Phillip Sear plays a selection of pieces, mainly from the late 19th and early 20th century.
"The 19th and early 20th centuries marked a transformative period for piano music in the United States, characterized by a rich blend of European influences and emerging distinctly American musical voices. During this era, European-trained composers like Louis Moreau Gottschalk began incorporating elements of African American, Creole, and Caribbean musical traditions into classical piano compositions, creating a uniquely American sound. Composers such as Edward MacDowell sought to develop a national musical identity, drawing inspiration from Native American melodies and the expansive American landscape. Meanwhile, performance venues expanded, with concert halls and private salons becoming important spaces for piano music, and the growing popularity of sheet music and player pianos made musical performance more accessible to a broader segment of society.
The early 20th century saw further evolution, with composers like Charles Ives pushing the boundaries of traditional musical composition by experimenting with innovative harmonies and incorporating elements of everyday American sounds into their works. African American musicians like Scott Joplin were instrumental in developing ragtime, a piano-based musical form that would significantly influence jazz and popular music. Women pianists and composers, such as Amy Beach, also gained prominence during this period, challenging gender barriers in the classical music world. The piano became not just an instrument of classical performance, but a centerpiece of American musical innovation, reflecting the country's growing cultural complexity and artistic ambition. This era laid the groundwork for the diverse and dynamic musical landscape that would define American music in the decades to come." (Claude, 4/12/24).
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