1:25
‘It’s all about the character I choose and its value to the film,’ says #sriyareddy .
Galatta Plus
0:51
‘The jokes in the film are lively but not cringe,’ shares #kiranabbavaram .
1:14
#sriyareddy says that having power is essential, it prevents people from being taken advantage of.
1:05
#rishabshetty emphasizes the importance of keeping every action sequence as realistic as possible.
0:42
‘I’m a teetotaler and have never drunk alcohol in my life,’ says #sriyareddy .
0:46
#sriyareddy shares that appearances don’t matter to her when it comes to films.
0:57
#rishabshetty says he feels genuinely curious whenever he talks about his DOP, #aravindkashyup .
0:54
#kiranabbavaram says that filmmaking often revolves around money.
#rishabshetty opens about the various risks & challenges encountered during the making of #Kantara.
0:36
‘Here’s how #ravikchandran used to portray me on camera,’ says #sriyareddy .
0:41
‘Audiences connect more with relatable comedy than the star or the movie,’ says #kiranabbavaram .
‘I always believe that you can’t switch it on and off; I stay in my character,’ says #sriyareddy .
0:33
#harishsivaramakrishnan talks about the sound that Agam wants to explore.
1:20
#premkumar admits that he struggles with reading and doesn’t have the habit of reading regularly.
1:08
#kiranabbavaram shares that his upcoming film Kramp is purely focused on providing entertainment.
1:03
“The way you explain already carries the answer, sir," #rishabshetty tells #baradwajrangan .
1:00
#kiranabbavaram , discusses the challenges of cross-industry film releases.
0:38
'Money and fame were never the driving force; it’s been working with good people,’ says #sriyareddy.
0:48
#premkumar shares about the music used in the emotional ‘sister’s anklets’ scene in #meiyazhagan .
0:43
#sriyareddy describes #lokah is a highly progressive film that stands out for its bold approach.
My intention has always been to deliver quality work, as he comes from the audience’s perspective.
1:01
‘#samurai is a film I somehow tend to forget,’ says #sriyareddy .
1:19
#rishabshetty reveals how sound played a crucial role in shaping the intensity of #kantara .
‘I don’t even know how to hold a cigarette, and I don’t get into that aspect at all,’ #sriyareddy.
0:47
#rishabshetty reveals details about the horse scene in #kantara
0:27
‘We’re mixing rock progressive music with Carnatic vocals right now,’ says #harishsivaramakrishnan .
0:45
#sriyareddy talks about what she felt while acting alongside #vikram in 'Samurai'.
1:40
#Premkumar talks about what he considers the biggest challenge faced by directors in Tamil cinema.
0:52
Discussing her career beginnings, #sriyareddy's journey she undertook while being part of SS Music.
#kiranabbavaram reflects on his earlier days, saying he started out as an independent filmmaker.
#kiranabbavaram explains why he doesn’t consider himself a failure in his acting career.
0:39
#rishabshetty shares that he finds satisfaction when a scene reflects exactly what he envisions.
‘Working with understanding, progressive people makes you feel completely free,’ says #sriyareddy .
1:18
#kiranabbavaram explains why his upcoming project #kramp holds a special place in his heart.
#sriyareddy shares her desire to work in environments where she can connect deeply with her Art.
#rishabshetty drops a hint about the element of reincarnation explored in #kantara .
#kiranabbavaram revealed why the film was titled #kramp .
1:17
#premkumar points out that films from our industry aren’t celebrated as much as other industries.
#kiranabbavaram reflects on his current lifestyle, saying he is enjoying a smooth & steady journey.
#rishabshetty shares his uncertainty, saying, ‘I don’t know if there will be another #kantara .'
1:57
#premkumar emphasizes the value of togetherness, saying, ‘Unity is everything and important.’
0:59
#sriyareddy reflects on her journey, saying she is no longer the person who portrayed in #veyil .
0:56
#kiranabbavaram shares insights about his upcoming project #kramp.
0:53
‘I am not doing my next film without any sort of sword,’ shares #sriyareddy .
#kiranabbavaram shares that his middle-class life taught him to live every moment to the fullest.
2:27
#premkumar opens up about his views on the growing trend of film re-releases.
#kiranabbavaram reveals that he holds strong faith in his upcoming film 'The Chennai Love Story'.
#sriyareddy shares that she believes she brought a sense of realness to her performance.
1:10
#premkumar shares that he learnt Hindi out of necessity.
1:12
#rishabshetty highlighted the importance of the forest scenes in #kantara .
0:49
#premkumar shares that music has always been an integral part of his family life.
‘I’m the kind of person who doesn’t like to talk much and just focuses on my work,’ says#sriyareddy.
#premkumar opens up on how the music was crafted for the reunion food scene.
1:43
“What I particularly loved were the two lines included in the trailer,” says #baradwajrangan .
‘I have a certain confidence when I bring myself to singing Carnatic music' #harishsivaramakrishnan.
#premkumar opens up about his experience working with #govindvasantha .
1:35
‘I am an introvert, and I need to be comfortable with the people I work with,’ says #sriyareddy .
#rishabshetty shares his thought process while planning a shot.
1:02
‘I want to explore everything in cinema, just like Michael Jackson did with music,’ says #premkumar.
#sriyareddy reveals that SS Music was the first opportunity that came to him right after school.
Original language films may stay within one state, whereas Hindi films can reach everywhere.
#premkumar emphasizes the importance of choosing each shot with care.
#sriyareddy believes that honesty and integrity are the foundation for everything fall into place.
‘Originally, violin was never a part of the kaacheri tradition,’ shares #harishsivaramakrishnan .
#PremKumar emphasizes the importance of carefully choosing each shot.
0:58
‘The whole song embodies the silence that remains,’ share #harishsivaramakrishnan .
0:44
‘The way #kantara is shown is completely different,’ says #baradwajrangan .
1:21
#premkumar opens up about what he felt when he started as a cinematographer.
#rishabshetty clarifies - while the film isn’t the story of Kadhamba, it incorporates its timeline.
‘During the shoot of Salaar,I made it a routine to do 50-60 push-ups regularly,’shares #sriyareddy.
‘Giriraja Sutha’ was written to elevate the spirit — a blend of musical styles coming together.
1:42
#premkumar - during shoots, he prefers not to watch the monitor, instead to face the scene directly.
1:06
‘Western music hasn’t really adapted Carnatic elements,’ says #harishsivaramakrishnan .
"Stepping into a role in 'Abraham Ozler' was quite intimidating for me at first."#arjunashokan
1:24
“#neerajghaywan admits,‘Imagination feels limited to me, which is why I often borrow from reality.’”
“After the movie’s release, we received lots of messages about #thalavara .”
I remained conscious at every step,avoiding anything that might disrupt my dream of entering cinema.
#rishabshetty looks back on the making of Kantara: Chapter 1 and his experience during its creation.
#premkumar shares that he truly learned to communicate only after stepping into direction.
Sharing a fun memory, #kavin talks about the bike ride with #vetrimaaran on set. #Kiss
2:08
"#dominicarun opens up on his experience working with #tovinothomas .”
‘To become a true fusion band, it takes a lot of hard work,’ says #harishsivaramakrishnan .
2:24
Since the producer of 'Pandian Stores' is also the producer of #kumaarasambavam. #kumaranthangarajan
#kavin shares that #hvinoth told him this personally.
1:33
#premkumar explains why he chose not to handle cinematography for #meiyazhagan and #96.
‘Everyone is truly committed to their work,’ says #shanthanu .
1:16
‘Our cinematographer Aravind was very curious about the Guliga scene,’ shares #rishabshetty .
#harishsivaramakrishnan shares his thoughts on the unique beauty of progressive metal music.
#premkumar shares that maintaining a rhythm in storytelling is essential to his creative process.
“These are the films that shaped me in the industry,’ says #premkumar .
0:55
#HarishSivaramakrishnan shares how Carnatic music gave him the wings to explore beyond boundaries.
‘Something kept pushing us to finish the film, no matter the struggles,’ says #rishabshetty .
#premkumar opens up about how he identifies the true goodness in a person.
1:34
‘I’m more of a cricket player; I don’t really know kabaddi,’ shares #shanthnu about the film #balti.
#rishabshetty acknowledges, ‘Aravind is my pillar of strength.’
1:23
Some of the significance of camera handling comes from within us, shares #premkumar .
0:30
‘We thought the sound would be the same for Sita Kalyana Vaibhogame,’ shares#harishsivaramakrishnan
#rishabshetty reflects, ‘Certain experiences in life are beyond explanation.’
#harishsivaramakrishnan shares his thoughts on the song 'Rangapura Vihara'.
As a cameraman, I never wanted to confine myself to a particular style.#premkumar
#harishsivaramakrishnan opens up about how some people accuse him of desecrating traditional music.
‘#karthi already had the #meiyazhagan quality in him — he’s very straightforward,’ says #premkumar .
#rishabshetty opens up about the passing of an actor who featured in #Kantara.
#harishsivaramakrishnan shares how they create an entire song.
1:26
#premkumar shares that #karthi is the only actor he truly admires.
1:29
#harishsivaramakrishnan shares the ideology behind how they create music.
1:48
‘I don’t want to blame only the actors—no one can judge a story,’ says #premkumar.
‘Carnatic music is the base of every song we create,’ says #harishsivaramakrishnan .
‘As a manager, I’ve witnessed both the good and the not-so-good sides of people,’ says #premkumar .
1:13
‘The idea was to bring Carnatic music in a new format,’ says #harishsivaramakrishnan about #agam .
#premkumar shares the real-life experiences that inspired the film.
1:15
#shanthnu reflects on what makes a film click with the audience, taking #lokah as an example.
“‘I had so much fun with VTV Ganesh sir during Dada shoot,’ recalls #Kavin.”
#premkumar shares insights about the significance of the lamp scene in #meiyazhagan .
1:28
#kavin reflects on the way he closely observes and collaborative with his directors.
I am always just #shanthanu now,’ says #shanthanu
1:44
#kavin emphasizes that he wants the film to be animated, rather than regular live-action production.
#shanthnu shares that he truly enjoys and admires science fiction films.
I think with the film like #kantara .. #poojahegde
#premkumar shares that he suggested an alternative idea to the cameraman.”
#karthikgattamneni shares insights into the writing process behind #Mirai.
#premkumar admires the grounded nature and simplicity of actor #karthi .”
2:17
“‘#naseeruddinshah is a legend I deeply admire,’ says #premkumar .”
“When I tense up, my voice constricts.” shares #sidsriram
Speaking about his film #mirai , #karthikgattamneni opened up on the character of #tejasajja
1:07
#rishabshetty opened up about Panjurli, reflecting on its significance and the depth it brings...
#shanthanu talks about the false hype circulating on social media nowadays.
#premkumar shares the challenges a film encounters from reviewers.
‘The king’s story scene was built from thousands of years of songs,’ says #rishabshetty .
#karthikgattamneni reveals that they anticipated a 3–4 year journey to complete the film.
"I draw a parallel between reviewers and piracy," says #premkumar .
#rishabshetty discusses the divine aspect of #Panjuruli .
"Reviewing movies in the Tamil film industry is at its worst," shares #premkumar
"‘We relied on MidJourney to get a visual idea,’ shares #karthikgattamneni ."
#rishabshetty reveals details about the horse scene in #kantara."
#premkumar shares his thoughts on the reviewers.
The long wait between the two films makes you easily overlook the flaws.#SunnySanskariKiTulsiKumari
When in rom-com mode, the film works like a charm.#SunnySanskariKiTulsiKumari#Baradwajranganreviews
"#shashankkhaitan has directed the film and co-written it with #IshitaMoitra."#baradwajranganreview
#varundhawan plays first part of the title #sunnysanskarikitulsikumari,&Janhvi Kapoor the last part.
"I’ve achieved success in my own way, but I still haven’t matched the expectations,shares #shanthnu"
Expressing his deep faith, that his belief in God assured him of the sacredness of the jewels.
#mirai is the result of several good people coming together, shares #karthikgattamneni .
0:50
"The reception wasn’t uniform; certain reviews labeled the movie as substandard, reveals #premkumar"
"I was not the main #thuppaki villain..." #vidyutjammwal
#shanthanu opens up about the patience and perseverance that guide his career journey.
“We have good films and filmmakers, but face budget constraints.”#jeethujoseph
0:34
“I am Shanthnu, not just Shanthnu Bhagyaraj. I’ve carved my own path to success,” says #shanthnu.
#jeethujoseph shares that #aadhi was a story he had kept in mind for a long time.
The screenplay tries a bit of “magical realism”,you will? in the spirit of movies from Devar Films.
#idlikadai could have been that rare mainstream film that redefines what it means to be a hero.
The first half is too simplistic,& there’s way too much melodrama,by #gvprakash non-stop score.
#idlikadai is #dhanush’s fourth film as director,& guiding spirit of the story is a good-hearted man
“‘#fahadhfaasil has an unbreakable love for cinema,’ says #premkumar .”
1:30
#sidsriram shares his recording memories of the song Srivalli.
‘We wanted no one hurt during research, so we consulted those who knew it best,’ #rishabshetty .
#sidsriram says his song Unna Nenachu with #ilayaraja sir shows the true beauty of tone.
2:35
“I can now share the idea with you.”😅😂#rishabshetty
1:58
#sidsriram talks about the ways boxing made him better.
‘I had no idea how the serial system worked at first,’ says #kumaranthangarajan .
1:11
#rishabshetty opens up on crafting the intense buffalo racing scene in #kantara .
‘My plan was to become a hero—not through any one set path,’ says #kumaranthangarajan .
“Rishab Shetty opens up about the process behind writing the story.”
#kumaranthangarajan reveals that serials often move forward without a fixed schedule or plan.
0:40
The producer approved the story after I presented merely two lines.#rishabshetty
“I wanted to be appreciated by people,” says #neerajghaywan .
#kumaranthangarajan shares his desire to work on both an action script and a romantic story.
1:04
#premkumar shares his approach to writing stories for his films.
0:35
#shanthnu shares that the most important lesson he has learned in life is patience.
#premkumar explains why the film Meiyazhagan worked well on OTT but not in theatres.
“Life gives a lot, but for me, it’s all for acting,” shares #kumaranthangarajan .
#shanthnu shared that addressing personal questions directly ensures they no longer remain a bother.
“I am not bound by fear,” remarks #premkumar .
0:32
#shanthnu shared his perspective that he wants to stay in touch with the audience.
The inspiration was drawn from #nagrajmanjule, director of #sairat , ” says #neerajghaywan.
‘Except 96, I’ve written all my stories over a long period,’ says #premkumar.
2:14
#rishabshetty shares his insights on portraying the character Kisore.
1:22
#neerajghaywan shares his thoughts on #martinscorsese .
#premkumar reveals details about his upcoming movie with #fahadhfaasil .
“We should take things as responsibility, not as pressure.”#rishabshetty
My belief is simple: time always gives you what’s meant for you, at the right moment.#shanthnu
‘I’ve been particular with other films, but this time I’m casual,’ says #vishaljethwa .
“My storytelling process is totally influenced by my grandparents, says #premkumar .”
I said this to Vijay Kiragandur, shares #rishabshetty .
"My father wants me to become an actor," shares #kumaranthangarajan , expressing his happiness.♥️
1:49
"I'm sure about one thing — once people hear the song'oo antava', they can't stop." #devisriprasad
0:31
“I want to try every genre,” says #kavin , reflecting on how he chooses his films.
1:09
#rishabshetty shares how rising expectations begin to influence the writing process.
“#mgr is a great example of how people receive a film well if it is made well, shares #sundarc ”
"I Was Hooked from the First Read," shares #manikandan on the Character Design in #kudumbasthan
#santhybalachandran opens up about #naslenkgafoor and the impact of his performance in #lokah .
“Following the release of Neru,we received countless mails&messages from the audience.”#jeethujoseph
“I will always say the audience comes first, and they will always be my priority.” #rishabshetty