Liam Phan

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1 month ago | [YT] | 1

Liam Phan

Liminal from Echovalescence (Original Motion Picture Soundtrack)

Available Now on all streaming platforms !
music.imusician.pro/a/9mpeDiBF/

Liminal is the first piece from the original score of Echovalescence, a film that follows Tomas, a father confronted with a situation that shatters his sense of reality and forces him to question the boundaries of hope, memory, and loss.

Composed and performed by Liam Phan, the work unfolds as a meditation on impermanence and resonance — where silence becomes a living texture, and each vibration carries the weight of what remains unsaid.

Recorded on a prepared upright piano, mastered by Martyn Heyne (Nils Frahm, Ólafur Arnalds), and mixed by Raphaël Herzig, Liminal bridges the neoclassical and ambient traditions, merging emotional restraint with raw sonic intimacy.

A film by @loicviatte and @waview

Music
Liam Phan

Mix
Raphael Herzig

Master
Lichte Studio - Martyn Heyne

1 month ago | [YT] | 0

Liam Phan

KASRIEL – Introductory Price: 40% Off

What if you could play a forgotten Parisian hymn?
KASRIEL is my first Kontakt 8 library, built from the breathy soul of a 19th-century harmonium handcrafted in Paris between 1840 and 1860.

Recorded in 96kHz / 24bit with three stereo mic pairs, it preserves every creak, swell, and imperfection of this rare instrument. Four expressive modes let you move from soft whispers to rich, undulating waves.

Requires full Kontakt 8.

Available now on Gumroad – use code KASRIEL40 for 40% off.
liamphanmusic.gumroad.com/l/kasriel

#kontaktlibrary #nativeinstruments #sounddesign #gumroad #harmonium #sampling

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4 months ago | [YT] | 0

Liam Phan

KASRIEL – Liam Phan

What if you could play a forgotten Parisian hymn?

KASRIEL is an evocative Kontakt Library built from the breathy soul of a 19th-century harmonium — handcrafted by Louis Maurice Kasriel in Paris between 1840 and 1860. This rare instrument once filled rural classrooms with music, its reeds resonating where only flutes and hand drums could be found.

Captured in 96kHz / 24bit (recorded at 192kHz), KASRIEL channels the voice of French folk and sacred tradition with a rich, organic texture. Three stereo mic pairs were used to honor every nuance:

– AKG C414 (AB) for expansive stereo width
– Schoeps MK4 (XY) for precise center definition
– Neumann KM184 (AB underbody) for low-end warmth and body resonance

Four expressive modes — Hard, Medium, Soft, Waves — with one round robin per note. Slight natural imperfections were preserved: mechanical creaks, subtle dynamic shifts, and breath-like swells from the pressure system.

Tuned to A=440 Hz. Lightly denoised and normalized (LUFS + PEAK) for consistency. Requires full version of Kontakt 8.

My first Kontakt library. Captured in one long, dedicated day — for those who value imperfect beauty over polish.

Available on GUMROAD
liamphanmusic.gumroad.com/l/kasriel

Follow Me
liamphan.com/platforms

Cover Performance by Liam Phan
Radiohead – Motion Picture Soundtrack

Original Credits:
Written and performed by Radiohead
Released in 2000 on the album Kid A
℗ XL Recordings / EMI
All rights reserved to the original artists

#kontaktlibrary #kontaktinstruments #nativeinstruments #sampling #samples #pianobook #spitfireaudio #kontakt #nativeinstruments#sounddesign #gumroad #harmoniumkasriel #harmonium

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4 months ago | [YT] | 0

Liam Phan

VELOCE

A new collaboration with my friend Albin on an experiment entitled "Veloce", the basic concept of which is the vertical and random deformation of a geometric object: in this case a city bridge, in the form of velocity and consequent motion blur of the physical camera.

Responsible for the sound part, I first tried to create a powerful, slow rhythm, which was then transformed with Albin’s iterations by a real work of synchro between my percussion and his layers of different lighting.

A synchro made after the fact by Albin, which then led to the creation of the angry melody with Serum2 as well as recordings of violins then weary in a completely destroyed magnetic tape.

The end honestly is a sonic chaos whose process I won’t be able to remember – I thank my modular synth for the random work.

#cgi #motiondesign #blender3d #rendering #aftereffects #experimentalart #motion #renderfarm #compositing

6 months ago | [YT] | 0