CALL ME BY YOUR NAME's Peach Scene: Book vs. Film | Making a Scene

James Ivory on MAURICE’s Sexiest Scene | Making a Scene

Colm Tóibín's Favourite Scene Is The One He Didn't Write | Making A Scene

The Cinematography of MOONLIGHT with James Laxton | Making A Scene

Analyzing Space and Perspective in Brian De Palma's BODY DOUBLE | Making a Scene

WE LIVE IN TIME: The Birth Scene According to Florence Pugh | Making a Scene

ALL OF US STRANGERS' Most Essential Scene According to Andrew Haigh | Making a Scene

Regina King on the Scene that Won Her an Oscar | Making a Scene

NICKEL BOYS' POV with RaMell Ross, Ethan Herisse & Brandon Wilson | Making a Scene | TIFF 2025

ANORA: The 28 minute Home Invasion Scene According to Sean Baker | Making a Scene | TIFF 2024

A Breakdown of GET OUT’s First and Last Scenes | Making a Scene

Why MARIE ANTOINETTE Shoe Montage Is "Basically a Music Video" | Making a Scene

How Ruben Östlund Made TRIANGLE OF SADNESS' Most Nauseating Sequence | Making a Scene

Creating Sandra Oh's Toronto Transit Apocalypse in LAST NIGHT with Don McKellar | MAKING A SCENE