13:29
CINEMATIC MAGIC #1: USING A DANA DOLLY TO ENHANCE YOUR PRODUCTION
Deaf Director
17:49
CANON R5: Building the ULTIMATE CINEMA RIG
13:00
Could Roger Deakins be WRONG? Cove Lighting vs 3 Point Lighting
13:10
DJI RS3 PRO: I just FILMED 100,000 People with THIS RIG
8:17
An EVF on a DJI RS3? How (& Why) I modded my Gimbal this way.
5:57
Combining a DANA DOLLY and a DJI RS3? Just do it
3:19
MAKING AN INDIE FILM (BTS): PART 3 - Location, Location, Location
13:53
DJI RS3 + A DANA DOLLY?: The eMOTIMO SA2.6 supercharges both!
6:33
The Exposure QUADRANGLE??? How the FREEWELL M2 Magnetic ND system gives you professional control
9:13
How to TRANSFORM A White Hallway into something "Cinematic?"
10:17
Lighting a Restaurant Scene Tutorial with simple lights
18:36
DJI RS3 - Cinema Conversion Kit. Take your Gimbal to the next level
3:47
One location, FIVE different Interview setups? These are the tools you need.
15:06
Why you NEED NDs for professional image control. A look at the FREEWELL V2 VND System
15:53
Can DZOFILM Vespid Primes actually handle a Feature film?
13:48
A Macro CINE LENS?! How the DZOFILM GNOSIS Lenses will change how you shoot.
8:51
How to Light a Giant Outdoor Night Scene with 5 lights or less
