Your Creativity is the Activism We Need

Now is the Time to Write! Do NOT Put it Off

Want to Write a Musical in 2026?

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10 Lessons Learned from Musical Industry Readings

Let's Write Some Musicals, Together!

Write With Me! Come On & Join Us!

Don't Write Alone, Write In Community!

Beginning New Collaborations: How to Make Them Work!

Now Is The Time To Write Your Musical!

You Finished Your Script! Now What?

Don't Miss Out On Your Writing Time!

Unlock Your Musical's Potential with the Perfect Collaborator!

What Are You Writing Right Now?

The Full Book Writing Process for Drafting a Musical

Write Your Musicals With Me!

Musical Songwriting Challenge Day 1 - Write GREAT Songs EASILY 2025: Pre-Write, *Not* Rewrite

Let's Write Musicals Together Live!

All Stephen Sondheim Musicals Ranked (Best & Worst)

We’re Writing a Musical (Together)!

The Question Writers Need to Ask When Writing Musical Theatre Songs

2025 Tony Awards Predictions, Projections, & Personal Thoughts

3 Incredible Resources Every Musical Theatre Writer Needs

3 Major Pitfalls to Avoid When Starting a New Musical

A New Path for New Musical Development - James Rodgers (Manhattan Musical Theatre Lab)

How to Make Musicals From Real Life Stories & People

How Have My 3 BIG Musical Inspirations Influenced My Writing?

Write, Create, and Produce Your Musicals the YOU Way

A Day in the Life of a Musical Theatre Writer, Educator & Coach

Want to Change the World? Write a Musical (No, I’m Not Kidding)

How Does the Songwriting Process Actually Work?

The Unexpected Benefits of Writing a Musical

How to Make New Year’s Creative Goals that Stick

Is “Wicked” Now the BEST Movie Musical? Let’s Review!

What Exactly IS a “Game Song” in Musical Theatre?

Writers: Get Unstuck from Exhaustion, Overwhelm & Writer’s Block

Staying Motivated in Your Musical Theatre Writing Journey

Is “Defying Gravity” the BEST Act 1 Finale in Musical Theatre?

Songwriting Challenge Day 1 - Write GREAT Songs EASILY for Musical Theatre: Pre-Write, *Not* Rewrite

Is Your Show READY? When Do You KNOW?

Does Musical Writing & Development Get Easier? Yes…and No

Finances & Theatrical Work: What You Need to Know - Interview with Bailie Slevin

2024 TONY Awards: Recap, Reactions & Review

Deceptively Complex YET Seems So Simple - "I'm In Love with a Wonderful Guy" from South Pacific

"No One Else" from "Natasha, Pierre, and the Great Comet of 1812" Song Analysis - How Does It Work?

Without THIS Your Songs Can NOT Come to Life On Stage

Songwriting Feedback Series Ep. 5 - How to Use Story Songs & Convincing Songs

Songwriting Feedback Series Ep. 4 - Science, Seduction, and When Is It Too Much?

A True Story Musical & An Epic Journey - Interview with the Creators of "My 80 Year-Old Boyfriend"

Character Depth, Religion, Alienation & Composition - Songwriting Feedback Series Ep. 3

Camp vs Serious in a Queer Gothic Monster Love Story - Songwriting Feedback Series Ep. 2

Can You Establish World & Character at the Same Time? - Songwriting Feedback Series Ep. 1

Why Is "Maybe This Time" from Cabaret So Captivating and Effective? - Song Analysis

Why is "Popular" from Wicked So Fun and Well-Loved? - Song Analysis

"Have Yourself a Merry Little Christmas" Hopeful, Morbid, or Bittersweet? - Song Analysis

ALL in One Place - Everything You Need to Write, Create, Develop & Produce New Musical Theatre

Wrap the Audience in Love & Joy - Song Analysis of "Almost Like Being In Love" from Brigadoon

Bring Down the House with a Diva Number - Song Analysis of "Don't Rain On My Parade" from Funny Girl

Is An Ear Worm Melody Filling Enough? - Song Analysis of "Food, Glorious Food" from Oliver!

Brilliant Music & Lyric Interplay for Subtext - Song Analysis of "I Don't Care Much" from Cabaret