Jennine Lanouette is a screenwriting and script analysis instructor and story consultant. She has taught at Pixar, Lucasfilm and Sundance Collab, as well as colleges and universities. She has produced media-rich, interactive digital books analyzing Thelma & Louise, Kramer vs. Kramer and The African Queen. In her online course Extraordinary Structure: Analyzing Hidden Story Patterns in the Great Films she analyzes Sunset Boulevard, Network, Parasite, The Farewell and Joker. Additional courses are yet to come. For more information, visit her website: www.screentakes.com.
Screentakes
In a recent discussion I was part of about science fiction and comedy, I was reminded of the parody in ๐๐ข๐ณ๐ฃ๐ช๐ฆ of the opening of 2001. For a fun exercise, watch the opening of 2001: ๐ ๐๐ฑ๐ข๐ค๐ฆ ๐๐ฅ๐บ๐ด๐ด๐ฆ๐บ here: https://www.youtube.com/watch?v=ML1OZ... then watch the opening of ๐๐ข๐ณ๐ฃ๐ช๐ฆ here: https://www.youtube.com/watch?v=KpxMI....
Two summers ago, we relished the opportunity to see ๐๐ข๐ณ๐ฃ๐ช๐ฆ on the big screen. Many of us immediately recognized and laughed at its parody of 2001. But the opportunity to see the two sequences back-to-back on Youtube is a gift of the small screen not to be missed.
The first task of any comedy is to inform the audience that theyโre supposed to laugh. Thereโs a famous story about the original Broadway production of ๐ ๐๐ถ๐ฏ๐ฏ๐บ ๐๐ฉ๐ช๐ฏ๐จ ๐๐ข๐ฑ๐ฑ๐ฆ๐ฏ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ข๐บ ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐๐ฐ๐ณ๐ถ๐ฎ, later made into a movie directed by Richard Lester. The show was not doing well in previews so Jerome Robbins was brought in to help.
Robbins observed that the show opened with a romantic number and figured out that the audience wasnโt picking up that they were supposed to laugh, despite the showโs title. He recommended a more comedic opening and Stephen Sondheim wrote โComedy Tonight,โ literally telling the audience, โThis is a comedy. Youโre supposed to laugh.โ And from then on, they did.
I see a bit of this in the opening of ๐๐ข๐ณ๐ฃ๐ช๐ฆ. Imagine the film without the 2001 parody at the beginning. Not that we wouldnโt know it's a comedy, but we might not know itโs an ๐ข๐ฅ๐ถ๐ญ๐ต comedy with something important to tell us. Itโs a film about a toy. We could easily mistake it for a childrenโs film that has a few wink-wink adult jokes in it. Opening with a parody of such a ponderous and profound film as 2001: ๐ ๐๐ฑ๐ข๐ค๐ฆ ๐๐ฅ๐บ๐ด๐ด๐ฆ๐บ signals that this is humor for adults. Itโs inviting the adults into a story speaking to them. Then it tells us weโre going to have fun.
2001: ๐ ๐๐ฑ๐ข๐ค๐ฆ ๐๐ฅ๐บ๐ด๐ด๐ฆ๐บ begins with The Dawn of Man. ๐๐ข๐ณ๐ฃ๐ช๐ฆ begins with The Dawn of Woman.
Take a look at some of your favorite comedies and see if thereโs a moment at the beginning thatโs signaling youโre supposed to laugh.
Jennine
๐ฃ.๐ฆ. ๐โ๐บ ๐ผ๐ป ๐ฆ๐๐ฏ๐๐๐ฎ๐ฐ๐ธ! For now, Iโm keeping it paywall-free with just a voluntary option to support my work through donation. You can follow my posts here: substack.com/@screentakes
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Screentakes
๐ข Last Call for ๐๐ฏ๐ค๐ฆ ๐๐ฑ๐ฐ๐ฏ ๐ข ๐๐ช๐ฎ๐ฆ ... ๐ช๐ฏ ๐๐ฐ๐ญ๐ญ๐บ๐ธ๐ฐ๐ฐ๐ฅ Story Structure Analysis Video Course! ๐ข
Donโt miss out on this opportunity to enhance your narrative skills! Today is the last day to sign up for the course and LIVE Q&A.
You'll get:
โ 81 minutes of video analysis
โ Supporting PDFs, and
โ A live Q&A session on June 28th at 1:00 pm PDT
Registration closes tonight, June 24th at 11:59 pm PDT. Register here: www.screentakes.com/webinar/
Hope to see you!
Jennine
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Screentakes
Have you ever wondered what makes ๐๐ฏ๐ค๐ฆ ๐๐ฑ๐ฐ๐ฏ ๐ข ๐๐ช๐ฎ๐ฆ ... ๐ช๐ฏ ๐๐ฐ๐ญ๐ญ๐บ๐ธ๐ฐ๐ฐ๐ฅ so compelling? Itโs all about the story structure. When you see how Quentin Tarantino built this film, you gain insights that can help your own writing.
In my upcoming course, youโll get access to 81 minutes of detailed video analysis and structure PDFs that break down this amazing film. Weโll explore what keeps the audience hooked through its day-in-the-life structure.
Sign up now and transform how you view and create stories. Our live Q&A is on June 28th.
Grab your spot here: www.screentakes.com/webinar/
Jennine
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Screentakes
Did you know that breaking down the master works of others can make your own storytelling better? By studying films like ๐๐ฏ๐ค๐ฆ ๐๐ฑ๐ฐ๐ฏ ๐ข ๐๐ช๐ฎ๐ฆ ... ๐ช๐ฏ ๐๐ฐ๐ญ๐ญ๐บ๐ธ๐ฐ๐ฐ๐ฅ, you can develop your narrative instincts and see your work improve.
In my Story Structure Analysis Video Course, we explore the unique storylines of Rick, Cliff, and Sharon. You'll learn how their interwoven stories create a detailed picture of 1960s Hollywood. This isnโt just about watching a movie; itโs about understanding the intricate patterns that make it successful.
Join us for a deep dive into this filmโs structure. Learn, ask questions, and see your own storytelling transform.
Register by June 24th. Donโt miss out on this chance to grow as a writer!
Register here: www.screentakes.com/webinar/
Hope to see you!
Jennine
1 year ago | [YT] | 1
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Screentakes
The resonance of Joker extends even further than the sensationalism of its plot, and the tragic inner journey of its main character.
The surrounding world that takes up the background of the story is on its own journey.
This is not only an origin story. It is also a cautionary tale that imagines a world, which has itself changed. The film tells us: this is what can happen in a society in which people are abused and neglected on both an individual and collective scale.
Watch the mini analysis below, and please share your thoughts in the comments. - Jennine
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Screentakes
The point of showing you A to B story progressions in all of these well-known films is to help you really absorb how they work.
(Watch The Farewell mini analysisโhttps://youtu.be/YQD-JloJvMs)
When you understand these progressions well enough to be able to identify them in your own screenplay, you'll have more confidence in your work.
You'll also be a more effective advocate for it, as you bring it out into the marketplace to attract producing partners. #storystructure #storyanalysis #screenwriting #screenplay #TheFarewell
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Screentakes
Why am I focusing on these A to B progressions? https://youtu.be/YQD-JloJvMs
Because I realized that for some creative people, being told they need a structure in their story makes them feel like they're being put in a box. So I like to come into talking about story structure by boiling it down to the most fundamental requirement: you have to have a point A and a point B.
Maybe you're resistant to structure because you read all these structure theories that go into your head as intellectual knowledge, but they don't help you because you work instinctively.
This is the purpose behind analyzing successful films. As you do this deep, analytical study with more and more films, you will begin to notice, over time, that you are automatically applying what you learned from the masters without having to think about it.
Watch this weekโs mini analysis of Lulu Wangโs The Farewell: https://youtu.be/YQD-JloJvMs
#storystructure #storyanalysis #screenwriting #TheFarewell #character #storyline
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Screentakes
Watch this weekโs mini-analysis of Lulu Wangโs The Farewell โ
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