into C6 shapes, adding some chromatic approaches, and finally connecting everything with the classic 5–1 movement.
It’s not about theory overload, it’s about getting these sounds into your hands and ears so they actually show up when you play. 🎸✨
If you’re curious, here’s the full video – hope it inspires your own practice.
Tina Jäckel
Hi dear friends,
today I want to share a little window into how I’m practicing Barry Harris’ concepts in my comping. Sometimes this stuff feels overwhelming, but I found a way to break it down into small steps: starting with simple Cmaj7 voicings, then moving into C6 shapes, adding some chromatic approaches, and finally connecting everything with the classic 5–1 movement.
It’s not about theory overload, it’s about getting these sounds into your hands and ears so they actually show up when you play. 🎸✨
If you’re curious, here’s the full video – hope it inspires your own practice.
keep on practicing
tina
https://www.youtube.com/watch?v=eTLcf...
1 week ago (edited) | [YT] | 47