The Absolute Sound is the world's preeminent source of expert reviews, features, and commentary on high-performance audio and music. Since 1973, TAS has set the standard for quality audio and music journalism, helping to shape the industry and guiding audio enthusiasts and music lovers to components and recordings that faithfully reproduce the sounds one might hear in a good concert hall.
The Absolute Sound is a monthly print and digital magazine (editor: Robert Harley), a YouTube video producer (editor: Tom Martin), a web destination for those interested in better sound, a weekly newsletter, a Substack blog provider (editors Jason Methfessel and Charles Kinder), and a community of audiophiles and music lovers.
For a Brief History of The Absolute Sound:
www.theabsolutesound.com/articles/fifty-years-of-t…
THE ABSOLUTE SOUND
Despite the persistent "gloom and doom" threads on audio forums, high-end audio has quietly transformed into a massive, highly specialized global industry.
Loudspeakers still dominate the landscape (growing from 42 brands to over 520), but the real wild card has been digital audio. Streaming didn't kill the specialist source business—it fractured it into an entirely new ecosystem of dedicated servers, network bridges, reclockers, and DACs.
What drove this massive proliferation, and how are tiny boutique brands surviving alongside the giants?
👉 Dive into the full historical and economic breakdown: www.theabsolutesound.com/articles/the-great-prolif…
1 hour ago | [YT] | 3
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THE ABSOLUTE SOUND
It was designed to be an "invisible" digital fingerprint. Instead, for high-fidelity listening, digital audio watermarking can act like a subtle veil over the music—restricting high-frequency air and stripping away depth.
In our latest addition to Audiopedia, we break down the architecture of these hidden data streams, the controversial history of how they made their way into - and out of - consumer formats, and exactly how they alter the presentation of a mix.
Have you noticed a difference in watermarked vs. unwatermarked tracks on your system?
👉 Read the full breakdown: www.theabsolutesound.com/articles/digital-audio-wa…
16 hours ago | [YT] | 8
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THE ABSOLUTE SOUND
The new community feature on YouTube now offers an opportunity for audiophiles, like yourself, to connect with reviewers at The Absolute Sound and share your systems and listening experiences with other audiophiles.
From the YouTube mobile app, visit our channel page @TASmagazine and click the 'Visit Community ' button near the top.
We're looking forward to seeing you there!
11 months ago (edited) | [YT] | 32
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THE ABSOLUTE SOUND
Staying in touch with the absolute sound, approximately.
The Pepperland Players do 'Dylan Goes Electric' at @the04center
featuring: Ben Jones, Colin Brooks (@bandofheathens) , @HeathAllyn, Matt Patterson, & @brucehughesofficial
1 year ago (edited) | [YT] | 14
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THE ABSOLUTE SOUND
open.substack.com/pub/theabsolutesound/p/conrad-jo…
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THE ABSOLUTE SOUND
Tom Martin (@thomasmartin2219) & @Jason_Methfessel spend 'An Evening with @zoekeating' @the04center in Austin, Texas in an effort to stay in touch with THE ABSOLUTE SOUND.
1 year ago | [YT] | 28
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THE ABSOLUTE SOUND
Tom Martin stays in touch with THE ABSOLUTE SOUND via a performance of Verdi’s Requiem.
1 year ago (edited) | [YT] | 59
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THE ABSOLUTE SOUND
Sharaf DG “Sound Culture Project” retail kickoff in Dubai in Partnership with The Absolute Sound.
1 year ago | [YT] | 40
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THE ABSOLUTE SOUND
Which one of these other social media platforms would you most like to see more activity from THE ABSOLUTE SOUND
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THE ABSOLUTE SOUND
'The Voice That Is' helps TAS Staff stay in touch with 'The Absolute Sound' with a live Jazz performance of 'The Joe Block Trio.'
#CAF #Jazz #theabsolutesound
1 year ago | [YT] | 48
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