Keeping it quick, simple and to the point ... Art and Film Creative | Fashion/Costume Designer: bit.ly/3yI3GOJ Full time Gemini ... on the Orinoco Flow | CINEMA COFFEE write-ups and videos | TCM 20 Guest Programmer | #ForMyMom | Classic Film fanatic | BETTYE The Miniseries: bit.ly/2XBV9Nn
xoxo
Dominique Revue
As shown and discussed in my write-up (link below), here are two pieces I designed/created from my collection that I displayed (1st photo) and wore (3rd photo) to pay homage not just to #DorothyDandridge's 1955 and 1957 #Oscars appearances, but to her prevalent look. Effortlessly enchanting. Timeless.
Dorothy's pre- and post-CARMEN JONES trail is as much a story as the filming itself. Performances, guest appearances, campaigns, engagements, interviews, photoshoots . . . LIFE Magazine.
My new essay, INTRODUCING DOROTHY DANDRIDGE . . . The Actress:
https://dominiquerevue.weebly.com/cinema-coffee-introducing-dorothy-dandridge----the-actress.html
#oldhollywood #academyawards #vintageglamour
1 month ago | [YT] | 0
View 0 replies
Dominique Revue
ICYMI: New video on the channel: youtube.com/shorts/vXrvsKCQlN...
#FashionFriday à la #SABRINA (1954) . . . #AudreyHepburn #costumedesign #film #bestcostume #oscar
Droppin' one of my favorite gowns in cinema . . . worn singularly and exquisitely *as no other* ✍🏾 by Miss Audrey Hepburn.
👗: Givenchy
"... a modern version of the Cinderella fable ..."
—Atkinson, The Times
SABRINA (1954) just gets me . . . it's like:
Paris ☑️
Fashion ☑️
And SABRINA FAIR—by Samuel Taylor—is like . . .
AND we'll throw in THREE attractive men vying for your attention. ☑️
All draped in chic. 💅🏾
"SABRINA FAIR is a delightful, sparkling hit."
—Robert Coleman, NY Mirror
I have said this many times before, but if you ever get an opportunity to read SABRINA FAIR by Samuel Taylor, I highly recommend it.
Read it a couple of summers ago for a friend's Audrey Hepburn summer read challenge . . . and LOVED it.
"I have learned how to live, how to be IN the world and OF the world, and not just to stand aside and watch..."
—Sabrina Fairchild
My "CINEMA COFFEE: The Moon's Reaching for Me . . ." essay:
https://dominiquerevue.weebly.com/cinema-coffee-the-moons-reaching-for-me.html
2 months ago (edited) | [YT] | 1
View 0 replies
Dominique Revue
Introducing #DorothyDandridge . . . The Actress
This past Sunday, March 15th, I was invited to be a guest on HOLLYWOOD KITCHEN as I participated in the "Oscar Night Fashion" episode.
My topic? Miss Dorothy Dandridge and her 1955 (and 1957) Academy Awards appearances!
I wanted to follow-up my discussion with an in-depth piece dedicated to Dorothy Dandridge herself and her Academy Awards journey, before, during, and after.
Read my *NEW* essay on Dorothy Dandridge, INTRODUCING DOROTHY DANDRIDGE . . . The Actress, at my Dominique Revue website:
https://dominiquerevue.weebly.com/cinema-coffee-introducing-dorothy-dandridge----the-actress.html
2 months ago | [YT] | 1
View 0 replies
Dominique Revue
Opinion, mine.
What draws my attention to this production still from RECKLESS (1935)—first photo— is how Nina Mae McKinney is the focal point—no shade against Jean Harlow, whom I *adore*—but Nina Mae captures your attention instantly.
On the downside, what *always* captures my attention in the film, RECKLESS (1935), is how Nina Mae McKinney has little to no screen time during her brief performance—seen in the background and singing during the finale—in the 'Reckless' number.
With her initial scenes being cut to what we do see in the film, McKinney is only seen from a distance, even while singing. No close-up. If you did not know it was her going into the scene, you would miss her. Almost.
Because I also feel even without a close-up, Nina Mae McKinney had 👏🏾 such 👏🏾 a 👏🏾 presence, your eye goes to her when you see the sequin dress—gowns by Adrian—sparkle when she's first seen onscreen, that goes beyond just the dress, but the person carrying the dress.
You want to know who she is. And from my point of view, you want a story surrounding her as the character, a lead in a similar type of film, if not THIS film. RECKLESS ... Starring Nina Mae McKinney. Wouldn't that have been CAPTIVATING. No. That wasn't a question.
2 months ago | [YT] | 4
View 0 replies
Dominique Revue
"Sweet Lorraine. That's the way I always felt about her, and so I won't apologize for calling her that now. She understood it[...]I loved her, she was my sister and my comrade. Her going did not so much make me lonely as make me realize how lonely we were..."
—James Baldwin
📷: Lorraine Hansberry in her NYC apartment
📸: David Attie
1959
2 months ago | [YT] | 4
View 0 replies
Dominique Revue
“Beneatha is me, eight years ago.”
—Lorraine Hansberry, to Mike Wallace in 1960
📷: Writer/playwright, Lorraine Hansberry, in her 337 Bleecker Street New York City apartment where she wrote the first Broadway play by a Black American woman, A RAISIN IN THE SUN.
📸: David Attie
April 1959
2 months ago | [YT] | 4
View 0 replies
Dominique Revue
I've created a video for #BlackHistoryMonth annually, highlighting classic Black artists.
Another year. Another #BHM. Another annual video.
It's February . . . BLACK HISTORY MONTH 2026 Edition 👊🏾 . . . *cue music*
Song: "Little Bitty Pretty One"
Sung by: Frankie Lymon and The Teenagers
For more of my creative work, visit me at: www.dominiquerevue.weebly.com
(For my other #BHM videos, visit my YouTube Channel #BLACKHISTORYMONTH playlist: youtube.com/@dominiquerevue?si=PAAmMB0C6ZXVbGrP)
2 months ago | [YT] | 0
View 0 replies
Dominique Revue
A heartfelt thank you to anyone who has liked any of my videos on my YouTube Channel or has subscribed! Each and every like and subscription is appreciated. It brightens my heart. Truly. Thank you.
4 months ago | [YT] | 3
View 0 replies
Dominique Revue
ICYMI: TODAY @ 12pmCT
LITTLE AFRICA REMEMBERED BY HOWARD BRECKENRIDGE (2025) . . . The Black history of a once-prominent all-Black community in Louisville, Kentucky:
Remembered by Howard Breckenridge
Filmed and directed by Dominique Breckenridge
WATCH. SHARE. SUBSCRIBE.
8 months ago (edited) | [YT] | 0
View 0 replies
Dominique Revue
No matter where you stand on the controversy of the television show, THE AMOS 'N' ANDY SHOW is history.
While we cannot ignore its racial origins, to take away AMOS 'N' ANDY's place in history is to take away these Black actors' work. And that . . . I cannot do.
Read my deep dive into the Black actors who brought the characters to the television screen in my ✨NEW✨ piece, GIVING B(L)ACK OUR VOICE: A Moment with AMOS 'N' ANDY by Dominique Breckenridge:
https://dominiquerevue.weebly.com/giving-black-our-voice-a-moment-with-amos-andy----and-the-kingfish.html
8 months ago | [YT] | 0
View 0 replies
Load more