When a model like Nahjhe swings by the studio for portraits, your work as a photographer is 90% finished. All that’s left to do is turn on a couple of lights and make sure your camera is tethered to the capture software. Everything else sort of happens by magic.
Black and whites are digital: - Canon 5Diii - 24-105mm f4.0 & 50mm f1.8 - CaptureOne
The color shots are Kodak Vision 3 250t. We’re still in testing with different stocks and Vision is our current favorite for portrait stills. It’s heightened without losing realism. Film gear was: - Mamiya NC100s - 50mm f1.7
Jesse Koester
When a model like Nahjhe swings by the studio for portraits, your work as a photographer is 90% finished. All that’s left to do is turn on a couple of lights and make sure your camera is tethered to the capture software. Everything else sort of happens by magic.
Black and whites are digital:
- Canon 5Diii
- 24-105mm f4.0 & 50mm f1.8
- CaptureOne
The color shots are Kodak Vision 3 250t. We’re still in testing with different stocks and Vision is our current favorite for portrait stills. It’s heightened without losing realism. Film gear was:
- Mamiya NC100s
- 50mm f1.7
1 year ago | [YT] | 0