MCs back then, well in 90’s anyway, myself included when I was being artist and not producing others, would literally ask what machines producers had, cause it definitely weighed on decision to work with them or not, especially in paid situations, I remember having to buy an mpc2k xl JUST to be taken seriously when artist would see it sitting there, even when I was still learning it and actually making the beats on my 202 still lol, it was literally a sales prop first 6 months it sat in my studio 🤣
1 year ago
| 4
how many classics have been made on the sp 12 never mind the sp 1200 with the bare minimums...producers these days have too many options back then 8 seconds of sample time and 16 gigabytes of ram was out of this world
1 year ago | 7
Man I miss my sp12. 5 seconds of sample time and commodore disk drive. Use to bang on it when it froze up. Paid 70 bucks for that piece.
1 year ago | 1
It would be better to go the way of ISLA's S2400 but I'm good with "The Highlander"(Akai MPC ONE) all this financial finessing with the gear is on maximum overdrive.
1 year ago (edited) | 4
Dang I thought you would’ve had a video falling in love with the APC64 already. Did you forget that you love purchasing/critiquing everything made by akai?
1 year ago (edited) | 0
Lab & Legacy by @iamsight
Imagine the frustration and horror of having to keep your intellectual superiority over other producers to yourself back then. 😂😂😂 I guess some arguments never get old.
1 year ago | [YT] | 45