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漢人現今的《坡芽歌書》是來自大洪水之前流傳下來的亞特蘭提斯大陸神殿大祭司教導的低等級的光之宗教萬物圖案文字。

圖二. 上一期哈薩克古中原。
及圖三. 上古歐洲國度通行的符號書寫文字。



亞特蘭提斯大陸的語言是上一期國際的通用語言, 亞特蘭提斯民眾的書寫文字是上一期國際通用的書寫文字。


在上一期人類文明時期,亞特蘭提斯的大祭司在世界各地的國度依照當地民族的文明悟性程度,教導傳給當地人們他們太陽造物主獨一之法神殿的低等級光之宗教符號文字。


亞特蘭提斯的大祭司在上一期哈薩克的中國種族的祖先的古中原國一開始就教導古中原人低等級的太陽造物主獨一之法光之宗教符號文字, 教給他們大自然鳥類植物萬物的圖像,而不是更深奧的進階的另外高層空間的神聖幾何圖像, 他們學來的亞特蘭提斯宗教文明低等級的光之宗教符號文字,這個宗教文字在四千年中變化了些 ,丟失原來傳及的一些幾何符號, 變成了符合本民族寫法的象形圖案文字, 當時傳給世界各個國度民族的就是比較低等級的貼近大自然的鳥類植物萬物象形圖像, 傳給中原人多一些正面的幾何圖像, 而亞特蘭提斯大祭司傳給埃及人的是更低初級的象形圖案文字, 更少正面或幾何的圖像, 都是左朝向右朝向的動物類象形圖像, 因為北非埃及民族的文明程度比較原始,百姓跟靠埃及高階層國王貴族的使用埃及祭司象形文字, 上一期埃及,因為在當地定居和後來來了大量的亞特蘭提斯學者和祭司們, 所以保存下來原本的很多上一期埃及民族的象形文字的完整石刻下來, 而歐洲的文化遺產完全被大洪水毀滅了, 世界各地的光之宗教象形圖像文字文化也都被毀滅了,只有在古中原人的低等級光之宗教圖像文字由逃到崑崙山上倖存下來的哈薩克古中原人傳承下來, 洪水退去後他們移遷到東南方的中國西南方成為古壯族的文字, 後來被古壯族人用來書寫描述了一對青年男女追求愛情的愛情組歌故事, 這個上一期古中原人傳承到現今的低等級光之宗教圖像文字在本次文明時期被稱為《坡芽歌書》。

在上一期人類文明時期, 世界各地國度的民族的文字都是從亞特蘭提斯的大祭司在世界各地教導傳來的低等級的光之宗教符號文字的基礎上變化過來的,後來在他們上一期的全球文明發展到一定文明程度之後,開始跟進學習, 效法亞特蘭提斯大陸上的光之宗教的高等神聖幾何圖像符號為他們國度通行的符號書寫文字, 同時世界各地國度當地的老宗教祭司們,也傳承保存了原來的傳統的低等級光之宗教的象形圖像文字, 除了姆大陸和姆大陸的直線殖民地 ,及馬雅王國(擁有上萬年的古中原人歷史文化傳承)除外。


亞特蘭提斯大陸的語言是上一期國際的通用語言, 亞特蘭提斯民眾的書寫文字是上一期國際通用的書寫文字。
然後跟亞特蘭提斯人本地的書寫符號文字是光之宗教的高等神聖幾何圖像文字的草寫形成的一樣, 世界各地國度的民族的日常的書寫符號文字也是水草字體。


The lower-level religious symbols and pictographic writing of the Sun Religion, taught by the high priest of the Atlantis continent's temple, which has been passed down by the Chinese since before the Great Flood, along with the symbols and scripts used in the previous cycle by the Chinese people frrom the ancient Central field and ancient European civilizations.



The language of the Atlantis continent was the universal language in the previous era, and the script used by the Atlantis people was the universally used script in the previous era.

During the previous era of human civilization, the high priest of Atlantis temple taught the lower-level religious symbols and scripts of the Sun Creator's religion to the people of various nations around the world, according to the level of civilization and understanding of the local ethnic groups.



The high priest of Atlantis initially taught the Chinese people of the ancient Central field, the ancestors of the Chinese ethnic group, the lower-level religious symbols and scripts of the Sun Creator's religion, with images of birds, plants, and all things in nature, rather than more advanced and complex sacred geometric symbols. Over the course of 4,000 years, this religious script underwent some changes, with some geometric symbols being lost and transformed into pictographic scripts that aligned with the writing system of the respective ethnic groups. At that time, what was transmitted to nations and ethnic groups around the world were relatively lower-level pictographic images closely related to birds, plants, and all things in nature, with a greater emphasis on front geometric images for the Chinese people of the ancient Central field than the Egyptians'.

The high priest of Ancient Atlantis transmitted even lower-level pictographic scripts to the Egyptians, with fewer front images or divine geometric images, consisting mainly of animal pictographs facing left or right. This was because the civilization of the North African Egyptian ethnic group was relatively primitive, and the people used the Egyptian priest's pictographic script, relying on the elite ruling class of Egyptian kings and nobles. In the previous era, due to the settlement of Atlantis scholars and priests in the region and the subsequent arrival of a large number of them, many intact stone carvings of the egyptian hieroglyphs were preserved. However, the cultural heritage of Pre-flood Europe was completely destroyed by the Great Flood, and the pictographic script of the Sun Religion from Atlantis was also destroyed worldwide. Only the low-level pictographic script of the ancient Chinese people, which was passed down by the from the ancient Central field who escaped to the Kunlun Mountains, survived. After the flood receded, they migrated to the southwest of China, becoming the script of the ancient Zhuang ethnic group. Later, it was used by the ancient Zhuang people to write and describe a love song story about a young couple pursuing love. This low-level pictographic script, which has been passed down from the ancient Chinese people of the ancient Central field to the present era, is called 'Poya Gesu' in our current-time civilization.



During the previous cycle of human civilization, the scripts of various nations around the world were derived from the lower-level religious symbols and scripts of the Sun Religion taught and transmitted by the high priests of Atlantis in different parts of the world. Later, as their global civilization developed to a certain extent, they began to learn and imitate the advanced sacred geometric symbols of the Sun Religion on the Atlantis continent, using them as their own symbol scripts. At the same time, the local priests of various nations around the world also preserved and passed down the traditional lower-level pictographic script of the Atlantis Sun Religion. This was true except for the Mu continent and its linear colonies, as well as the Ancient Maya Kingdom (which possessed the cultural heritage of the ancient Chinese people of the ancient Central field for over ten thousand years).



The language of the Atlantis continent was the universal language in the previous era, and the script used by the Atlantis people was the universally used script in the previous era. The local script of the Atlantis people was written in the same way as the handwritten form of the advanced sacred geometric symbols of the Sun Religion. The daily script used by the various nations around the world also adopted a cursive style.

2 years ago (edited) | [YT] | 1