Thomas Schoenberger

Some charted the stars...If one dug deep enough, they would find Johann Bayer's Uranometria (Greek for 'sky measurements'), a star atlas and catalogue that contains a total of 51 stellar maps. The book, published in 1603...The kid in the clutches of the eagle is Antinous, who accompanied Hadrian during his attendance of the annual Eleusinian Mysteries in Athens, Antonius died at the age of 19.

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5 hours ago | [YT] | 18

Thomas Schoenberger

Aquila (the Eagle) is prominently visible in the type of Milky Way panorama provided here.The constellation lies right along the galactic plane.If you are looking at a star map and want to locate Aquila:Look for the very bright, standout star that appears isolated or prominent against the Milky Way's density. This is Altair (Alpha Aquilae), the brightest star in Aquila (magnitude ~0.76) and one of the closest bright stars to Earth.
Altair forms the southernmost vertex of the Summer Triangle asterism (along with Vega higher up and Deneb farther along the Milky Way), but in this dense star field, it's often the key anchor point.
From Altair, trace the distinctive pattern: Aquila resembles a crooked diamond, arrow, or eagle shape with outstretched wings.Altair is the "head" or central bright point.

Two lines extend outward/upward: one toward Tarazed (Gamma Aquilae, a bright orange-ish star above Altair) and Alshain (Beta Aquilae, slightly fainter and closer to Altair on the other side), forming the body/neck/wings.
The overall shape looks like a flattened "V" or line with branches, cutting across the Milky Way. V = 5, a prime.

Michael Levine and I composed this on the spot...a miracle in my mind...We declined to identify as the composers, because we were sending a message to the music industry with it's focus on ego and exploitation.

Have we change the game? We do not know yet. But we started something new in music.

And as we witness the music taking root, we are well pleased.

The truth has been lost. Find it.

https://www.youtube.com/watch?v=nRe1e...

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6 hours ago | [YT] | 112

Thomas Schoenberger

https://youtu.be/ZUcbiJq7bZw?si=1cOqQ...

Another collaboration with the ever
Productive ‪@DeepsongProductions‬

Cheers

2 days ago | [YT] | 372

Thomas Schoenberger

archive.4plebs.org/x/thread/17810463


The video was originally called Found

https://www.youtube.com/watch?v=BzA_L...

Quite a chaotic ride....;)

2 days ago | [YT] | 198

Thomas Schoenberger

2013
www.shazam.com/song/710526577/rainy-heart
‪@joshuamowdy9230‬
‪@GreyPuzzlesLLC‬

It's an earlier version, but it's definitely the same song
I guess fish story owes me an apology...

3 days ago | [YT] | 22

Thomas Schoenberger

Promises , promises...

Once you agree to be filmed engaging in sex acts with teenagers, you voluntarily thrust yourself into the public arena and become a public figure by any reasonable legal or cultural standard. The decision to participate in recorded sexual content intended for distribution inherently invites public commentary, scrutiny, and judgment, transforming what might otherwise remain private conduct into a matter of widespread interest. Courts have long recognized that individuals who choose careers or activities involving mass exposure—such as adult entertainment—waive the heightened defamation protections reserved for private citizens, as their actions and image are now fair game for public discourse. This is not a passive consequence but a direct result of the choice to monetize or publicize intimate acts involving younger participants, placing the performer squarely in the spotlight where fame, infamy, and accountability converge.Furthermore, repeated online attacks featuring the individual’s face in full view of the public only reinforce and solidify this public-figure status. When someone’s likeness is repeatedly circulated across social media, forums, and comment sections amid controversies, it demonstrates a level of notoriety that ordinary people never experience. These attacks do not occur in a vacuum; they amplify the original choice to appear on camera, ensuring that the person’s identity and actions remain perpetually accessible and debatable. The sheer volume and visibility of such digital confrontations prove that the individual has become a recognizable fixture in the public eye, subject to the same standards of criticism applied to celebrities, influencers, and other figures who live their lives under constant examination.Said person claims to be a busy comedian juggling a demanding schedule of performances and creative projects, yet the evidence shows she spends the vast majority of her time defaming others rather than advancing her supposed craft. Her public persona as a working stand-up artist serves mainly as a convenient cover story, while her actual daily efforts revolve around launching personal attacks, spreading accusations, and engaging in online feuds that dominate her output. This mismatch between her self-description and her observable behavior reveals a pattern where comedy is little more than an afterthought, subordinated to the pursuit of conflict and notoriety at the expense of genuine artistic or professional growth.Leveraging her lust for attention and her degree in journalism, she systematically lies and constructs pseudo-realities as integral components of a larger deception. Trained in reporting and fact-finding, she instead weaponizes those skills to twist narratives, invent contexts, and manufacture alternate versions of events that serve her agenda while misleading audiences. This calculated blend of journalistic credentials with an insatiable craving for visibility allows her to cloak malice in the guise of commentary, perpetuating falsehoods that erode trust and sustain her relevance through controversy rather than truth. In the end, these tactics expose the foundation of her public presence as one built not on honesty or humor, but on engineered illusions designed to manipulate perception and deflect accountability.

Short version: Hag's be a haggin "

I am brushing aside this Karen and taking matters to court. I have investigators and attorneys and facts....

5 days ago | [YT] | 26

Thomas Schoenberger

The tendrils we used were actually from a clawfoot bathtub where I lived in the 1980s. Constance Bennet the actress used to live there. We also found old Hollywood magazines from the 20s under the bathtub circa 1987...I lived there with my first wife...
I saved one of the clawfeet but forgot where I hid it...I buried it in Griffith Park lol
I like to bury non organic things..

www.loopnet.com/Listing/6210-6220-De-Longpre-Ave-L…

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5 days ago | [YT] | 13

Thomas Schoenberger

This video showed up out of nowhere in 2015. I would have loved to be able to create such perfect music.

This video is from November 2016.


https://www.youtube.com/watch?v=K4_sQ...

5 days ago | [YT] | 632

Thomas Schoenberger

This is me and my parents in 2008.


They were wonderful people.My father was an M.D. and my mother was a medieval literature scholar.

Cory Daniel would have you believe I had no contact with them since 1982. It's part of his bullshit stories, which are inconsistent and predatory.

My parents lived a mile from me from 1990 till their deaths in 2010 and 2018.

We dined twice a week and they attended my parties and everyone loved them.

My dad was an early riser like me, so we had breakfast 3 times a week,.

My father did not get along with my brother and once my dad went senile in 2009, my brother took advantage of both my parents, borrowing huge sums of money he never paid back and then terrorizing my mom in her late 80s.

My parents did not deserve the abuse my brother Dr Stephen Schoenberger of La Jolla California inflicted on them.

Justice is coming .....

6 days ago | [YT] | 445

Thomas Schoenberger

The infamous Michael Aquino interview.
"Brigid is actually Heather Covey, a South Carolina associate of convicted pedophile Dustin Ready and Esteban Trujillo de Gutierrez,

www.youtube.com/playlist?list...

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6 days ago (edited) | [YT] | 3