They think clients pay them to cut clips or throw on some animations… but that’s wrong.
Clients pay for story, emotion, retention, and results. That’s exactly why creators with millions of subs (like Airrack) reach out to me — not because I “cut better,” but because I approach editing like a filmmaker and a creative entrepreneur.
That shift — from commoditized “clip cutter” → to story architect & business-minded creative — is what took me from broke editor to earning $16–25K/month consistently.
In my latest video, I break down the 3 lessons I wish I knew years ago that completely changed how I make money editing: 1️⃣ Don’t be an editor who cuts → Be a filmmaker who edits 2️⃣ Stop running your career like an editor → Think like an entrepreneur 3️⃣ Tie your edits to ROI → reputation, retention, and results
Dylan Reynolds Films
🚨 Most editors are stuck in a trap.
They think clients pay them to cut clips or throw on some animations… but that’s wrong.
Clients pay for story, emotion, retention, and results. That’s exactly why creators with millions of subs (like Airrack) reach out to me — not because I “cut better,” but because I approach editing like a filmmaker and a creative entrepreneur.
That shift — from commoditized “clip cutter” → to story architect & business-minded creative — is what took me from broke editor to earning $16–25K/month consistently.
In my latest video, I break down the 3 lessons I wish I knew years ago that completely changed how I make money editing:
1️⃣ Don’t be an editor who cuts → Be a filmmaker who edits
2️⃣ Stop running your career like an editor → Think like an entrepreneur
3️⃣ Tie your edits to ROI → reputation, retention, and results
1 month ago | [YT] | 20